“But was there in Smith’s taste any such variety as the learned doctor describes? So far as our slight materials go, the very opposite seems to be the case. We have only one actual description of any of the prisoner’s wives– the short but highly poetic account by the aesthetic curate. ‘Her dress was the colour of spring, and her hair of autumn leaves.’ Autumn leaves, of course, are of various colours, some of which would be rather startling in hair (green, for instance); but I think such an expression would be most naturally used of the shades from red-brown to red, especially as ladies with their coppery-coloured hair do frequently wear light artistic greens. Now when we come to the next wife, we find the eccentric lover, when told he is a donkey, answering that donkeys always go after carrots; a remark which Lady Bullingdon evidently regarded as pointless and part of the natural table-talk of a village idiot, but which has an obvious meaning if we suppose that Polly’s hair was red. Passing to the next wife, the one he took from the girls’ school, we find Miss Gridley noticing that the schoolgirl in question wore ‘a reddish-brown dress, that went quietly enough with the warmer colour of her hair.’ In other words, the colour of the girl’s hair was something redder than red-brown. Lastly, the romantic organ-grinder declaimed in the office some poetry that only got as far as the words,–
But I think that a wide study of the worst modern poets will enable us to guess that ‘ringed with a glory of red,’ or ‘ringed with its passionate red,’ was the line that rhymed to ‘head.’ In this case once more, therefore, there is good reason to suppose that Smith fell in love with a girl with some sort of auburn or darkish-red hair–rather,” he said, looking down at the table, “rather like Miss Gray’s hair.”
Cyrus Pym was leaning forward with lowered eyelids, ready with one of his more pedantic interpellations; but Moses Gould suddenly struck his forefinger on his nose, with an expression of extreme astonishment and intelligence in his brilliant eyes.
“Mr. Moon’s contention at present,” interposed Pym, “is not, even if veracious, inconsistent with the lunatico-criminal view of I. Smith, which we have nailed to the mast. Science has long anticipated such a complication. An incurable attraction to a particular type of physical woman is one of the commonest of criminal per-versities, and when not considered narrowly, but in the light of induction and evolution–”
“At this late stage,” said Michael Moon very quietly, “I may perhaps relieve myself of a simple emotion that has been pressing me throughout the proceedings, by saying that induction and evolution may go and boil themselves. The Missing Link and all that is well enough for kids, but I’m talking about things we know here. All we know of the Missing Link is that he is missing–and he won’t be missed either. I know all about his human head and his horrid tail; they belong to a very old game called ‘Heads I win, tails you lose.’ If you do find a fellow’s bones, it proves he lived a long while ago; if you don’t find his bones, it proves how long ago he lived. That is the game you’ve been playing with this Smith affair. Because Smith’s head is small for his shoulders you call him microcephalous; if it had been large, you’d have called it water-on-the-brain. As long as poor old Smith’s seraglio seemed pretty various, variety was the sign of madness: now, because it’s turning out to be a bit monochrome–now monotony is the sign of madness. I suffer from all the disadvantages of being a grown-up person, and I’m jolly well going to get some of the advantages too; and with all politeness I propose not to be bullied with long words instead of short reasons, or consider your business a triumphant progress merely because you’re always finding out that you were wrong. Having relieved myself of these feelings, I have merely to add that I regard Dr. Pym as an ornament to the world far more beautiful than the Parthenon, or the monument on Bunker’s Hill, and that I propose to resume and conclude my remarks on the many marriages of Mr. Innocent Smith.
“Besides this red hair, thee is another unifying thread that runs through these scattered incidents. There is something very peculiar and suggestive about the names of these women. Mr. Trip, you will remember, said he thought the typewriter’s name was Blake, but could not remember exactly. I suggest that it might have been Black, and in that case we have a curious series: Miss Green in Lady Bullingdon’s village; Miss Brown at the Hendon School; Miss Black at the publishers. A chord of colours, as it were, which ends up with Miss Gray at Beacon House, West Hampstead.”
Amid a dead silence Moon continued his exposition. “What is the meaning of this queer coincidence about colours? Personally I cannot doubt for a moment that these names are purely arbitrary names, assumed as part of some general scheme or joke. I think it very probably that they were taken from a series of costumes– that Polly Green only meant Polly (or Mary) when in green, and that Mary Gray only means Mary (or Polly) when in gray. This would explain–”
Cyrus Pym was standing up rigid and almost pallid. “Do you actually mean to suggest–” he cried.
“Yes,” said Michael; “I do mean to suggest that. Innocent Smith has had many wooings, and many weddings for all I know; but he has had only one wife. She was sitting on that chair an hour ago, and is now talking to Miss Duke in the garden.
“Yes, Innocent Smith has behaved here, as he has on hundreds of other occasions, upon a plain and perfectly blameless principle. It is odd and extravagant in the modern world, but not more than any other principle plainly applied in the modern world would be. His principle can be quite simply stated: he refuses to die while he is still alive. He seeks to remind himself, by every electric shock to the intellect, that he is still a man alive, walking on two legs about the world. For this reason he fires bullets at his best friends; for this reason he arranges ladders and collapsible chimneys to steal his own property; for this reason he goes plodding around a whole planet to get back to his own home; and for this reason he has been in the habit of taking the woman whom he loved with a permanent loyalty, and leaving her about (so to speak) at schools, boarding-houses, and places of business, so that he might recover her again and again with a raid and a romantic elopement. He seriously sought by a perpetual recapture of his bride to keep alive the sense of her perpetual value, and the perils that should be run for her sake.
“So far his motives are clear enough; but perhaps his convictions are not quite so clear. I think Innocent Smith has an idea at the bottom of all this. I am by no means sure that I believe it myself, but I am quite sure that it is worth a man’s uttering and defending.
“The idea that Smith is attacking is this. Living in an entangled civilization, he have come to think certain things wrong which are not wrong at all. We have come to think outbreak and exuberance, banging and barging, rotting and wrecking, wrong. In themselves they are not merely pardonable; they are unimpeachable. There is nothing wicked about firing a pistol off even at a friend, so long as you do not mean to hit him and know you won’t. It is no more wrong than throwing a pebble at the sea–less, for you do occasionally hit the sea. There is nothing wrong in bashing down a chimney-pot and breaking through a roof, so long as you are not injuring the life or property of other men. It is no more wrong to choose to enter a house from the top than to choose to open a packing-case from the bottom. There is nothing wicked about walking round the world and coming back to your own house; it is no more wicked than walking round the garden and coming back to your own house. And there is nothing wicked about picking up your wife here, there, and everywhere, if, forsaking all others, you keep only to her so long as you both shall live. It is as innocent as playing a game of hide-and-seek in the garden. You associate such acts with blackguardism by a mere snobbish association, as you think there is something vaguely vile about going (or being seen going) into a pawnbroker’s or a public-house. You think there is something squalid and commonplace about such a connection. You are mistaken.
“This man’s spiritual power has been precisely this, that he has distinguished between custom and creed. He has broken the conventions, but he has kept the commandments. It is as if a man were found gambling wildly in a gambling hell, and you found that he only played for trouser buttons. It is as if you found a man making a clandestine appointment with a lady at a Covent Garden ball, and then you found it was his grandmother. Everything is ugly and discreditable, except the facts; everything is wrong about him, except that he has done no wrong.
“It will then be asked, ‘Why does Innocent Smith continued far into his middle age a farcical existence, that exposes him to so many false charges?’ To this I merely answer that he does it because he really is happy, because he really is hilarious, because he really is a man and alive. He is so young that climbing garden trees and playing silly practical jokes are still to him what they once were to us all. And if you ask me yet again why he alone among men should be fed with such inexhaustible follies, I have a very simple answer to that, though it is one that will not be approved.