Rune nodded nonchalantly. Thinking: One million dollars.
She followed him to a storage room. The minister unlocked the door with keys on a janitor's self-winding coil. Rune asked, "Did Grandfather spend much time in the church itself?"
The minister disappeared into the storage room. Rune heard the sound of boxes sliding along the floor. He called, "No. Not much."
"How about the grounds? The cemetery? Did he spend much time there?"
"The cemetery? I don't know. He might have."
Rune was thinking of the scene in Manhattan Is My Beat where the cop, his life ruined, was lying in his prison cell, dreaming about reclaiming his stolen million dollars, buried in a cemetery. She remembered the close-up of the actor's eyes as he wakened and realized that it had just been a dream-the blackness of the dirt he'd been digging up with his fingers becoming the shadows of the bars across his hands as he woke.
The minister emerged with a suitcase. He set it on the floor. "Here you go."
Rune asked. "You want me to sign a receipt or anything?"
"I don't think that'll be necessary, no."
Rune picked it up. It was as heavy as an old leather suitcase containing a million dollars ought to be. She listed against the weight. The minister smiled and took the case from her. He lifted it easily and motioned her toward the side door. She walked ahead of him.
He said, "Your grandfather told me to be careful with this. He said it had his whole life in it."
Rune glanced at the suitcase. Her palms were moist. "Funny what people consider their whole life, isn't it?"
"I feel sorry for people who can carry their homes around with them. That's one of the reasons the church has this residence home. You really feel God at work here."
They walked to his small office. He bent over the cluttered desk and sorted through a thick stack of envelopes. He said. "I wished Robert had stayed longer. I liked him a lot. But then, he was independent. He wanted to live on his own."
Rune decided that she was going to give the church some money. Fifty thousand, she decided. Then, on a whim, upped the ante to a hundred Gs.
He handed her a thick envelope addressed to "Mr. Bobby Kelly."
"Oh, I forgot to mention… this came for him care of the church a day or so ago. Before I got around to forwarding it, I heard that he'd been killed."
Rune stuffed it under her arm.
Outside, he set the suitcase on the sidewalk for her. "Again, my sympathies to your family. If there's anything I can do for you, please call me."
"Thank you, Reverend," she said. Thinking: You just earned yourself two hundred thousand.
Little Red Hen…
Rune picked up the suitcase, walked to the car.
Richard eyed the bag curiously. She handed it to him, then patted the hood of his Dodge. He lifted the bag and rested it on the car. They were on a quiet side street but heavy traffic swept past at the corner. Superstitiously they both refused to look at the scuffed leather bag. They gazed at the single-story shops-a rug dealer, a hardware store, a pizza place, a deli. The trees. The traffic. The sky.
Neither touched the suitcase, neither said anything.
Like knights who think they've found the Grail and aren't sure they want to.
Because it would mean the end of their quest.
The end of the story. Time to close the book, to go to bed and wake up for work the next morning.
Richard broke the silence. "I didn't even think there'd be a suitcase."
Rune stared at the patterns of the stains on the leather. The elastic bands from a dozen old airline claim checks looped through the handles. "I had some moments myself," she admitted. She touched the latches. Then stepped back. "I can't do it."
Richard took over. "It's probably locked." He pressed the buttons. They clicked open.
"Wheel… of… Fortune," Rune said.
Richard lifted the lid.
Magazines.
The Holy Grail was magazines and newspapers.
All from the 1940s. Time, Newsweek, Collier's. Rune grabbed several, shuffled through them. No bills fluttered out.
"A million ain't going to be hidden inside of Time," Richard pointed out.
"His whole life?" Rune whispered. "Mr. Kelly told the minister his whole life was in here." She dug to the bottom. "Maybe he put the money into shares of Standard Oil or something. Maybe there's a stock certificate."
But, no, all the suitcase contained was newspapers and magazines.
When she'd gone over every inch of it, pulled up the cloth lining, felt along the moldy seams, her shoulders slumped and she shook her head. "Why?" she mused. "What'd he keep these for?"
Richard was flipping through several of them. He was frowning. "Weird. They're all from about the same time. June 1947."
The laughter startled her, it was so abrupt. She looked at Richard, who was shaking his head.
"What?"
He couldn't stop laughing.
"What is it?"
Finally he caught his breath. His eyes were squinting as he read a thumbed-down page. "Oh, Rune… Oh, no…"
She grabbed the magazine. An article was circled in blue ink. She read the paragraph Richard pointed at.
Excellent in his role is young Robert Kelly, hailing from the Midwest, who had no intention of acting in films until director Hal Reinhart spotted him in a crowd and offered him a part. Playing Dana Mitchell's younger brother, who tries unsuccessfully to talk the tormented cop into turning in the ill-gotten loot, Kelly displays striking talent for a man whose only experience onstage has been a handful of USO shows during the War. Moviegoers will be watching this young man carefully to see if he will be the next member of the great Hollywood dream: the unknown catapulted to stardom.
They looked through the rest of the magazines. In one, Manhattan Is My Beat was reviewed and, in each, Robert Kelly was mentioned at least several times. Most gave him kind reviews and forecast a long career for him. Rune, too, laughed. She closed the suitcase and leaned against the car. "So that's what he meant by his whole life. He told me the movie was the high point of his life. He must never have gotten any other parts."
Stuffed in one of the magazines was a copy of a letter written to Mr. Kelly from the Screen Actors Guild. It was dated five years before.
She read it out loud. " 'Dear Mr. Kelly: Thank you for your letter of last month. As a contract player, you would indeed be entitled to residual payments for your performance in the film Manhattan Is My Beat. However, we understand from the studio, which is the current owner of the copyright to the film, that there are no plans for its release on videotape at this time. If and when the film is released, you will be entitled to your residuals as per the contract.'"
Rune put the letter back. "When he told me he was going to be rich-when his ship came in-that's what he meant. It had nothing to do with the bank robbery money."
"Poor guy," Richard said. "He'd probably be getting a check for a couple hundred bucks." He looked up and pointed behind her. "Look."
The sign on the dormitory read St. Xavier's home for actors and actresses. "That's what he was doing here. It had nothing to do with the money. Kelly just needed a place to stay."
Richard pitched the suitcase into the backseat. "What do you want to do with them?"
She shrugged. "I'll give them to Amanda. I think they'd mean something to her. I'll make a copy of the best review for me. Put it up on my wall."