“Who else, indeed?” The older man asked. “But what I don’t understand is how you lured my daughter in here. She never would have come this way on her own. Never.”
“She followed me. Really, she did.” Jane shook her head vehemently. “You have to believe me. I would never have hurt Samantha. She meant everything to me. Everything. I only took her book so that she’d talk to me.”
“She followed you in here?” The old man’s voice cracked. “Because you stole her book?”
Jane kept shaking her head. “But it turned out she wasn’t my Samantha. Samantha would never have pushed me away. She never would have said such terrible things.”
“She followed you in here?” he repeated as he grabbed the book from Mark’s hands. “For this?” Dropping his head, he pinched the bridge of his nose and covered his eyes.
“Don’t you see, there’s been a mistake.” Jane twisted between the two men. “It’s him. He did it.”
Mark laid a steadying hand on the older man’s shaking shoulders. “We were afraid we’d never find who murdered Laura. But you were right,” he said to Jane. “Victims return to the scene of the crime, too. Especially when it’s their only chance to catch a killer.”
“You’re the killer,” Jane screeched. “She must have told you how she felt about me. That’s how you knew I’d be here today.” Turning to the cop, she said, “Don’t you see? He bought that book to set me up. He’s the one you should be arresting.”
As the older man snapped handcuffs on Jane’s wrists, Mark pulled his book from the messenger bag. He opened the front cover. “To Mark.” His voice trembled and his eyes glistened. “Stay curious as life’s adventures unfold. Love, Dad.” He waited until the older man looked up again. “I’ve had this book for a very long time, haven’t I?”
The cop’s jaw was tight. “Long time.”
Jane swallowed. “I don’t understand.”
“My sister’s ritual was to read this book at the statue on her birthday every year,” Mark said.
“But… how could I know that? She wouldn’t talk to me.”
“Is that supposed to justify killing her?”
“I didn’t mean to hurt her,” Jane said. “But she got so angry with me. I couldn’t make her understand. When she tried to get away, I lost my temper. I only meant to stop her long enough to listen.”
“You stopped her, all right.”
“I never would have hurt my Samantha,” Jane cried. “It was an accident.”
The older man faced her with bared teeth and red eyes. “Let’s go.”
“But he promised me a chance to tell her how I felt.” Jane’s voice was thin and shrill as she spun to face Mark. “You promised. What about my closure?”
“Her name was Laura,” the cop said. “And you’ll get your closure in court.” He tugged Jane by her handcuffs. “Today, we have ours.”
Mark gripped the older man’s shoulder. “Good to have you back, Dad.”
JULIE HYZY is a New York Times best-selling author who has won the Anthony, Barry, and Derringer Awards for her crime fiction. She currently writes two amateur-sleuth mystery series for Berkley Prime Crime: the White House Chef Mysteries and the Manor House Mysteries. Her favorite pastimes include traveling with her husband and hanging out with her kids. She lives in the Chicago area.
THE PICTURE OF THE LONELY DINER by Lee Child
Jack Reacher got out of the R train at Twenty-Third Street and found the nearest stairway blocked off with plastic police tape. It was striped blue and white, tied between one handrail and the other, and it was moving in the subway wind. It said: POLICE DO NOT ENTER. Which, technically, Reacher didn’t want to do anyway. He wanted to exit. Although to exit, he would need to enter the stairwell. Which was a linguistic complexity. In which context, he sympathized with the cops. They didn’t have different kinds of tape for different kinds of situations. POLICE DO NOT ENTER IN ORDER TO EXIT was not in their inventory.
So Reacher turned around and hiked half the length of the platform to the next stairway. Which was also taped off. POLICE DO NOT ENTER. Blue and white, fluttering gently in the last of the departing train’s slipstream. Which was odd. He was prepared to believe the first stairway might have been the site of a singular peril, maybe a chunk of fallen concrete, or a buckled nose on a crucial step, or some other hazard to life and limb. But not both stairways. Not both at once. What were the odds? So maybe the sidewalk above was the problem. A whole block’s length. Maybe there had been a car wreck. Or a bus wreck. Or a suicide from a high window above. Or a drive-by shooting. Or a bomb. Maybe the sidewalk was slick with blood and littered with body parts. Or auto parts. Or both.
Reacher half-turned and looked across the track. The exit directly opposite was taped off, too. And the next, and the next. All the exits were taped off. Blue and white, POLICE DO NOT ENTER. No way out. Which was an issue. The Broadway Local was a fine line, and the Twenty-Third Street station was a fine example of its type, and Reacher had slept in far worse places many times, but he had things to do and not much time to do them in.
He walked back to the first stairway he had tried, and he ducked under the tape.
He was cautious going up the stairs, craning his neck, looking ahead, and especially looking upward, but seeing nothing untoward. No loose rebar, no fallen concrete, no damaged steps, no thin rivulets of blood, no spattered fragments of flesh on the tile.
Nothing.
He stopped on the stairs with his nose level with the Twenty-Third Street sidewalk and he scanned left and right.
Nothing.
He stepped up one stair and turned around and looked across Broadway’s humped blacktop at the Flatiron Building. His destination. He looked left and right. He saw nothing.
He saw less than nothing.
No cars. No taxis. No buses, no trucks, no scurrying panel vans with their business names hastily handwritten on their doors. No motorbikes, no Vespa scooters in pastel colors. No deliverymen on bikes from restaurants or messenger services. No skateboarders, no rollerbladers.
No pedestrians.
It was summer, close to eleven at night, and still warm. Fifth Avenue was crossing Broadway right in front of him. Dead ahead was Chelsea, behind him was Gramercy, to his left was Union Square, and to his right the Empire State Building loomed over the scene like the implacable monolith it was. He should have seen a hundred people. Or a thousand. Or ten thousand. Guys in canvas shoes and T-shirts, girls in short summer dresses, some of them strolling, some of them hustling, heading to clubs about to open their doors, or bars with the latest vodka, or midnight movies.
There should have been a whole big crowd. There should have been laughter and conversation, and shuffling feet, and the kind of hoots and yelps a happy crowd makes at eleven o’clock on a warm summer’s evening, and sirens and car horns, and the whisper of tires and the roar of engines.
There was nothing.
Reacher went back down the stairs and under the tape again. He walked underground, north, to the site of his second attempt, and this time he stepped over the tape because it was slung lower. He went up the stairs just as cautiously, but faster, now right on the street corner, with Madison Square Park ahead of him, fenced in black iron and packed with dark trees. But its gates were still open. Not that anyone was strolling in or strolling out. There was no one around. Not a soul.
He stepped up to the sidewalk and stayed close to the railing around the subway stair head. A long block to the west he saw flashing lights. Blue and red. A police cruiser was parked sideways across the street. A roadblock. DO NOT ENTER. Reacher turned and looked east. Same situation. Red and blue lights all the way over on Park Avenue. DO NOT ENTER. Twenty-Third Street was closed. As were plenty of other cross streets, no doubt, and Broadway and Fifth Avenue and Madison, too, presumably, at about Thirtieth Street.