Searching the door, he realized that as soon as he approached it, he would break the constancy of the faint light escaping from beneath and that this would signal them to fire.
There were samples of clothing, a small stack of scarves. Marie-Claire de Brisson’s dress and underthings lay on the floor.
He picked them up and tossed them so that they fell through the light, breaking it …
Kempf fired. Le Blanc fired. The door splintered. Bullets hit Maire-Claire de Brisson’s back and seat, bullets tore into her.
Crouched, he waited. He asked, Where’s Hermann? Hermann …
Kohler let the two of them cautiously approach the door and when, at last, they stood hesitantly near it, fired twice and only twice.
Kempf fell. Le Blanc swung round to fire and he shot him in the face at point-blank range.
Then he just stood there clinging to a clothes rack trying to find his voice and saying at last, ‘Louis … Louis, it’s over.’
But, of course, it wasn’t over. Ah, no, not quite.
In the crowded salesroom on the ground floor of the Jeu de Paume, Denise St. Onge found it difficult to watch for Franz and Michel’s return. She thought perhaps they would be at the very back but when she turned to look, as she often had, two generals and their lady friends smiled and blocked her view and this made her furious though she always managed a brief smile in return.
The Cranach was being offered. Goering much favoured works by this early sixteenth-century German painter; so, too, did Hitler. The bidding had reached 175,000 of the new francs but neither Andreas Hofer, Goering’s buyer, nor Haberstock, the Berlin art dealer who bought for the Fuhrer’s private collection, had bid against each other. Interest seemed to be waning. The gavel was being raised …
She panicked at the thought of such a low price and tried to find Franz and Michel by looking both ways along the rows of chairs, all of which were occupied by very special people, by dealers and their clients and friends. Others too.
The crowd was equally thick and close and standing twenty or so deep in a semicircle around the sixty or so chairs. Goering was three rows in front of her and a little to her left-at the very front-and she wished she could have sat closer to him, wished that he didn’t seem to have forgotten all about her.
There was no sign of Franz and Michel. No sign at all. She couldn’t stand up to look for them, couldn’t raise a hand or try otherwise to signal to one of the security people for help. What was she to do if … if Franz and Michel didn’t succeed in taking care of Marie-Claire? Just suppose both had been arrested or … or had been killed?
She shuddered at the thought, clutched and unclutched the gloves in the lap of her black silk dress until, on hearing the auctioneer say, ‘I have 175,000, mesdames et messieurs. Have I one eighty?’ she finally forced her hands to stop.
Goering’s slab-hard cheeks were flushed, the blue eyes fiercely intent-Batard, she shrieked inwardly. You promised Franz to bid it up so that we could get a good price and you … you would take the pieces back home with you.
Suddenly it was cold and lonely for her. The Reichsmarschall puffed benignly on his cigar and stared up at the painting of three naked girls standing before a knight in armour-armour for God’s sake! Wasn’t it too heavy for a knight to sit like that on the ground? Didn’t knights have to be hoisted on and off their horses?
There was a high cliff in the near background with a turreted castle on its summit, a lake or river far below, with bits of fir forest along the shores and mountains with other castles in the far distance. The whole thing was very brooding, very Germanic.
No art critic, Kohler snorted inwardly at the skinny, tight-assed virgins in the painting and thought the walrus with the cigar an idiot for looking so greedily up at them. ‘He’s got the hots for that bit of canvas, Louis.’
The hots …
‘175,000, mesdames et messieurs. Do I hear one eighty?’
Her heart sank and Denise St. Onge knew Franz and she had been betrayed, that Goering, distant relative or no relative, agreement or no agreement, intended to do just as he pleased.
Hanging tapestries, behind and to the sides of the auctioneer, screened a passageway for the assistants as they brought the pieces up for display or took away those that had been sold. This cover extended right to the sides of the hall and she knew that there were doorways there and that Franz and Michel could well have spotted her from behind the tapestries, yet she hadn’t caught a glimpse of either.
St-Cyr saw her nervously wipe beneath each eye with a knuckle. Pale … she was so pale. He heard the auctioneer saying, ‘I have 175,000, mesdames et messieurs. Do I hear one eighty?’
The gavel would come down. Denise St. Onge couldn’t lift her eyes from her lap, only shuddered as it came down, down and then …
One eighty, signalled Andreas Hofer who was sitting to the left of the Reichsmarschall and could just be seen by nudging the edge of the tapestry aside.
‘I have one eighty. Do I hear one eighty-five?’
She no longer seemed to care, was desperately afraid and shrinking into herself-so much so, St-Cyr wondered if she had seen them.
‘Goering buys, Hermann, and Denise sells,’ he said sadly, as one of the assistants brushed past them with another painting.
‘It’s perfect,’ breathed Kohler. ‘The eighteen million is handed over to the Reichsmarschall and with it he buys what she has to sell and the loot is shipped to the Reich.’
St-Cyr heaved a patriot’s sigh, a detective’s condemnation of the perfidies of humankind. ‘Worthless francs that can’t be sent out of France because they’re of no value anywhere else; paintings, sculptures and tapestries or carpets that can.’
‘Goering then compensates the Sonderfuhrer back home in the Reich, either by repaying him in Reichsmarks that are sound, or he sells what he doesn’t want and gives his cousin the proceeds in Reichsmarks less a little commission.’
It was all so tidy.
‘And Mademoiselle St. Onge gets to keep the francs less sales commissions here so as to improve her credit balance,’ said St-Cyr, watching the woman so intently he hardly heard the auctioneer saying:
‘180,000 francs, going once, mesdames et messieurs, twice, three times and sold to the Reichsmarschall and Reichsfuhrer Goering.’
There was cheering, there was applause-the bargain was terrific! 9000 Reichskassenscheine, the Occupation marks. Only 9000!
Denise St. Onge felt everyone was staring at her. Ashamed- mortified-she thought of getting up and leaving, of rushing from the room but Goering … Goering was leaning back over the rows of seats, squeezing people out of the way, extending his massive hand to … to shake her own … her own.
‘She cries!’ he boomed in German and laughed hugely. ’Oh Mein Gott, Andreas, I wish others were so easy!’
To show there were no hard feelings, the Durer went for 2,500,000 francs, an unbelievable price. The fifteenth-century statue of Eve for 2,200,000, the two Vermeers for but a little less.
Goering threw her a look and saw her smile faintly through her tears. He hadn’t forgotten her after all, he had simply wanted the Cranach for himself and would instruct Hofer to sell the rest in the Reich for far more than he had paid. There would be no shortage of buyers at home. The mere fact that he had owned the pieces, if but briefly, made them exceedingly saleable at very high prices.
Manet’s study of a woman and her daughter brought 1,350,000, the torso of the nude with the hat, 1,400,000, and so it went until the 18,000,000 had been spent.
At a pause for refreshment, she nervously drank champagne but spilled some down her front and tried to wipe it away with her fingertips. At intermission, she searched desperately for Franz and Michel, asking several friends and associates if anyone had seen them, but they hadn’t come back from taking care of Marie-Claire, they hadn’t.