But after the disappearance they had denied any knowledge.
Shamas now finds himself on all fours, looking for something, shifting fistfuls of snow so that the area around the wooden hut is grooved and churned a pale lilac-blue, as though by the jabs of an aimless rake. The wind stirs a yellow feather stuck in the whiteness, a wisp of filaments — as bright as something to be found in a bazaar — that had belonged to the bird which had died with a diamond in its beak. Each melting icicle drills a hole in the snow the size of a half-penny piece, a coin now discontinued and missed so badly by Shamas in this moment of madness that it now represents all that has gone away never to return, his mind convincing itself that to be able to locate just one of those copper discs small enough to fit in a doll’s purse would solve every difficulty in life. The skin peels away from his fingers in strips of accordioned rice-paper as his hands dig the ground in their urgent search for a worthless bit of metal that has suddenly become the price of sanity.
“I should never have let him out of my sight,” he hears himself say; these were the words of Kiran when she returned dazed from Pakistan all those years ago, having been turned away from Karachi airport. “I should never have let him out of my sight,” he repeats.
Poorab-ji convinces him to be still and he closes his eyes in order to conquer his turmoil and, drained, leans his head against the temple wall, unaccountably thinking about the night that Great Peacock moths had hatched in the blue-walled kitchen, letting himself imagine the likely sequence of events after they had emerged from the cocoons. Their search for a way out of themselves finally over, the nineteen males had hatched in the blue kitchen during the night and, still damp from the chrysalis, fluttered into the adjoining drawing room where the vase Shamas had brought from Pakistan in the 1950s — as a reminder of home — was on the glass table arranged with sprays of yolk-coloured mimosa, the fine layer of dust he had picked the vase out of all those years ago continuing to cry out across the years with an agonised O for it to be put back exactly where it had been set by his mother’s hand.
As large as a bat, with wings made of deep-paprika velvet and a necktie of white fur, a moth looped the thready globes of the mimosa, but food wasn’t what it sought as it had no mouth and was born to die; it alighted on a guava that had leaves and stalk attached to the crown as though it had been picked in a hurry, and then flew out of the strawberry-pink drawing room with its eighteen companions, arriving in the kitchen again.
The absolute darkness was light enough for them and with passionate impatience they floated up the stairwell to the Leningrad-yellow room where Shamas slept beside Kaukab.
Their tufted antennae questioning the air, they lingered indecisively above Kaukab — she who remembers even today the morning a butterfly had tried to lay eggs in her plait, drawn by the scent of the oil she applies to her hair — and she opened her eyes in the darkness for an instant or two, more asleep than awake, and sharply expelled air from her nostrils three times, because the Prophet had said, “If any of you wakes up at night, let him blow his nose three times. For Satan spends the night in a man’s nostrils.”
She sank back into sleephood almost immediately and the moths moved out to the elder boy’s room, having first made sure at the open window that the summons was not coming from out there.
The thirty-eight eyes painted on the thirty-eight red wings blinked in the darkness as the insects then fluttered into the room shared by the two younger children, and here they tried to pass through a circular opening only to discover that others were trying to emerge from it just as frantically — it was a mirror.
A slippery spew of Indian movie magazines was at the foot of the girl’s bed.
Through the open hatch in the ceiling of this room, the Great Peacock moths entered the attic that was embraced on the outside by the back garden’s purple beech, and in a blur of near-misses they went into the space above the adjoining house, bought newly by Jugnu, the two hatches open for his stored possessions to be zigzagged across from here to there and then handed down. A number of his belongings were still scattered about the house: these included the hatbox containing the nineteen chrysalises. It was left in the blue kitchen till tomorrow because everyone had decided to leave things as they were when night fell and they realized that they had been working without a rest for ten hours, helping Jugnu move.
Like kites whose strings have been cut, the moths swooped down out of the attic into the room wallpapered with twisted leaves and tiny indigo berries.
Here, the Great Peacocks ignored the sleeping Jugnu even though his hands weren’t covered by the blanket, the hands that had the ability to glow in the dark. No moth could resist being drawn to his hands, but that night the interior was noisy with another call that only they could hear— that of a female moth. It had hatched the day before and hung in the cage Jugnu had constructed by knitting copper wire around a bottle and then smashing the glass.
The female was motionless except when it swished its wings gently to disperse the odour that had gradually flooded the two houses with the faint electricity of a yearning inexpressible any other way, undetected by the humans but pulling the nineteen males towards its source slowly at first and then hand over hand a yard at a time as they learned to distinguish truth from lie and arrived to drape the entire cage in reverberating velvet.
A BREAKFAST OF BUTTERFLY EGGS
Walking home from work at the end of the day, with The Afternoon under one arm, Shamas hears the echoes of his own footsteps on the snow as though he is being followed.
For almost a week now the country has been draped in daisy chains on the television weather maps. During the nights, the condensation on the windowpanes has frozen into sparkling patterns of bird feathers, insect wings and leaf skeletons, as though each home contains within it a magical forest, tangled with fables and myths, the glittering foliage growing pressed against the glass. Each street has become a row of books on a shelf.
Shamas no longer feels the pain in the fingers that he wounded the other morning, scrabbling for half-penny coins in the snow on the riverbank. He no longer feels the wasp-sting soreness. The skin is mending itself fast. Under the hard scabs on his fingers, the new skin has the fine buffed sheen of mother-of-pearl. Pale pink. Jugnu — the lepidopterist— said that because there are no pink butterflies in nature, the ones that were released into the air during the Rolling Stones concert in Hyde Park in July 1969 were in fact white ones dipped in pink dye.
Shamas doesn’t know what led the police detectives to name their investigation into the disappearance of Jugnu and Chanda “Operation Ivory.”
The officers who came to the house that morning to inform him officially of the arrests said that the two men were being held separately — to highlight inconsistencies in their tales — and he has visited the police station twice since then, talking first to the Detective Chief Inspector and then to the Detective Superintendent, both of whom are in charge of the case. The Detective Superintendent said that the lack of bodies is a stumbling block but it will not prevent the team from battling on to secure a conviction. He has been told that the trial will be in December. There are numerous legal precedents in which the murderers who thought they had covered their tracks had been brought to justice. As long ago as 1884 there were cases in which the courts were prepared to bring in convictions without a corpse: that year, two seamen who had eaten cabin boys while drifting for hundreds of miles at sea in an open boat, were found guilty of murder. A more recent case concerned a wealthy woman kidnapped for ransom, and although she was never found, the police had charged two brothers with her murder. The court heard that she had probably been fed to pigs.