Regal as ever, Carême removed his apron, tossed it magnificently to one of his assistants and, with a bow that would not have disgraced a courtier, departed from the room, followed by his escort in the same order as before.
'Well?' Fortunée demanded, laughing, as soon as she was once more alone with her friend. 'How do you feel?'
'Boiling! But a good deal stronger. All the same, I do feel rather sick.'
Without answering, Fortunée poured a little of Monsieur Carême's chocolate into a cup and drank it with evident enjoyment, closing her eyes, like a cat with a saucer of milk.
'Do you really like it?' Marianne asked. 'Don't you find it a bit too sweet?'
Madame Hamelin laughed. 'Like all Creoles, I love sugar,' she said. 'Besides, I'd drink it if it were as bitter as chicory. Do you know why Brillat-Savarin called it 'invalid chocolate'? Because the amber it contains, my dear, has aphrodisiac properties – and I dine tonight with the most magnificent Russian.'
'Aphrodisiac!' Marianne cried, horrified. 'But I don't need those!'
'Don't you?'
Fortunée strolled over to her friend's dressing-table and, carelessly, from among the litter of jars, bottles and gold and silver toilet articles scattered upon it, picked up a large jewel case and opened it. The emeralds Marianne had worn at the ambassador's ball, and which Chernychev had returned on the following day, gleamed in the last rays of the setting sun. Madame Hamelin took out the necklace, dangling it thoughtfully from her fingers and watching the play of light glinting in flashes of brilliant green fire:
'Talleyrand is an old rogue, Marianne… and he knows quite well that the best way to restore your zest for life is to revive your appetite for love.'
'My appetite for love! Well, you have just seen where love has got me…'
'Precisely. Weren't you telling me that your handsome sea rover remains with us for another fortnight?'
'That's not very long! What can I do?'
Fortunée did not answer directly but went on playing idly with the necklace, at the same time pursuing her earlier train of thought:
'It's not very difficult, perhaps, to renounce a woman dawdling invalidishly in bed. To turn one's back on a dazzling beauty who can lead one of the most notorious rakes in Europe by the nose, is a very different matter. Why don't you let Sasha Chernychev take you out driving, or to the theatre one of these days? If half of what I hear is true, he has amply deserved it… if only for not putting these beauties into his pocket! I'm sure I could never have resisted the temptation! But then, when a man's interest in a woman leads him to incur a sword thrust and a knife wound, all in the space of seven days…'
She let the gems slide heavily through her fingers and drop back into their nest of black velvet. Then, as though losing interest in the subject, she sat down at the mirror and began rearranging her dark curls, patting a little powder into her already flawless complexion, touching up the cupid's bow of her lips and finally amusing herself by opening every bottle of scent and sniffing it critically. With her vivacious expression, and the opulent figure so attractively belied by her virginal print gown, Fortunée was such a perfect picture of womanhood at its most glorious that Marianne could not help but be aware of it. Unconsciously, or perhaps not altogether unconsciously, Fortunée was showing her where her real weapons lay, weapons against which the noblest and most determined of men's plans were powerless.
Raising herself on her elbow, Marianne stared for a moment at her friend, watching her dab perfume delicately in the warm hollow of her breasts.
'Fortunée!'
'Yes, darling?'
'I… I think I feel like finishing that chocolate.'
CHAPTER THREE
Britannicus
Four days later, dressed in a robe of flame-coloured muslin with a head-dress of feathers dyed to match, Marianne made her appearance in a first-floor box at the Comêdie Française and caused a sensation. Count Chernychev was at her side.
The second act of Racine's Britannicus had already begun but the couple strolled to the front of the box and, without a glance for the actors on the stage, stood scanning the audience (which, to be fair, was amply returning their interest) with cool insolence. Without other ornament than a fantastic Chinese lacquered fan, trimmed with feathers the same colour as those in her hair, the unrelieved red bringing out all the golden glow of her skin and the brilliance of her great eyes, Marianne was a superb and altogether arresting sight, like some exotic, tropical flower. Her whole appearance was provocative, from the boldness of her deep décolletage to the forbidden fabric of her dress, a silky, smooth-flowing muslin which Leroy had acquired through his own mysterious channels at extravagant cost and which, contrasting strongly with the satins and brocades of the other women present, rendered full justice to every line of the Princess Sant'Anna's magnificent body.
At her side, in a tight-fitting uniform of green and gold, stiff with decorations, Chernychev surveyed the house arrogantly.
They were a striking couple. Talma, playing Nero, had just reached the lines:
'… so fair sight ravished mine eyes,
I tried to speak, but lo, my voice was dumb,
I stood unmoving, held in long amaze…'
The actor's voice died away and he stood, motionless in the centre of the stage, staring, while the audience, struck by the coincidence contained in the words, burst into spontaneous applause. Marianne, amused, smiled down at him and Talma stepped forward instantly, hand on heart, and bowed to the box as if it had contained the Empress herself. Then he turned to resume his interrupted dialogue with the actor playing Narcisse and Marianne and her escort took their seats at last.
But Marianne, who was still not fully recovered, had not come to the theatre that night for the pleasure of seeing the Empire's greatest tragic actor. She was looking round, her face partly screened by her fan, scrutinizing the house attentively in search of the face she had come there to find. The great Talma's performances were always well attended and Marianne had hinted discreetly to her friend Talleyrand that she would like him to invite the Beauforts to share his box for Britannicus.
There they were, in fact, in a box almost directly facing that occupied by Marianne herself. Pilar, looking more Spanish than ever in a gown of black lace, was sitting in front, next to the prince, who seemed to be dozing with his chin sunk in his cravat and both hands clasped on the knob of his stick. Jason was standing behind, one hand resting lightly on the back of Pilar's chair. The other occupants of the box were an elderly woman and a man evidently a good deal older still. The woman retained some traces of what must once have been quite remarkable beauty. Her bright, black eyes still held the fire of youth in them and the red bow of her lips revealed both sensuality and firmness. She, too, was dressed, severely but sumptuously, in black. The man, who was bald-headed except for some few remaining red hairs, had the flushed, slightly bloated complexion of one over-fond of the bottle, but despite his bowed shoulders it was clear that this man had once possessed strength and endurance above the average. He looked like nothing so much as an ancient, riven oak tree that still manages somehow to survive.
With the exception of Jason, who appeared absorbed in what was taking place on the stage, they were all looking at Marianne and her companion. Pilar had even invoked the assistance of a pair of lorgnettes, which she wielded with about as-much cordiality as if she had been looking down the barrel of a gun. Talleyrand smiled his habitual lazy smile, lifted his hand fractionally in greeting and appeared to fall asleep again, despite the efforts of his other neighbour, the black-eyed woman, who seemed to be bombarding him with questions about the new arrivals. Marianne heard Chernychev, at her side, give a soft, mirthless laugh: