Her first impulse was to ring for Gracchus to put the horses to and drive her to Passy that instant, but Francis's words had not been without their effect and in spite of all her knowledge of him she could not but grant their plausibility. Who could say how that Spanish woman would react to the sight of Marianne on her doorstep in the middle of the night? Would she even agree to warn her husband? Or would her dislike of Marianne provide her with all the reasons she needed to disbelieve every word of what she had to say? And even supposing that she, Marianne, were to attempt to attract Jason's attention by a scene, the result would only be to create a scandal that would do no one any good. Nor did the idea of sending Gracchus alone with a note make more appeal to her, knowing as she did that she would not rest until she knew for certain that Jason was safe. It might take all her tears and entreaties to make him renounce a meeting on which he might have pinned great hopes. Probably the best thing to do would be to wait until morning and then go to Beaufort.
Despairingly, Marianne brushed her forehead with a trembling hand and took two or three deep breaths in an attempt to still the frenzied beating of her heart. The night was still and warm. The distant heavens were bright with stars and from the garden came the sad, silvery note of the little fountain and a scent of roses and honeysuckle. It was a night made for those in love to be together and Marianne sighed at the strange, persistent twists of fate by which she, whom so many men desired, seemed doomed to everlasting loneliness. A wife without a husband, mistress without a lover, mother robbed prematurely of the child whose fragile form she had so often cradled in imagination. Surely this was a kind of injustice, a mockery on the part of fate? What were they doing now, the men whose influence had helped to shape her life? The one who had just left so swiftly, with that strange expression of weariness in his eyes, what was he doing now, in the house of that quiet, romantic Mrs Atkins whose whole life was spent in a long wait for the return of the child of the Temple, the little Louis XVII whom she was convinced that she had helped to escape from his prison? And the masked horseman of the Villa Sant'Anna whose own dreadful solitude seemed to seek an echo in that of his wife in name only, what was he doing now? As for what Napoleon might be doing, amid the splendours of Compiègne, in the company of his Austrian woman – apart, of course, from nursing his sweet-toothed bride through another of her frequent attacks of indigestion – Marianne could imagine it quite well, but the thought gave her no pain. The warmth and brilliance of the imperial sun had dazzled her for a time, but now the sun had set into an horizon of ordinary domestic bliss and had lost something of his fascination in the process.
Infinitely more heartbreaking was the thought of Jason, threatened with deadly danger yet closeted, even then, alone with Pilar in the beautiful house beside the Seine which Marianne had more than once admired. The big, terraced gardens must be especially lovely at this hour of a summer's night… but how could that stiff Pilar who hated France feel the potent spell of its old-world charm? She would most likely be happier shut up in some dim oratory, all alone, praying to her own proud and implacably just God!
Abruptly, Marianne turned her back on the night with its strong evocations of the past, and went crossly back into the room. One of the candles on the chimney-piece was smoking, on the point of going out, and she snuffed the whole lot, leaving the room with no other light than the soft, pink glow shed by the small lamps placed at the bedside. But the room, with its dim, mysterious light and the soft, inviting bed, had no longer any power to attract Marianne. She had just made up her mind to go to Passy at once, whatever might be the consequences. She knew that she would never rest until she had seen Jason, even if she had to rouse the whole district and trample over the body of the odious Pilar to do so. But first, she must get out of that dress…
She began to undress, first tugging off the head-dress of flame-coloured feathers which was beginning to make her head ache dreadfully and shaking out her hair with both hands so that it tumbled, like a thick, black snake, down to the small of her back. The muslin dress was more difficult to manage and for a moment, driven to distraction by the innumerable hooks, Marianne was on the point of summoning Agathe, but then she remembered that Jason had disliked the dress and with a sudden spurt of anger she tore the fragile stuff away from the fastenings altogether. She was just sitting down in her brief shift tied at the shoulders with narrow white satin ribbon, preparing to take off her shoes, when she had a strange feeling that someone was watching her and looked up quickly. She had been right. A man was standing quite still at the window with his eyes upon her.
With a gasp of indignation, Marianne sprang towards a green silk bed-gown which lay over the back of a chair and hurriedly wrapped it round her. At first, she could see nothing but a gleam of fair hair in the darkness and she thought that Francis must have come back. A closer look, however, told her that the resemblance ended there and, even before he spoke, she knew him. It was Chernychev. Motionless as some dim statue in his severe, dark green uniform, the Tsar's courier stood and devoured her with his eyes. But there was something in those eyes, such a fixed and unnatural brightness that Marianne felt her throat tighten. Clearly, the Russian was not himself. Perhaps he had been drinking? She knew already that he had the capacity to absorb prodigious amounts of alcohol without losing an iota of his dignity.
'Go away,' she said quietly, her voice a little thickened by nervousness. 'How dare you come here!'
Without answering, he took one step forward, then another, turned and snapped the window shut behind him. Seeing him about to close the other, Marianne sprang forward and gripped the casement.
'I told you to go!' she said furiously. 'Are you deaf? If you do not go away this minute I shall scream.'
Still there was no answer, but Chernychev's hand fell heavily on her shoulder, wrenched her away from the window and sent her sprawling on the carpet to fetch up against the leg of a sofa, uttering an instinctive cry of pain. Meanwhile, the Russian calmly shut the window and then turned back to Marianne. His movements were those of an automaton and left a horrified Marianne in no doubt that he was totally drunk. As he came closer, a powerful smell of spirits assailed her nostrils.
She tried to wriggle underneath the sofa to escape him, but already he was upon her. With the same irresistible strength, he picked her up and carried her over to the bed in spite of her frantic struggles. She made an attempt to cry out but instantly a hand was clamped roughly over her mouth while the Russian's slanting green eyes shone like a cat's in the dim light with such an ominous gleam that Marianne felt a chill of real fear creep through her veins.
He released her but only for a second to pull away the gilded cords that held back the bed curtains of heavy, sea-green silk. The curtains swung forward, enveloping the bed in a greenish shade, through which the lamp at the bedside showed like a spot of gold. Before Marianne could make a move to protest, she found her wrists tied, swiftly and efficiently, to the bed-head. She tried to scream but the sound was choked in her throat as a summary hand thrust a rolled-up handkerchief into her mouth.
In spite of her bonds, Marianne continued to twist and turn like a snake in a desperate effort to escape from her tormentor but she only succeeded in making the metallic cords bite deeper into her wrists. She was wasting her time. Immobilizing her legs by the simple method of sitting on them, Chernychev proceeded easily to tie both her ankles to the bedposts. Then, as Marianne lay, spread-eagled and quite unable to move, the Russian stood up and regarded his victim with satisfaction.