'Well?'
'There are lights in the house,' whispered the lad. 'And there is a coach at the door, as if it's about ready to go. I caught a glimpse of someone come quickly out of the house and jump in. Listen—'
There was indeed a sound of wheels approaching. Then the creak of the gate, the hollow clop of horses' hooves and finally the dark outline of a big berline coming down the hill. Marianne and Gracchus stepped back hastily into the shelter of the doorway, although it was so dark that the driver of the berline never suspected the existence of the small door in the wall and of the two people hidden there. The coach came to the end of the road away in the direction of Versailles.
'I think all's clear now,' Gracchus murmured. 'Let's see what that tool of yours will do.'
He felt about for the lock and inserted the wire hook. There was a scrape of metal on metal, it stuck for a moment and then yielded. The bolt slid back quite easily but the door, which seemed to have been long out of use, remained firmly closed. Gracchus had to set his shoulder to it before it finally gave way, revealing a corner of the grounds. Beyond the ivy-covered tree trunks which occupied the immediate foreground, a pale blur and tall, lighted windows giving on to a row of three stone balconies showed the position of a large white house. From the centre windows, which were also the largest and most ornately decorated, a shallow stone stairway, railed with a tracery of delicate ironwork, descended in graceful twin curves to where marble nymphs reclined at ease.
Marianne's heart leapt in her breast, even before her feet had taken the first steps towards the lighted windows which told her, more clearly than any words, that Jason was at home. Thunder, closer than before, rolled overhead and Gracchus cast a quick look up at the thick roof of leaves:
'Storm's coming. It's going to rain any moment and—'
'Wait here,' Marianne commanded. 'I shall not need you. Or, better still, wait for me in the chaise. But take care to leave this door slightly ajar.'
'Sure I hadn't better come with you?'
'No. Find yourself some shelter, especially if it should come on to rain. I am in no danger here… or if I am,' she added, smiling involuntarily into the darkness, 'there will be nothing you can do to help me. Good-bye for the present.'
Without further ado, she picked up her skirts to keep them from getting caught up in the undergrowth and made her way with a light step towards the house. As she came nearer, she was able to appreciate more fully the perfect proportions and restrained elegance of the building. It was certainly a fit dwelling for a delicate and lovely lady, one of the many who had perished in the carnage of the Terror. The shallow steps, as Marianne climbed them with no more sound than a sigh, seemed made for the subtle whisper of full taffeta skirts and satin panniers…
Reaching the top of the stairs, Marianne was obliged to stop, pressing her hand to her breast to still the fluttering of her heart, which was pounding as though after a stiff climb. The middle one of the row of tall french windows was open slightly and enabled her to see into a large room, lit by branches of candles in gilt sconces set against walls hung with grey brocade. The fact that all the pictures and hangings within her field of vision seemed to be quite new suggested to Marianne that the house must have suffered during the upheavals of the Revolution. So far as she was able to see, the furniture consisted of a number of chairs, a tall bookcase filled with faded bindings and a harpsichord with old cracked varnish…
She put out her hand and gave the window a light, nervous push, afraid in her heart that she would find the room empty and the lights burning only in anticipation of someone's return. Then, suddenly, she saw Jason and a wave of happiness swept over her, driving out fatigue, anxiety, fever and pain.
He was seated a little sideways at a writing desk, writing intently. A silver candlestick stood on the desk and the long goose quill moved steadily over the paper. In the candlelight his strange, hawklike profile took on a curiously softer look, the high bridge of his nose and firmly jutting chin were thrown into relief while deeper shadows lurked around the thin mouth and the deep-set eyes, now hidden by the lowered lids. The light fell, too, on his strong, slender, strikingly beautiful hands, one of which held the pen as firmly as if it had been a weapon, the other spread upon the desk to anchor the paper on which he was writing.
He had discarded his coat, waistcoat and neckcloth on account of the heat and above his breeches and topboots was wearing only a fine white linen shirt, open at the neck to reveal a firm, strongly muscled throat. The arms that showed below his rolled-up shirtsleeves might have been carved from old mahogany. In this elegant drawing-room, with its dainty knick-knacks of silver and precious porcelain and the feminine touch of the harpsichord, Jason looked as out of place as a boarding cutlass on a lady's work table. Yet Marianne stood breathlessly in the window staring at him, forgetful of the reasons which had brought her there, sure now that he could never leave her for his perilous assignation, and conscious of a funny little feeling of tenderness at the sight of the lock of black hair which would keep on falling forward over his forehead.
She might have stood there for hours without moving if some animal instinct of Jason's had not made him sense someone's presence. He looked up and round and sprang to his feet so suddenly that he knocked over his chair and it fell noisily. Frowning,
Jason peered at the dark figure standing in the darkness by the window and knew her at once:
'Marianne! What are you doing here?'
There was nothing in the least lover-like in his tone and Marianne, brought down abruptly from the dreaming heights of a moment before, could not suppress a sigh.
'If I had any hope that you might be pleased to see me, that would have taught me,' she said bitterly.
'That is beside the point. You appear there in the doorway, without any warning, without anyone being in the least aware of your presence, and then you are surprised when I ask you what you are doing here? Don't you know that if one of the servants had chanced to come in just then they would most probably have fled screaming?'
'I fail to see why.'
'Because they would certainly have taken you for the ghost of the Princesse de Lamballe who is supposed to haunt this house – or so they say, for I myself have never seen her. But the people here are very sensitive about her. They sent so many to the guillotine that now they see ghosts everywhere!'
'I trust, however, that I did not frighten you?'
Beyond a slight shrug, Jason made no answer to this but walked towards his visitor who was still standing as though rooted to the spot:
'Very well, and now I am asking you again, what are you doing here? Have you come to find out if your Russian killed me? The duel did not take place. Prince Kurakin compelled your champion to abandon it for the present. Considerably to my regret.'
'Why? Were you so eager to die?'
'What a poor creature you must think me,' Jason observed, with a faint, crooked smile. 'But your Cossack was in much greater danger, let me tell you, for I should have done everything in my power to kill him. I suppose, by the way, we have not got you to thank, have we, for this – er – postponement? I should not put it past you to drag Kurakin out of his bed in the middle of the night and implore him to put a stop to it!'
Marianne reddened. The idea had occurred to her, certainly, and but for Talleyrand it was precisely what she would have done if at all possible. The Prince of Benevento's intervention had saved her, however, from the necessity of confessing her intentions in going to the Hôtel Thélusson. Heaven only knew what construction he would have put upon it! She shook her head:
'No. Not me. You have my word for that.'