To Pardero's eyes and ears were presented scenes and sounds: a sunlit forest, surf breaking upon a beach, a meadow sprinkled with flowers, a mountain valley roaring to a winter storm; a sunset, a starry night, a view over a calm ocean, a city street, a road winding aver placid hills, a spaceship.
"Now another series," came Ollave's voice. Pardero saw a campfire surrounded by shadowy figures, a beautiful nude maiden, a corpse dangling from a gibbet, a warrior in black steel armor galloping on a horse, a parade of harlequins and clowns, a sailboat plunging through the waves, three old ladies sitting on a bench.
"Next, musics."
A series of musical sounds entered Pardero's ears: a pair of chords, several orchestral essays, a fanfare, the music of a harp, a jig, and a merrydown.
"Now faces."
A stern and grizzled man stared at Pardero, a child, a middle-aged woman, a girl, a face twisted into a sneer, a boy laughing, a man in pain, a woman weeping.
"Vehicles."
Pardero saw boats, chariots, landvehicles, aircraft, spaceships.
"The body."
Pardero saw a hand, a face, a tongue, a nose, an abdomen, male and female genital organs, an eye, an open mouth, buttocks, a foot.
"Places."
A cabin beside a lake, a palace of a dozen domes and cupolas in a garden, a wooden hut, an urban tenement, a houseboat, a temple, a laboratory, the mouth of a cave.
"Objects."
A sword, a tree, a coil of rope, a mountain crag, an energy gun, a plow with a shovel and hoe, an official proclamation with a red seal, flowers in a vase, books on a shelf, an open book on a lectern, carpenter's tools, a selection of musical instruments, mathematical adjuncts, a retort, a whip, an engine, an embroidered pillow, a set of maps and charts, draughting instruments and blank paper.
"Abstract symbols."
Patterns appeared before Pardero's vision: combinations of lines, geometrical shapes, numbers, linguistic characters, a clenched fist, a pointing finger, a foot with small wings growing from the ankles.
"And finally..." Pardero saw himself - from a distance, then close at hand.
He looked into his own face.
Ollave removed the apparatus. "The signals were extremely faint but perceptible.
We have recorded your psychometrics and now can establish your so-called cultural index."
"What have you learned?"
Ollave gave Pardero a rather queer look. "Your reactions are inconsistent, to use an understatement. You would seem to derive from a most remarkable society.
You fear the dark, yet it challenges and exalts you. You fear women; you are made uneasy by the female body - still the concept of femininity tantalizes you.
You respond positively to martial tactics, heroic encounters, weapons and uniforms; on the other hand you abhor violence and pain. Your other reactions are equally contradictory. The question becomes, do all these strange responses form a pattern, or do they indicate derangement? I will not speculate. The data have been fed into an integrator together with the other material I mentioned.
No doubt the report is ready for us."
"I am almost afraid to examine it," murmured Pardero. "I would seem to be unique."
Ollave made no further comment; they returned to the office, where O.T. Kolodin waited patiently. From a register Ollave drew forth a square of white paper.
"Here is our report." In a manner perhaps unconsciously dramatic he studied the printout. "A pattern has appeared." He read the sheet again. "Ah yes...
Eighteen localities on five worlds are identified. The probabilities for four of these worlds, with seventeen of the localities, aggregate three percent. The probability for the single locality on the fifth world is rated at eighty-nine percent, which under the circumstances is equivalent to near-certainty. In my opinion, Master Pardero, or whatever your name, you are a Rhune from the Rhune Realms, east of Port Mar on the North Continent of Marune, Alastor 933."
1. A drab translation of the word geisling, which carries warmer and dearer connotations.
Chapter 3
In the blue- and white-tiled lobby Kolodin asked Pardero: "Well - so you are a Rhune. What then? Do you recognize the word?"
"Not at all."
"I suspected not."
Ollave joined them. "Let's go acquaint ourselves with this world of yours. The Ring is directly below; Chamber 933 will be on Level Five. To the descendor!"
As the bubble dropped them down the levels, Kolodin discoursed upon the Ring of Worlds. "- one of the few areas controlled by entrance permit. Not so in the early days. Anyone might visit his world's chamber and there perform whatever nuisance entered his head, such as writing his name on the wall, or inserting a pin into the globe at the site of his home, or altering the lineage of local nobility; or placing scurrilous reports into the records. As a result we must now declare ourselves."
"Luckily my credentials will facilitate the matter," aid Ollave drily.
The formalities accomplished, an attendant took them to that portal numbered 933 and allowed them admittance.
In the center of the chamber a globe ten feet in diameter floated close above the floor, rotating easily to the touch. "And there you see Marune," said Kolodin. "Does it appear familiar?... As I expected."
Ollave touched the globe. "A small dense world of no great population. The color gradients represent relief; Marune is a most rugged world. Notice these peaks and chasms! The olive green areas are polar tundra; the smooth blue metal is open water: not a great deal, relatively speaking. Note too these vast equatorial bogs! Certainly there is little habitable land." He touched a button; the globe sparkled with small pink light-points. "There you see the population distribution: Port Mar seems to be the largest city. But feel free to look around the chamber; perhaps you will see something to stimulate your memory."
Pardero moved here and there, studying the exhibits, charts, and cases with only tentative interest. Presently he asked in a rather hollow voice: "How far away is this planet?"
Kolodin took him to a three-dimensional representation of Alastor Cluster. "Here we are. on Numenes, beside this yellow star." He touched a button, a red indicator blinked, near the side of the display. "There is Marune, almost at the Cold Edge, in the Fontinella Wisp. Bruse-Tansel is somewhere about there, where those grid lines come together." He moved to another display. "This represents the local environment: a four-star group. Marune is" - he touched a button - "at the end of the red arrow, orbiting close around the orange dwarf Furad. The green star is Cirse, the blue dwarf is Osmo, the red dwarf is Maddar. A
spectacular location for a planet, among such a frolic of stars! Maddar and Cirse swing close around each other; Furad, with Marune keeping its monthly orbit, curves around Osmo; the four stars dance a fine saraband down the Fontinella Wisp."
Then Kolodin read from a placard on the wall. "'On Marune, day and night do not alternate as is the case with most planets. Instead, there are varying conditions of light, depending upon which sun or suns rule the sky; and these periods are designated by a specific nomenclature. Aud, isp, red rowan, green rowan, and umber are the ordinary gradations. Night occurs at intervals regulated by a complex pattern, on the average about once every thirty days.
"'Most of Marune is poorly adapted to human habitation and the population is small, divided about equally between agriculturists of the lowland slopes and residents of the several cities, of which Port Mar is by far the most important.