The daystar was appearing again when Taki returned home. Hesper had made a meal which suggested she was coping well today. It included a sort of pudding made of a local fruit they found themselves able to tolerate. Hesper called the pudding “boxty.” It was apparently a private joke. Taki was grateful for the food and the joke, even if he didn’t understand it. He tried to keep the conversation lighthearted, talking to Hesper about the mene water jars. Taki’s position was that when the form of a practical object was less utilitarian than it might be, then it was art. Hesper laughed. She ran through a list of human artifacts and made him classify them.
“A paper clip,” she said.
“The shape hasn’t changed in centuries,” he told her. “Not art.”
“A safety pin.”
Taki hesitated. How essential was the coil at the bottom of the pin? Very. “Not art,” he decided.
“A hair brush.”
“Boar bristle?”
“Wood handle.”
“Art. Definitely.”
She smiled at him. “You’re confusing ornamentation with art. But why not? It’s as good a definition as any,” she told him. “Eat your boxty.”
They spent the whole afternoon alone, uninterrupted. Taki transcribed the morning’s notes into his files, reviewed his tapes. Hesper recorded a letter whose recipient would never hear it and sang softly to herself.
That night he reached for her, his hand along the curve at her waist. She stiffened slightly, but responded by putting her hand on his face. He kissed her and her mouth did not move. His movements became less gentle. It might have been passion; it might have been anger. She told him to stop, but he didn’t. Couldn’t. Wouldn’t. “Stop,” she said again and he heard she was crying. “They’re here. Please stop. They’re watching us.”
“Studying us,” Taki said. “Let them,” but he rolled away and released her. They were alone in the room. He would have seen the mene easily in the dark. “Hesper,” he said. “There’s no one here.”
She lay rigid on her side of their bed. He saw the stitching of her backbone disappearing into her neck and had a sudden feeling that he could see everything about her, how she was made, how she was held together. It made him no less angry.
“I’m sorry,” Hesper told him, but he didn’t believe her. Even so, he was asleep before she was. He made his own breakfast the next morning without leaving anything out for her. He was gone before she had gotten out of bed.
The mene were gathering food, dried husks thick enough to protect the liquid fruit during the two-star dry season. They punctured the husks with their needle-thin teeth. Several crowded about him, greeting him with their fingers, checking his pockets, removing his recorder and passing it about until one of them dropped it in the dust. When they returned to work, Taki retrieved it, wiped it as clean as he could. He sat down to watch them, logged everything he observed. He noted in particular how often they touched each other and wondered what each touch meant. Affection? Communication? Some sort of chain of command?
Later he went underground again, choosing another tunnel, looking for one which wouldn’t narrow so as to exclude him, but finding himself beside the same lake with the same narrow access ahead. He went deeper this time until it gradually became too close for his shoulders. Before him he could see a luminescence; he smelled the dusty odor of the mene and could just make out a sound, too, a sort of movement, a grass-rubbing-together sound. He stooped and strained his eyes to see something in the faint light. It was like looking into the wrong end of a pair of binoculars. The tunnel narrowed and narrowed. Beyond it must be the mene homes and he could never get into them. He contrasted this with the easy access they had to his home. At the end of his vision he thought he could just see something move, but he wasn’t sure. A light touch on the back of his neck and another behind his knee startled him. He twisted around to see a group of the mene crowded into the tunnel behind him. It gave him a feeling of being trapped and he had to force himself to be very gentle as he pushed his way back and let the mene go through. The dark pattern of their wings stood in high relief against the luminescent bodies. The human faces grew smaller and smaller until they disappeared.
“LEAVE ME ALONE,” Hesper told him. It took Taki completely by surprise. He had done nothing but enter the bedroom; he had not even spoken yet. “Just leave me alone.”
Taki saw no signs that Hesper had ever gotten up. She lay against the pillow and her cheek was still creased from the wrinkles in the sheets. She had not been crying. There was something worse in her face, something which alarmed Taki.
“Hesper?” he asked. “Hesper? Did you eat anything? Let me get you something to eat.”
It took Hesper a moment to answer. When she did, she looked ordinary again. “Thank you,” she said. “I am hungry.” She joined him in the outer room, wrapped in their blanket, her hair tangled around her face. She got a drink for herself, dropping the empty glass once, stooping to retrieve it. Taki had the strange impression that the glass fell slowly. When they had first arrived, the gravitational pull had been light, just perceptibly lighter than Earth’s. Without quite noticing, this had registered on him in a sort of lightheartedness. But Hesper had complained of feelings of dislocation, disconnection. Taki put together a cold breakfast, which Hesper ate slowly, watching her own hands as if they fascinated her. Taki looked away. “Fork,” she said. He looked back. She was smiling at him.
“What?”
“Fork.”
He understood. “Not art.”
“Four tines?”
He didn’t answer.
“Roses carved on the handle.”
“Well then, art. Because of the handle. Not because of the tines.” He was greatly reassured.
The mene came while he was telling her about the tunnel. They put their dusty fingers in her food, pulled it apart. Hesper set her fork down and pushed the plate away. When they reached for her she pushed them away, too. They came back. Hesper shoved harder.
“Hesper,” said Taki.
“I just want to be left alone. They never leave me alone.” Hesper stood up, towering above the mene. The blanket fell to the floor. “We flew here,” Hesper said to the mene. “Did you see the ship? Didn’t you see the pod? Doesn’t that interest you? Flying?” She laughed and flapped her arms until they froze, horizontal at her sides. The mene reached for her again and she brought her arms in to protect her breasts, pushing the mene away repeatedly, harder and harder, until they tired of approaching her and went into the bedroom, reappearing with her poems in their hands. The door sealed behind them.
“I’ll get them back for you,” Taki promised, but Hesper told him not to bother.
“I haven’t written in weeks,” she said. “In case you hadn’t noticed. I haven’t finished a poem since I came here. I’ve lost that. Along with everything else.” She brushed at her hair rather frantically with one hand. “It doesn’t matter,” she added. “My poems? Not art.”
“Are you the best person to judge that?” Taki asked.
“Don’t patronize me.” Hesper returned to the table, looked again at the plate which held her unfinished breakfast, dusty from handling. “My critical faculties are still intact. It’s just the poetry that’s gone.” She took the dish to clean it, scraped the food away. “I was never any good,” she said. “Why do you think I came here? I had no poetry of my own so I thought I’d write the mene’s. I came to a world without words. I hoped it would be clarifying. I knew there was a risk.” Her hands moved very fast. “I want you to know I don’t blame you.”