“You’re in the wrong place,” the girl whispered back. “There are only sixteen of us here.”
“You don’t understand,” Max whispered. “I’m looking for the new flung.”
“Oh. She just stepped out. Would you like to come in and wait?”
Max entered, and the girl closed the door.
“We’re having a practice session,” the girl said. “You can watch if you want to. But you can’t stay very long. Dr. Yeh! is due soon. He stops in every evening to watch us practice. And I don’t think he’d like it if he found a man in the ballet dancer place.”
“Uh, the new flung, did she say when she’d be back?” Max asked.
The girl giggled.
“Pardon?” Max said.
“What a character-the new flung,” the girl replied. “She told us a wild story about being a secret agent and having a rendezvous with another secret agent. She’s probably meeting a boy friend. Who knows when she’ll be back?”
“Oh. Well, in that case-”
“Hssst!” another ballet dancer interrupted. “Dr. Yeh! is coming!”
The first ballet dancer pushed Max toward the door. “Out! He mustn’t find you here!”
“No! Not that way!” the second ballet dancer cried. “He’ll ran right into Dr. Yeh!”
“He can’t leave!” a third ballet dancer said. “Disguise him!”
“How?” the second dancer asked.
“Give him a mop and let him pretend to be the cleaning woman,” a fourth ballet dancer suggested.
“We don’t have a cleaning woman. You know how atrocious the servant problem is,” the second ballet dancer said.
“I do a pretty good imitation of Jimmy Cagney doing a fair imitation of Edward G. Robinson,” Max said. “Do you think that would fool him?”
“The mop!” a twelfth ballet dancer said.
Max shook his head. “I do a lousy imitation of a mop.”
“Put the mop on his head and dress him in tights and he’ll look like one of us,” the twelfth ballet dancer explained.
At that moment, there was a knock at the door.
“It’s him! It’s Dr. Yeh!” the ballet dancers cried in unison.
The second ballet dancer snatched up a pair of tights and the mop. She shoved them into Max’s hands, then shoved Max into a closet. “Dress!” she hissed. “You’re our new flung!”
“But I-”
The door slammed.
Inside the closet, Max grudgingly changed into the tights and mop. Through the door, he could hear Dr. Yeh! in conversation with the ballet dancers.
“Where is the new flung?” he heard Dr. Yeh! ask.
“She’ll be right out,” a ballet dancer replied.
“This is a great night for me,” Dr. Yeh! said. “How long has it been since my troupe last had a flung to fling? It seems like weeks.”
“It’s been weeks,” a ballet dancer confirmed.
Max opened the closet door and stepped out.
“Ah!” Dr. Yeh! cried happily. “Here is our new-” He stared. “This is our new flung?” he continued. He approached Max. “You look different,” he said. “I don’t recall that you had a handle in your hair.”
“Oh… that,” Max said, glancing back over his shoulder at the mop handle. “Actually, you see, that isn’t a handle. It’s a new technical advance in flung-wear. It’s what you might call a rudder. We flungs were being flung into the air and losing our course. The rudder keeps us on the straight and narrow.”
“Didn’t you have dark hair before?” Dr. Yeh! said, squinting at Max puzzledly.
“It suddenly turned mop water gray,” Max explained. “It happens quite often to us flungs. We’re tossed high in the air, and, unfortunately, sometimes we look down. It’s scarey. Enough to turn anybody’s hair mop water gray.”
Dr. Yeh! shrugged. “On with the ballet!”
The ballet dancers, taking Max with them, moved to the center of the room. Dr. Yeh! seated himself on the collapsible throne he had brought along.
“Just relax,” one of the ballet dancers whispered to Max. “We’ll do all the work. You just fly.”
“Fine,” Max whispered back. “I think I can handle- Fly?”
“There’s nothing to it. Just-”
“On with the ballet!” Dr. Yeh! shouted.
One of the dancers stepped forward, facing Dr. Yeh! “This is a new routine we’ve worked out,” she announced. “It’s titled ‘The Birth, Life and Death of the Count of Monte Cristo as performed by Mr. Feldstein’s Social Studies students at Fairfield Elementary School and directed by Lewis and Clark while Lewis plays “A Hard Day’s Night” on the left-handed piccolo and Clark whistles the Second Movement from Daniel Webster’s fugue for adverbs, verbs, pronouns, adjectives and kettle drums blues.’ ”
Dr. Yeh! applauded. “Snappy title,” he said. “What’s it about?”
“We haven’t worked that out yet,” the dancer replied. “We’re still sort of ad-libbing.”
“Good. I like surprises,” Dr. Yeh! said. “On with the ballet!”
The troupe split into two groups. One group, including Max, remained at the left side of the room. The other group moved to the right side of the room.
“Allez-oop!” cried a dancer on the right side of the room.
At the signal, the dancers on the left side of the room lifted Max from the floor and threw him high into the air.
He landed with a plop in the middle of the room, right between the two groups of dancers.
“It’s good,” Dr. Yeh! said. “But it doesn’t live up to the title yet. Needs work.”
Painfully, Max got to his feet. As he did, he was swooped up by one of the groups of dancers. Again, they lifted him into the air. Holding him aloft, they bounded about the room.
“I see it! I see it!” Dr. Yeh! cried excitedly. “That’s Lewis playing the piccolo!”
The dancers put Max on his feet and twirled him around. His mop handle swung wide and dropped three of the dancers, leaving them prostrate.
“Ho! The Count of Monte Cristo!” Dr. Yeh! exulted. “I’d recognize him anywhere!”
Once more the dancers scooped Max up and raised him high. Then, swinging him low, two grabbed his arms, two grabbed his legs, and one grabbed his mop handle, and, again, they flung him toward the opposite side of the room.
Max landed in the middle-minus the mop.
“Impostor!” Dr. Yeh! cried, leaping to his feet.
“Just in time,” Max groaned, rising. “One more fling and I’d’ve been an ex-flung.”
“What are you doing in my ballet dancer place!” Dr. Yeh! raged, confronting Max.
Max faced him squarely. “Would you believe that I was waiting for the 7:07 to Hackensack?”
“Absolutely not! There is no 7:07 to Hackensack. The 7:07 goes to Darien.”
“Then would you believe that I was looking for the airport and took a wrong turn at the oasis?”
“It wouldn’t make any difference whether I believed you or not,” Dr. Yeh! replied. “The penalty for getting caught in the ballet dancer place is death. That’s the rule, whether you’ve got a good reason or not. To the wall!” he shouted.
“Just a minute,” Max said. “You mean you’re going to take me out to the wall, stand me up in front of a firing squad and execute me?”
“Is that what that means?” Dr. Yeh! replied.
“As I understand it, yes,” Max nodded.
“Then that’s what I’m going to do,” Dr. Yeh! said. He went to the door, opened it, and called out. “Guards! To the wall!”
There was a clatter of bootsteps outside. But no guards appeared.
“No! No! No! Not you!” Dr. Yeh! screamed down the corridor. “Him! He goes to the wall, not you! Come back here!”
Again there was the clatter of bootsteps. Then a half-dozen guards burst into the room and seized Max.
“Just one second!” Max said crisply. “As I recall, according to the rules of execution, the doomed man is entitled to a last request.”
“Later,” Dr. Yeh! said. “After the execution.”
“Later will be too late,” Max objected. “I demand that I be allowed to change back into my other clothes.” He popped the elastic of his tights. “I wouldn’t be caught dead in an outfit like this,” he said.
“Request granted,” Dr. Yeh! said grudgingly. “But hurry it up.”
Max stepped into the closet. Inside, with the door closed, he opened the satchel and looked for a gadget that might help him escape. Soon he found a gadget that was labeled “For Use When Trapped in a Closet.” It looked like a skeleton key.