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She almost backed away into the kitchen again.

She was inside a shrine.

The entire apartment was a shrine. Augusta was the wallpaper and Augusta was the floor covering and Augusta was the ceiling decoration and Augusta obliterated any light that ordinarily might have filtered through the windows because Augusta covered all the windows as well. It was impossible to look anywhere without seeing Augusta. Standing there in the corridor just outside the kitchen door, she felt as though she were being reflected by thousands upon thousands of mirrors, tiny mirrors and large ones, mirrors that threw back images in color or in black and white, mirrors that caught her in action or in repose. The corridor, and the living room beyond that, and the bedroom at the far end of the hall together formed a massive collage of photographs snipped from every magazine in which she’d ever appeared, some of them going back to the very beginning of her career. She could not possibly estimate how many copies of each edition of each magazine had been purchased and scrutinized and finally cut apart to create this cubistic monument. There were photographs everywhere. Those on the walls alone would have sufficed to create an overwhelming effect, meticulously pasted up to cover every inch of space, forming an interlocking, overlapping, overflowing vertical scrapbook. But the pictures devoured the walls, and then consumed the ceilings and dripped onto the floors as well, photographs of Augusta running rampant overhead and below, and flanking her on every side. Some of the photographs were duplicates, she saw, triplicates, quadruplicates, so that the concept of a myriad reflecting mirrors now seemed to multiply dangerously — there were mirrors reflecting other mirrors and Augusta stood in the midst of this visual reverberating photographic chamber and suddenly doubted her own reality, suddenly wondered whether she herself, standing there at the center of an Augusta-echoing-Augusta universe, was not simply an echo of another Augusta somewhere on the walls. The entire display had been shellacked, and the artificial illumination in the apartment cast a glow onto the shiny surfaces, pinpoint pricks of light seeming to brighten a photographed eye as she moved past it, hair as dead as the paper upon which it was printed suddenly seeming to shimmer with life.

There was a king-sized bed in the bedroom. It was covered with white sheets; there were white pillowcases on the pillows. A white lacquered dresser was against one wall, and a chair covered with white vinyl stood against the adjoining wall. There was no other furniture in the bedroom. Just the bed, the dresser, and the chair — stark and white against the photographs that rampaged across the floor and up the walls and over the ceilings.

She wondered suddenly what time it was.

She had lost all track of time while working on the door, but she surmised it was a little past noon now. She went quickly to the front door, ascertained that the lock on it was a key-operated dead bolt, and then went immediately into the kitchen. The unadorned white of the room came as a cool oasis in a blazing desert. She was moving toward the wall telephone when she saw the clock above the refrigerator. The time came as a shock, as chilling as the touch of the scalpel had been on her throat. She could not possibly imagine the hours having gone by that swiftly, and yet the hands of the clock told her it was now three twenty five… was it possible the clock had stopped? But no, she could hear it humming on the wall, could see the minute hand moving almost imperceptibly as she stared at it. The clock was working; it was three twenty-five and he’d told her he would return at three-thirty.

She immediately lifted the telephone receiver from the hook, waited for a dial tone, and then jiggled the bar impatiently, lifted it again, listened for a dial tone again, and got one just as she heard the lock turning in the front door. She dropped the phone, reached for the latch over the kitchen window, and discovered at once that the window was painted shut.

She turned, moved swiftly to the kitchen table, pulled a chair from under it, lilted the chair, and was swinging it toward the window when she heard his footsteps coming through the apartment. The glass shattered, exploding into the shaftway and cascading in shards to the interior courtyard below. He was running through the apartment now. She remembered his admonition about screaming, remembered his admonition about screaming, remembered that it made him violent. But he was running through the apartment toward her, and he had promised her a wedding ceremony, and a nuptial consummation, and a slit throat — and at the moment she couldn’t think of anything more violent than a slit throat.

She screamed.

He was in the kitchen now. She did not see his face until he pulled her from the window and twisted her toward him and slapped her with all the force of his arm and shoulder behind the blow. His face was distorted, the blue eyes wide and staring, the mouth hanging open. He kept striking her repeatedly as she screamed, the blows becoming more and more fierce until she feared he would break her jaw or her cheekbones. She cut off a scream just as it was bubbling onto her lips, strangled it, but he kept striking her, his arm flailing as though he were no longer conscious of its action, the hand swinging to collide with her face, and then returning to catch her backhanded just as she reeled away from the earlier blow. “Stop,” she said, “please,” scarcely daring to give voice to the words lest they infuriate him further and cause him to lose control completely. She tried to cover her face with her hands, but he yanked first one hand away and then the other, and he kept striking her till she felt she would lose consciousness if he hit her one more time. But she did not faint, she sank deliberately to the floor instead, breaking the pattern of his blows, crouching on all fours with her head bent, gasping for breath. He pulled her to her feet immediately, but he did not strike her again. Instead, he dragged her out of the kitchen and across the corridor into the living room, where he hurled her angrily onto the floor again. Her lip was beginning to swell from the repeated blows. She touched her mouth to see if it was bleeding. Standing in the doorway, he watched her calmly now, and took off his overcoat, and placed it neatly over the arm of the sofa. There was only one light burning in the room, a floor lamp that cast faint illumination on the shellacked pictures that covered the walls, the ceiling, and the floor. Augusta lay on her own photographs like a protectively colored jungled creature hoping to fade out against a sympathetic background.

“This was to be a surprise,” he said. “You spoiled the surprise.”

He made no mention of the fact that she had broken the window and screamed for help. As she had done earlier, she insisted now on bringing him back to reality. “You’d better let me go,” she said. “While there’s still time. This may be the goddamn city, but someone’s sure to have heard—”

“I wanted to be with you when you saw it for the first time. Do you like what I’ve done?”

“Somebody’s going to report those screams to the police, and they’ll come busting in here—”

“I’m sorry I struck you,” he said. “I warned you about screaming, though. It truly does make me violent.”

“Do you understand what I’m saying?”

“Yes, you’re staying someone will have heard you.”

“Yes, and they’ll come looking for this apartment, and once they find you—”

“Well, it doesn’t matter,” he said.

“What do you mean?”

“The ceremony will be brief. By the time they locate the apartment, we’ll have finished.”

“They’ll find it sooner than you think,” Augusta said. “The kitchen window is broken. They’ll look for a broken window, and once they locate it on the outside of the building—”