Banda shrugged again and dropped the envelope back into the briefcase, glancing down. "I don't know. Before you ask, I don't know who Purecete was or what his connection was to Miss Arbildo, either. You want to see the will for yourself?" he asked, looking back up at me.
I nodded. He pulled a draft copy of the will from the folder and handed the long pages to me. He pointed as he talked.
"Sec how she left her money to all these charities? That was pretty much unchanged from the first version I ever saw—one Jimenez, my partner, drew up for her. You can tell she was kind of an oddball when you look at the list." He pulled out another version of the document. "In an earlier draft of this will, she'd designated Jimenez's grave as the recipient of the dog, as you can see. She did it right after he died and she was very upset with him. Then she changed her mind—out of the blue—and named Purecete. Just a few months ago, she marched into the office and she handed me this."
He fished a creased scrap of paper out of the file. It was the hard white of a cheap notepad, torn along one side to make a ragged square from a longer piece of paper. The handwriting was similar to the signature on the will, but more crabbed and wandering:
Harper Blaine
Seattle Wash USA
The letters were cramped up against the left edge, but became more expansive and arched as they moved to the right, as if she hadn't thought she'd have enough space when she started and tried to stretch the words out to fill the page as she finished each line. It looked odd.
"She just held it out to me and said 'this is the one' and I knew better than to argue with Maria-Luz. So I wrote you in." He offered me the collection of drafts. "Take a look, you can see she had pretty definite—if crazy—ideas about her money. The woman was kind of loopy."
I glanced at the will again, making mental notes of the recipients of her bequests. They were mostly church charities for the unfortunate, the homeless, the poor, the dispossessed. There were a few odd animal charities as well, such as support for retired racing greyhounds, a rabbit shelter, llama farms, and cure for retired circus elephants. None of them had conditions. And there were no individuals named other than me and Purecete.
"Didn't she have any family, or friends… employees even?" I asked.
Banda laughed and pretended he was coughing. "Miss Arbildo? No. She was the last of a literally dying breed—the Arbildo family died with her. And as I said, she was pretty strange and she wandered around a lot, didn't settle down much after a certain age, didn't make a lot of friends. She was kind of fond of Jimenez once—like I said, she put him in the will at one point—but about the time he died she was furious with him. She stormed into the office screaming about it: 'Why did he do it? Why, why? I almost thought that she would have dragged him back out of his grave and killed him if she could."
"What was she so mad about?"
"Well… his dying on her. She worked Jimenez pretty hard— he used to say if he died suddenly it would be her fault. His death shook her up. She was irrational. You know how some people get mad instead of grieving…."
I nodded; I was familiar with that phenomenon. Arbildo sounded like a difficult client, and I could understand not wanting to argue with—or console—one like her. But there was something incredibly strange about both the wills and Banda himself. I just couldn't pin down what was bugging me….
As I pondered the problem, under cover of checking the wills, the ghostly dog at my feet began whimpering and moving restively, then it got up and walked a few feet away from the bar, toward a column of thick mist that was forming in the Grey between the bar and the doorway. I adjusted my position on the bar stool so I could watch the dog and still seem to be reading the documents. The dog stopped near the smoky mass, then looked back at me with that pleading look dogs have. It looked at the ill-defined shape, whimpered, then glanced back to me.
The form that interested the dog was vaguely human in size and shape, but it had no features. There was no face, and after a few moments the dog turned and trotted back to me, whimpering and scratching at my legs with its cold, incorporeal paws. The specter drifted out the door. I didn't know what it was or where it was going, but the dog seemed to be urging me to follow it—or at least humor the dog's desire to do so. Banda would still be in Mexico City in a day or an hour, but whatever the ghost dog was after might not last another five minutes.
I wanted to ask him more about Arbildo, but I excused myself from Banda and said I'd be right back. Let him assume I needed the washroom, if he liked. I stood up and the dog darted out of the bar and into the main concourse. I hoped my luggage would be all right with the lawyer for the time it would take to chase the dog.
And it was fine, since the dog only got a few feet farther into the concourse before the shape seemed to fall apart and drift into the clutter of thousands of passengers' energy coronas moving through the silvery space of the air terminal. A few shapes had no living person within them, but most of those were simple repeating ghosts or fogs of happenstance and emotion left over from some altogether human interaction. The shadowy dog trotted back to me and pushed against my legs again.
Banda was looking impatiently at his watch when I returned to the bar.
"I can't stay longer. Have some clients to meet in twenty minutes and the traffic is getting bad. I have to go." He took a card from his inner jacket pocket and offered it to me. "If you have any more questions, call me. My cell phone number is on here. Good luck, Miss Blaine," he added, picking up his briefcase and heading for the door.
"Hey," I called. "Aren't there any other documents? And what am I supposed to do about the dog?"
"Any other documents in Miss Arbildo's file are none of your business, Miss Blaine. As to the dog, the check is right here—you could just turn right around with it in your hand and call this thing done, as far as I'm concerned. But if you feel you have to, take the broken bits up to Oaxaca and leave 'em. Stick 'em back together with superglue if you want."
"What about the grave? Where is it?"
"Damned if I know," he called back. "Pick one!"
He waved and ducked out before I could ask him anything more. It appeared that Guillermo Banda just wanted shut of Marie-Luz Arbildo and her nutty will and I was as convenient a way as any. I followed him a few paces out the door, saw him duck past the customs area, waving to the guards on the other side as he went past—old friends? Something odd was going on with Banda, but I wasn't entirely sure what. I did pause to wonder if the breaking of the dog was entirely an accident…. I shook off that thought and went back to my seat, the Grey dog scampering along in my wake.
I ordered some food and ate in a hurry before heading to the Mexicana Airlines desk to pick up my new boarding passes and check my luggage for the flight to Oaxaca. The phantom dog stuck to my side the whole time, casting glances around the room and sniffing for signs—of what I didn't know.
For just a moment as I boarded the little prop plane I wondered what to do with the dog before I remembered that no one hill me would even be aware of it. It huddled under my feet the whole hour we were in the air and again on the ride from the airport, which reminded me of the regional airports I'd grown up near in Los Angeles County with their pushcart stairs and windblown tarmac. A white van was standing at the curb outside, offering rides to downtown Oaxaca City, and the ghost dog and I shared the vehicle with a family of six and two couples who all seemed excited beyond my ability.
The van driver dropped each group off, leaving me at a tall, Spanish colonial building on the edge of the downtown core. As far as I could tell, the whole area was late Spanish colonial, though at that elevation, darkness had already fallen and it was hard to see details beyond the streetlamps. The road was layered thickly with silvery ghosts and loops of memory, playing like old movies in a two-dollar theater. I saw a discreet sign on the buttercup-colored plaster wall that indicated the carved wooden door before me led to my guesthouse. I pulled the bell handle as instructed and was greeted with a flood of light and the odors of spicy cooking as the door was opened wide. "Soy Harper Blaine—" I started.