The ghost dog trotted back from its peregrinations through the crowd and sat at my feet, tongue lolling, looking happy for. the first time since it had appeared. I almost reached to pat its head before I remembered that most people don't see ghosts. Even as comfortable with death as the Oaxaquenos were, I doubted they would understand my stooping to pet a spectral hound. Mickey would probably think I was crazy and say so. I didn't believe he'd suddenly decided to respect me; he just didn't want me to kick his ass. But he wasn't above a few more needling comments.
I cleared my throat. "Where do you think we'll find the grave? This is a big place…."
"Caretaker will have a list of the plots and tombs." He was pretty savvy about graveyards, but I supposed that wasn't unusual for the goth-inclined.
We pushed through the crowds to a large stone building with colonnades filled with niches on one side and open to a large courtyard on the other. The patio of the mausoleum was full of people walking or crawling on the paving stones to lay out pictures in mounds of colored sand: cavorting skeletons, Virgins of Guadalupe, flowers and crosses and skulls. Mickey called these "sand carpets." We found one of the caretakers assisting a sand painter, laying out a border of small bricks to keep the moist, colored sand from dribbling into the walkways. We picked our way closer, careful not to disturb the developing sand carpets. Mickey called out to the caretaker as we got near.
The woman looked up from her bricks and said something I couldn't follow. The caretaker was darker-skinned and had a more pronounced nose and cheekbones than Mickey—probably related to some local Indian group. Mickey replied in a language I knew wasn't Spanish. The kneeling woman stood and began to talk very fast. Mickey pointed to the paper we'd gotten from the Registrar of Births and Deaths. The woman frowned and pointed off across the cemetery, making motions with her hands to indicate turns. Mickey nodded and seemed to be thanking her, then turned and tugged me back into the mausoleum's colonnade.
"She says it's out in the edge, near the back fence, but she thinks this is wrong. The grave's been around a long time. You sure 1996 is right?" he added with a touch of sneering doubt at my brainpower.
"Yup."
Mickey shrugged so hard his eyes rolled. "All right. Let's go look at it."
We set out through the graveyard, trailed by the dog. Distracting myself from Mickey's volatility, I tried to imagine the scruffy mongrel as a skeleton. I didn't succeed, to my relief.
We found the grave under a pile of people who were busily scrubbing the headstone and stone fence clean of dirt with stiff-bristled brushes. As we watched the inscription came clear: Hector Purecete, died 1888. Not even close.
Mickey grunted and shot me a smug look. Oh, yeah… that showed me, all right.
He started to turn back, but before he could move away I waved to the oldest woman in the grave-cleaning group. She peered up at me and I tried to ask her if she knew of Maria-Luz's Hector Purecete, but her English was nonexistent. Groaning in disgust, Mickey stepped in.
After a rapid exchange, he held her off with a gesture and glanced back at me, his face creased with curiosity. "This is Senora Acoa. She says this is the only Hector Purecete she knows about. But she says a man came asking the same question a few years back. Senora Acoa couldn't help him, either. She says Hector, here, was a soldier. Sounds like a real pendajo. She's his, like, great-, great-, great-niece. She doesn't live here anymore and is going back to Coyoacan tomorrow, but she figured they should come and clean up Hector's grave every year. She didn't even know where he was buried until that guy showed up."
"Does she remember the man's name?" I asked, looking at the elderly woman who stood by her ancestor's grave.
Mickey translated for me and this time he was dead serious.
The elderly Senora Acoa replied in a streak of words I couldn't begin to follow, her voice wavering. Then she swayed, putting her hand to her chest. The energy around her shut down to a thin, white line that grew more and more translucent, then began to shift and rise away from her as a messy skein of gold and white light.
I started to jump between them, knowing that the old woman was dying right in front of us, overcome by heat and excitement, her mortality rising off her corporeal form. But Mickey kept talking, his tone going gentle and cajoling, as the gold strands at his fingertips waved and stroked at the old woman, calming her down, smoothing the rising knot of her soul back into its body, easing her back into herself. It was an eerie effect coming from such a determined jerk, and he didn't know he was doing it. Finally the old woman plumped herself down on the edge of the grave with a huff of breath, and fanned herself with her hands until one of her staring family handed her a paper fan shaped like a grinning skull. She cooled herself, catching her breath and settling her life back into her oblivious body as my reluctant assistant returned his attention to me. Nothing in his demeanor showed he knew what had just happened, any more than her family did. He didn't know he'd saved her life, or that he seemed to have some kind of power. He was just Mickey the jerk again.
"She wants to know why you want to know, but I told her you're doing a family a favor. I think she said the other guy's name was Jimenez. A lawyer maybe? She's kinda confused. And a little loco—she thought she had seen this Jimenez guy just today."
I gazed at the tired old woman who was still living in spite of everything. I blinked slowly, getting my thoughts back to the case. "Maybe she did. He died a few years ago in a plane crash," I said. "And yes, he was a lawyer." Hadn't Banda said he knew nothing about Purecete? But his partner had been to this grave….
Mickey's eyes flashed wider. The word that dropped from his mouth was unknown to me, but it was inflected just like "Cool!" He had no idea what was really cool here.
I wondered if Senora Acoa had actually seen Jimenez; maybe her proximity to death had made it possible—this was the day for the violently dead to return, and I couldn't imagine a death much more violent than his. "What else did she have to say?" I asked, trying not to stare too much at the old woman.
"Not much. She said Hector didn't have any kids, so there's only her and her family to look after his grave. She's worn out, but she's afraid her family will forget him after she dies. So she makes them come here every year so he doesn't die the third death."
"Excuse me. What's the third death?"
The lecturing tone was back as he explained. "The first death is the death of the body. The second is when they put us in the ground. Then we can go to Mictlan—the Land of the Dead—and, y'know, live among the dead. But we can come back for the Dia de los Muertos feast with our families, so long as they remember us. That's the third death—being forgotten. That's the real end, when we don't come back 'cause there's no one here for us. But we can be reborn once everyone forgets, so it's not so bad. That's the three deaths."
"How do you know all this stuff?" I asked. He shrugged. "It's tradition around here. I'm kind of into the death-magic thing. And my, like, great-uncle was supposed to be a black sorcerer or something. It's cool."
Typical goth fascination, though I suspected his went a little deeper and from a more personal angle, whether he understood that or not. To me, the life-magic «thing» he'd just done was a lot cooler.
We both looked at the family, who had returned to sprucing up the grave of Hector number one. We watched in silence a while. Then we turned away, letting them get on with their task as we headed back to the car with the ghostly dog in tow.
"You said Mexicans were not afraid of death," I said. I didn't want to ask him about what he'd done yet, that would only get us off our track, but I hadn't forgotten it.