"You sure you don't want to do this part?" I asked him sourly. “I would, Harry," he replied, smiling. "But my leg. You know."
The bitch of it was, he was being sincere. Michael had never been afraid of work. "Why dump it here, do you think?"
I gestured at a nearby streetlight. "Dark last night, no moon. This is probably the first place he got a good look at it. Parked his car here, too, maybe." I found the handle of the cheap replica broadsword I'd picked up at what had amounted to a martial arts trinkets shop. "Aha," I said, and pulled it out.
There was another manila envelope duct-taped to the blade. I took the sword and the envelope back to the truck. Michael wrinkled up his nose at the smell coming up from my garbage-spattered jeans, but that expression faded when he looked at the envelope taped to the sword. He exhaled slowly.
"Well," he said. "No use just staring at it."
I nodded and peeled the envelope from around the blade. I opened it and looked in.
There were two more photos.
The first was of Michael, in the uniform shirt he wore when he coached his daughter's softball team. He was leaning back on the bleachers, as he had been when I'd first walked up to speak to him.
The second picture was of a weapon—a long-barreled rifle with a massive steel snout on the end of it, and what looked like a telescope for a sight. It lay on what looked like a bed with cheap motel sheets.
"Hell's bells," I muttered. "What is that?"
Michael glanced at the picture. "It's a Barrett," he said quietly. "Fifty-caliber semiautomatic rifle. Snipers in the Middle East who use them are claiming kills at two kilometers, sometimes more. It's one of the deadliest long-range weapons in the world."
He looked up and around him at all the buildings. "Overkill for Chicago, really," he said with mild disapproval.
"You know what I'm thinking?" I said. "I'm thinking we shouldn't be sitting here in your truck right next to a spot Buzz expected us to go while he and his super-rifle are out there somewhere."
Michael looked unperturbed. "If he wanted to simply kill me here, he's had plenty of time to make the shot."
"Humor me," I said.
He smiled and then nodded. "I can take you to your place. You can get some clean clothes, perhaps."
"That hurts, man," I said, brushing uselessly at my jeans as the truck moved out. "You know what bugs me about this situation?"
Michael glanced aside at me for a second. "I think I do. But it might be different than what you were thinking."
I ignored him. "Why? I mean sure, we need to know who this guy is, but why is he doing this?"
"It's a good question."
"He sends the pictures to me, not you," I said. I held up the new photo of the sniper rifle. "I mean, this is obviously an escalation. But if what he wanted was to kill you, why…? Why document it for me?"
"It looks to me," Michael said, "as if he wants you to be afraid."
"So he threatens you?" I demanded. "That's stupid."
He smiled. "Do people threaten you very often?"
"Sure. All the time."
"What happens when they do?" he asked.
I shrugged. "I say something mouthy," I said. "Then I clean their clocks for them at the first opportunity."
"Which is probably why our photographer here—"
"Call him Buzz," I said. "It will make things simpler."
"Why Buzz hasn't bothered threatening you."
I frowned. "So you're saying Buzz knows me."
"It stands to reason. It seems clear that he's trying to push you into some sort of reaction. Something he thinks you'll do if you're frightened."
"Like what?" I asked.
"What do you think?" he replied.
I put my hand on the hilt of Amoracchius. The sword's tip rested on the floorboards of the truck, between my feet.
"That would be my guess, too," he said.
I frowned down at the blade, and nodded. "Maybe Buzz figured I'd bring you the sword if you were in danger. So that…" I didn't finish.
"So that I'd have some way of defending myself," Michael said gently. "You can say it, Harry. You won't hurt my feelings."
I nodded at the true sword. "Sure you don't want it?"
Michael shook his head. "I told you, Harry. That part of my life is over."
"And what if Buzz makes good?" I asked quietly. "What if he kills you?"
Michael actually laughed. "I don't think that's going to happen," he said. "But if it does…" He shrugged. "Death isn't exactly a terrifying proposition for me, Harry. If it was, I could hardly have borne the sword for as long as I did. I know what awaits me, and I know that my family will be taken care of."
I rolled my eyes. "Yeah, I'm sure everything will be fine if your younger kids have to grow up without a father in their lives."
He winced, and then pursed his lips thoughtfully for a few moments before he replied. "Other children have," he said, finally.
"And that's it?" I asked, incredulous. "You just surrender to whatever is going to happen?"
"It isn't what I'd want—but a lot of things happen that I don't want. I'm just a man."
"The last thing I would expect from you," I said, "is fatalism."
"Not fatalism," he said, his voice suddenly and unexpectedly firm. "Faith, Harry. Faith. This is happening for a reason."
I didn't answer him. From where I was standing, it looked like it was happening because someone ruthless and fairly intelligent wanted to get his hands on one of the swords. And worse, it looked like he was probably a mortal, too. If what Charity had said was accurate, that meant that Michael didn't have a heavenly insurance policy against the threat.
It also meant that I would have to pull my punches—the First Law of Magic prohibited using it to kill a human being. There was some grey area involved with it, but not much, and it was the sort of thing that one didn't play around with. The White Council enforced the laws, and anyone who broke them faced the very real possibility of a death sentence.
"And that's all I need," I muttered.
"What?"
"Nothing."
Michael pulled the truck into the gravel parking lot of my apartment, in the basement of a big old boardinghouse. "I need to drop by a site before we go back to get your car. Is that all right?"
I took the sword with me as I got out of the truck. "Well," I said, "as long as it's all happening for a reason. “Michael’s small company built houses. Years of vanishing at irregular intervals to battle the forces of evil had probably held him back from moving up to building the really expensive, really profitable places. So he built homes for the upper couple of layers of the middle class instead. He probably would have made more money if he cut corners, but it was Michael. I was betting that never happened.
This house was a new property, down toward Wolf Lake, and it had the depressing look of all construction sites—naked earth, trees bulldozed and piled to one side, and the standard detritus of any such endeavor: mud, wood, garbage discarded by the workers, and big old boot tracks all over the ground. Half a dozen men were at work, putting up the house's skeleton.
"Shouldn't take me long," Michael said.
"Sure," I said. "Go to it."
Michael hopped down from the truck and gimped his way over to the house, moving with an energy and purpose I'd seldom seen from him. I frowned after him, and then pulled the first envelope out of my pocket and started looking at the photos inside.
The photo of Michael at a building site had been taken at this one. Buzz had been here, watching Michael.
He might still be here now.
I got out of the car and slung the sword's belt over my shoulder, so that it hung with its hilt sticking up next to my head. Photo in hand, I started circling the site, trying to determine where Buzz had been standing when he'd taken his picture. I got some looks from the men on the job—but like I said before, I'm used to that kind of thing.