"At first I could not hear anything but very shortly there came the sound of a chair being shifted, followed by a short, sharp breath and a sort of inarticulately hurt exclamation from Marceline. Then I heard Marsh speaking in a strained, almost formal voice.
"'I'd enjoy working tonight if you aren't too tired.'
"Marceline's reply was in the same hurt tone which had marked her exclamation. She used English as he had done.
"'Oh, Frank, is that really all you care about? Forever working! Can't we just sit out here in this glorious moonlight?'
"He answered impatiently, his voice shewing a certain contempt beneath the dominant quality of artistic enthusiasm.
"'Moonlight! Good God, what cheap sentimentality! For a supposedly sophisticated person you surely do hang on to some of the crudest claptrap that ever escaped from the dime novels! With art at your elbow, you have to think of the moon – cheap as a spotlight at the varieties! Or perhaps it makes you think of the Roodmas dance around the stone pillars at Auteiul. Hell, how you used to make those goggle-eyed yaps stare! But not – I suppose you've dropped all that now. No more Atlantean magic or hair-snake rites for Madame de Russy! I'm the only one to remember the old things – the things that came down through the temples of Tanit and echoed on the ramparts of Zimbabwe . But I won't be cheated of that remembrance –all that is weaving itself into the thing on my canvas – the thing that is going to capture wonder and crystallise the secrets of 75,000 years…'
"Marceline interrupted in a voice full of mixed emotions.
"'It's you who are cheaply sentimental now! You know well that the old things had better be let alone. All of you had better watch out if ever I chant the old rites or try to call up what lies hidden in Yuggoth , Zimbabwe , and R'lyeh. I thought you had more sense!'
"'You lack logic. You want me to be interested in this precious painting of yours, yet you never let me see what you're doing. Always that black cloth over it! It's of me – I shouldn't think it would matter if I saw it…'
"Marsh was interrupting this time, his voice curiously hard and strained.
"'No. Not now. You'll see it in due course of time. You say it's of you – yes, it's that, but it's more. If you knew, you mightn't be so impatient. Poor Denis! My God, it's a shame!'
"'My throat was suddenly dry as the words rose to an almost febrile pitch. What could Marsh mean? Suddenly I saw that he had stopped and was entering the house alone. I heard the front door slam, and listened as his footsteps ascended the stairs. Outside on the veranda I could still hear Marceline's heavy, angry breathing. I crept away sick at heart, feeling that there were grave things to ferret out before I could safely let Denis come back.
"After that evening the tension around the place was even worse than before. Marceline had always lived on flattery and fawning and the shock of those few blunt words from Marsh was too much for her temperament. There was no living in the house with her anymore, for with poor Denis gone she took out her abusiveness on everybody. When she could find no one indoors to quarrel with she would go out to Sophonisba's cabin and spend hours talking with the queer old Zulu woman. Aunt Sophy was the only person who would fawn abjectly enough to suit her, and when I tried once to overhear their conversation I found Marceline whispering about 'elder secrets' and 'unknown Kadath' while the negress rocked to and fro in her chair, making inarticulate sounds of reverence and admiration every now and then.
"But nothing could break her dog-like infatuation for Marsh. She would talk bitterly and sullenly to him, yet was getting more and more obedient to his wishes. It was very convenient for him, since he now became able to make her pose for the picture whenever he felt like painting. He tried to shew gratitude for this willingness, but I thought I could detect a kind of contempt or even loathing beneath his careful politeness. For my part, I frankly hated Marceline! There was no use in calling my attitude anything as mild as dislike these days. Certainly, I was glad Denis was away. His letters, not nearly so frequent as I wished, shewed signs of strain and worry.
"As the middle of August went by I gathered from Marsh's remarks that the portrait was nearly done. His mood seemed increasingly sardonic, though Marceline's temper improved a bit as the prospect of seeing the thing tickled her vanity. I can still recall the day when Marsh said he'd have everything finished within a week. Marceline brightened up perceptibly, though not without a venomous look at me. It seemed as if her coiled hair visibly tightened around her head.
"'I'm to be the first to see it!' she snapped. Then, smiling at Marsh, she said, 'And if I don't like it I shall slash it to pieces!'
"Marsh's face took on the most curious look I have ever seen it wear as he answered her.
"'I can't vouch for your taste, Marceline, but I swear it will be magnificent! Not that I want to take much credit – art creates itself – and this thing had to be done. Just wait!' "During the next few days I felt a queer sense of foreboding, as if the completion of the picture meant a kind of catastrophe instead of a relief. Denis, too, had not written me, and my agent in New York said he was planning some trip to the country. I wondered what the outcome of the whole thing would be. What a queer mixture of elements – Marsh and Marceline, Denis and I! How would all these ultimately react on one another? When my fears grew too great I tried to lay them all to my infirmity, but that explanation never quite satisfied me."
Part IV
"Well, the thing exploded on Tuesday, the twenty-sixth of August. I had risen at my usual time and had breakfast, but was not good for much because of the pain in my spine. It had been troubling me badly of late, and forcing me to take opiates when it got too unbearable; nobody else was downstairs except the servants, though I could hear Marceline moving about in her room. Marsh slept in the attic next his studio, and had begun to keep such late hours that he was seldom up till noon. About ten o'clock the pain got the better of me, so that I took a double dose of my opiate and lay down on the parlour sofa. The last I heard was Marceline's pacing overhead. Poor creature – if I had known! She must have been walking before the long mirror admiring herself. That was like her. Vain from start to finish – revelling in her own beauty, just as she revelled in all the little luxuries Denis was able to give her.
"I didn't wake up till near sunset, and knew instantly how long I had slept from the golden light and long shadows outside the long window. Nobody was about, and a sort of unnatural stillness seemed to be hovering over everything. From afar, though, I thought I could sense a faint howling, wild and intermittent, whose quality had a slight but baffling familiarity about it. I'm not much for psychic premonitions, but I was frightfully uneasy from the start. There had been dreams – even worse than the ones I had been dreaming in the weeks before – and this time they seemed hideously linked to some black and festering reality. The whole place had a poisonous air. Afterward I reflected that certain sounds must have filtered through into my unconscious brain during those hours of drugged sleep. My pain, though, was very much eased; and I rose and walked without difficulty.
"Soon enough I began to see that something was wrong. Marsh and Marceline might have been riding, but someone ought to have been getting dinner in the kitchen. Instead, there was only silence, except for that faint, distant howl or wail; and nobody answered when I pulled the old-fashioned bell-cord to summon Scipio. Then, chancing to look up, I saw the spreading stain on the ceiling – the bright red stain, that must have come through the floor of Marceline's room.
"In an instant I forgot my crippled back and hurried upstairs to find out the worst. Everything under the sun raced through my mind as I struggled with the dampness-warped door of that silent chamber, and most hideous of all was a terrible sense of malign fulfilment and fatal expectedness. I had, it struck me, known all along that nameless horrors were gathering; that something profoundly and cosmically evil had gained a foot-hold under my roof from which only blood and tragedy could result.