“What was the connection?”
“Rosen worked for the same firm as Franklin, until they fired him.”
Corsetti scribbled again.
“You coulda told me this on the phone,” he said. “What else you got?”
“The young woman that hired me is named Sarah. Her father’s name was George...”
“ ‘Was’?”
“I’m getting to that,” I said. “George used to be a radio announcer. About 1981 or ’2, he was working at a radio station in Moline, Illinois. Lolly Drake worked there at the same time, when she was just starting out.”
“Franklin represents her, or did,” Corsetti said.
“You’ve been busy,” I said.
“Hard to believe I’m still second-grade, isn’t it?”
“My guess would be that you might annoy your superiors,” I said.
“Naw, I say it’s a height issue,” Corsetti said. “You said something about George.”
“He finally agreed to a DNA test,” I said. “And two days later he was shot to death.”
“What about the test?” Corsetti said.
“He is not the girl’s biological father,” I said.
Corsetti wrote that in his notebook and then sat back in the tight armchair and tapped his lower teeth with the butt end of his Bic pen.
“How was he shot?” Corsetti said after a time.
“In the chest,” I said. “Which put him down, and in the forehead, very close.”
“Like Franklin,” Corsetti said.
“Yes.”
“Where?” Corsetti said.
“In a parking lot, back of a building in Boston.”
“Any sign he knew the killer?”
“No.”
“Who’s running the case in Boston?”
“Detective sergeant named Frank Belson,” I said.
Corsetti wrote that down in his notebook and looked at his notes for a moment and closed the notebook.
“Franklin lived uptown, on Fifth, opposite the park.”
“Corner of Seventy-sixth,” I said.
Corsetti nodded.
“Doorman said he always ran in the park at night, after work,” Corsetti told me. “Which was sometimes pretty late, because a lot of times he worked pretty late.”
“That where you found him?”
“Dog walker found him about seven in the morning by the pond, near Seventy-second Street.”
“Shot in the chest,” I said, “and then in the forehead.”
“Yep.”
“Head shot was from very close.”
“Yep.”
“Any hint he knew the shooter?” I said.
“Nope.”
We were quiet. The lobby was high-ceiling and Gilded Age. Everything gleamed. Some of the people coming and going looked like business travelers. Some looked like tourists. None of them was wearing a baseball cap backward.
“What do you think?” I said.
“You got any ballistics on the gun in Boston?” Corsetti said.
“No.”
“I’ll call Belson,” Corsetti said. “We got a nine-millimeter down here.”
“At the scene, Belson said it could have been a nine.”
“Well,” Corsetti said. “I don’t know what the hell is going on. But we can’t assume it’s a bunch of coincidences and forget it.”
“No.”
“Where’s Lolly Drake fit in,” Corsetti said.
“She knew both victims,” I said.
“So do you,” Corsetti said.
“I got an alibi,” I said.
“I know,” Corsetti said, “I called that restaurant.”
I smiled. “I wonder if Lolly’s got one.”
“We could ask her,” Corsetti said.
“Ask her?”
“Yeah, she tapes over here on the West Side every afternoon.”
“You want to ask Lolly Drake if she has an alibi for two murders?”
“Sure.”
“Don’t you want to clear that with somebody at work?”
Corsetti shook his head.
“I’ve been a cop,” I said. “Somebody with a profile like Lolly Drake... you cover yourself.”
Corsetti grinned at me.
“Perhaps you have mistaken me,” he said, “for someone who gives a shit.”
46
Lolly Drake broadcast from an old theater, way west of Broadway, near the river. There were larger-than-life pictures of Lolly everywhere in the building. Lolly with movie stars. Lolly with senators. Lolly in Los Angeles. Lolly in Rome. Lolly with a cute dog. Lolly with a foreign dignitary. Lolly in London. Lolly on a horse. Lolly at the White House. Lolly in San Francisco. Lolly on a riverboat. In every picture, her face was framed by thick, auburn hair. Her famous green eyes stared from the photos as if they could penetrate your soul.
While Lolly finished taping her third show of the day, we sat in her office with her manager, whose name was Harvey Delk, and a lawyer named Curtin, from Harrop and Moriarty.
“Lolly will be really drained,” her manager said. “It’s always hard for her to come down on the three-show days.”
Corsetti smiled and nodded pleasantly. He sat in his chair, looking contented, his fingers locked across his stomach. It was a stomach you’d expect to be fat, but it wasn’t. Corsetti was built like a bowling ball, and was probably no softer.
It was a big office, and nicely furnished, but utilitarian at heart, with cinder-block walls painted yellow, and a thick, coffee-colored rug over the vinyl flooring. On the monitor, Lolly could be seen sitting on a couch behind a coffee table. When the guest was particularly captivating, she leaned over the coffee table toward him. It allowed a dignified show of cleavage.
“Truth is not merely fact,” she was saying, “it is also feeling, honestly expressed, don’t you think?”
The guest, a young actor promoting a new movie, nodded.
“It’s love,” he said, “and honest passion.”
I looked at Corsetti. He smiled at me benevolently.
On screen, Lolly looked at the audience.
“You know my mantra,” she said. “Where secrets exist, love cannot.”
The audience applauded. Corsetti nodded vigorously in agreement.
“She’s really something,” Corsetti said, “isn’t she.”
“Something,” I said.
“It’s what attracted me to the role,” the actor said, “the authentic honesty of the part.”
“You can be proud of that,” Lolly said. “Men are beginning to get it.”
“Well, if we are,” the young actor said, “it’s because you ladies have shown us the value of honest emotion.”
Lolly beamed at him.
“And we’re getting damned tired of it,” she said.
The audience applauded loudly. Lolly reached across and patted the young actor’s hand.
“And the name of the movie again?” she said.
“Timeless.”
“And it’s opening when?” Lolly said.
“January sixth,” the actor said, “in New York and LA. January thirteenth in general release.”
Lolly turned her head toward the studio audience. “I’ve seen a private screening of Timeless,” she said. “And it’s fabulous.”
She looked back at the young actor. “And you’re fabulous in it, Bob.”
She looked into the camera.
“I hope every one of you will see it. Bring the kids. It will do them some good to encounter honest emotion. There’s not enough of it around.”
The young actor looked modest. The audience roared into sustained applause. The credits began to roll. Lolly and the young actor began to chat without sound until the screen went gray.
“She really nailed it,” Corsetti said to her manager. “Not enough honest emotion these days. Is that right on the money, or what?”
The manager was a heavy young man, wearing an oversized double-breasted black suit, a white shirt, and a platinum-colored tie. The suit was probably supposed to conceal his weight. It didn’t. Nothing does.