A growing awareness of how shaky my ego must always have been sometimes led to bright moments. I began to realize how much I had been lying to myself when I pretended I was doing something contrary to my taste, self-esteem, and social orientation solely because it might help me reach my real goal. Quite the opposite: I knew that my work was in fact estranging me from my vocation; and this was quite all right. With every day I lost at the Aphrodite Company, the dreams of my future as a world-famous painter grew thinner and thinner, but I also felt the same measure of relief. I was making excuses to give up all my ambitious goals of times gone by. What made me stick to my guns was no longer the hope that a stage of transition would grow into the fulfillment of grand wishes. Instead, an oddly fatalistic persistence kept me suspended, as it were, while my life drifted toward a different destination, as yet unknown. Clenching my teeth, I went through the weekly rotation of decorating as many shop windows in Bucharest as possible with the products of the Aphrodite Company, Inc.
In the swarm of tiny shops on the outskirts of the city, my successes required less effort. The Mahalàs were sleazy, filthy, poverty-stricken, but life-swirling suburbs, which attracted me even though, or because, the milieu was similar to that of the Calea Griviţei, where I had had my inglorious adventure. Here, in the slums, the situation was clear-cut. A decorator was allowed to beautify the window if he cleaned off the dirt that had made the glass opaque. You had only to steal a march on the competition; then you could clean the panes and lay out your goods.
At first, in order to convince myself that my activity was necessary, I tried to put something like a work ethos into the business of displaying toothpaste tubes. So, I was angered by the vile utilitarianism of these slum drugstores. But I soon got used to being welcomed with exuberant friendliness and treated to a cup of strong black coffee. After which, I was allowed to spend a few hours sweeping away dead flies from the display-window boxes, wiping away finger-thick dust, and cleaning the panes — to prepare for the actual decorating. Depending on whether lavender soap or lemon soap was to be displayed, the window was lined with lilac or yellow crêpe paper, each thumbtack meticulously camouflaged with a crêpe rosette and thus made part of the adornment. Next came the artistic construction of the powerfully fragrant products in a bed of artificial umbels, with individual items in packages of three or six. This edifice was encircled by a bold loop — an arc of Aphrodite products, from the shaving cream of the well-groomed gentleman to the toothpaste for the entire family to the soap flakes for the ladies’ fine lingerie. I was soon quite hardened to what happened next, after my completion of this work of art and dismissal amid renewed protestations of friendship: no sooner was I out in the street again than the display window filled up with nail files, douches, jars of leeches, packages of condoms, and, even worse, goods from our competitors.
I appreciated the chats, the coffee, and the friendly, if sanctimonious, reception. I began liking these slum shop-keepers: careworn, arduously crawling through their petty existences, shrewdly callous or sagely resigned. We became friends. It was, if you will, my first real encounter with life — that is to say, the life of other people, of other species of human beings: a discovery of the world, often no less mysterious or wondrous than in childhood. I began combing through the Mahalàs of Bucharest with the same lust for adventure with which I had once combed through the garden of my childhood days. I peered with the same curiosity into the lives of these other species; I listened with the same devotion to the essence of the unknown. As a child, I had found I could not but be amazed at my life, and so again now: experiences lodged in me as “mood motifs,” and only after the mood had taken shape did they become clear images and recollections. The pitiable ugliness, the wretchedness, the meanness and brutality, of which I saw such a profusion in the slums of this Balkan metropolis, lost their repulsive immediacy, and were ordered into a complex picture, whose patterns and colors had no value per se but achieved real significance only in counterpoint with the rest.
The factory of the Aphrodite Company was also located on the outskirts of the city, where the Calea Moşilor turned into a highway; broad and dusty, mournfully lined with poplars, it ran out into the vast countryside whose horizon melted far away into the haze of the Danube plain. The neighborhood around the factory, a settlement from the Turkish period, had coalesced with the exuberantly growing city. Every week, a horse market took place in a huge, empty square surrounded by two-storied houses made of either wooden boards or, back then already, characterless cement cubes. But over the flat rooftops loomed the notched, melon-shaped dome of an old hamam, the local steam bath; and the carvings on the hoary wood, the faded pink, ultramarine, and pistachio-green of the paint, the ancient motifs of tulips, cypresses, and pomegranate blossoms stamped into the plaster, contained all the poetry of the Orient.
I did not see all this with the eyes of an archaeologist of his own lifetime, ever watchful for the “unspoiled world” of the past. I was utterly ingenuous in absorbing the anachronisms, the contrasts and contradictions, as a unity and a presentness. Everything was integrated as a matter of course into a picture of my world which I virtually inhaled, while in my imagination I dwelled in a future world of immeasurable promise that seemed to lie ahead of me.
In the morning, I steered my already antediluvian Model-T Ford with its cargo of publicity material out of the factory gates. Halting, I was checked and at last politely given the go-ahead by a giant Bessarabian watchman who guarded the plant as if it were a seraglio. I then turned into the street to begin my daily calvary through the stations of nicely graduated humiliations in the elegant boutiques on the Boulevard Bratianu, on to the comfort of the down-to-earth humanity in the parti-colored stores in Văcăreşti, which carried not only cattle salt and copybooks but also laundry soap. My first stop was Mr. Garabetian’s bazaar.
Mr. Garabetian was an Armenian of great embonpoint and charm. Day in, day out, from dawn to dusk, he sat like a Buddha, immobile, in front of his store: a chain of artfully carved apricot pits gliding playfully through his dark fingers tipped with rosy nails; the heavy lids half shut over the shiny almond-shaped eyes, which were like black olives preserved in oil; and a pea-shaped, aubergine-colored growth on the violet lower lip, under the Charlie Chaplin mustache.
His store was spacious and inexhaustible. Like a real bazaar, it was laid out as a honeycomb of adjacent stalls, each containing a different commodity. Canopies were drawn over the sidewalk, above piles of sheepskins and sharp, dry cheeses, cooking utensils and cans of kerosene, sacks of cornmeal and boxes of American chewing gum, down pillows and hemp ropes. You could just as easily buy a whipcord here as a portable gramophone, donkey-meat sausages, pastrami, and Moldau wine as well as nonprescription remedies from aspirin to vermicide; and according to need and commercial consideration, you could purchase a pack of sewing needles or dispatch a load of Anatolian hazelnuts to London. Mr. Garabetian had several dozen employees, whom he supervised from a stool at an octagonal sidewalk-table inlaid with mother-of-pearl arabesques. He sat there, heedless of the yells of sheepherders, who drove their flocks past him, or the chirping of the sparrows that tussled over chaff in the horse manure on the roadway, undisturbed by the heavy clouds of dust trailing every passing motor vehicle. Using a folded gazette, whose news he had unflappably registered early in the morning, Mr. Garabetian indolently fanned away the flies from his pickle-shaped nose, smoked Macedonian cigarettes, and drank innumerable cups of Turkish coffee.