He talked it over with Byron after the documentary aired. “You dignify it,” Byron said, “with all these words. All the Angel Zen they taught you back in Santarem. But : maybe that’s not what it is. Maybe it’s a side effect from the neural harness. Flat affect. Maybe you don’t know how to care anymore, maybe you can only piss and moan over whether you care. Or maybe it’s something else.”
“What?”
Byron hesitated. “Fear,” he said at last. “Cowardice”.
No, Keller thought.
You cope, he thought, that’s what matters. Some things were simply too terrible to bear. You have to look away, that’s the truth of it… and if you cannot look away, you have to learn how to look for the sake of looking.
Vision without desire. The perfect mirror.
They rode an elevator up to their room, Byron pressed his thumb against the lock, and through the window Keller once more confronted the Christ of Corvocado Mountain across the blue angle of the bay.
This country made you, the statue seemed to say. This country is your mother and your father.
Teresa moved to the window, obscuring the view. “We’re wasting time here,” she said. “We should have gone straight on to the capital.”
“We’re tourists,” Byron said. “What does it matter? A day or two—”
“I can feel it,” she said. Her eyes were distant. “Sounds crazy, right? But I know it’s out there. Pau Seco. The place the stones come from. Buried out in the Basin all those centuries.” She gave a small, involuntary shiver. “I want to go there.”
“Soon enough,” Byron said.
Keller nodded, uneasy now in spite of himself: soon enough.
2. They rode a domestic flight into Brasilia.
It was the interior at last, the old white chess-piece city scoured by the winds of the planalto, set like an island in this sea of poverty and forest. For two decades hard currency had been rivering into the capital, and while it had done nothing to alleviate the squalor in the barrios and the box cities, it had in part paid for the scaling and renovation of this antique landmark, the last century’s stern vision of the future. The chief industry of Brasilia was government; all these buildings were government buildings.
For a few days they lived like tourists in another big hotel, breakfast in the Continental Lounge, sunlight in the rooftop gardens. Keller, idle, found himself watching Teresa. She spent a lot of time in the pool—as if it reminded her of home, of the Floats or the distant ocean—moving through the water with an absentminded grace. And yet there was this alertness about her, somber and intent. He thought of the time she must have spent with the oneiroliths, artifacts from some unknowably distant world: as if some of that strangeness had rubbed off on her.
He watched her. He was aware of Byron watching her.
On the third day they caught a bus into the city and rode an elevator up the white glass tower of the SUDAM building, the monolithic Superintendency of the Amazon, the agency that controlled the development of the vast Brazilian hinterland. Byron had obtained from Cruz Wexler the name of a friendly SUDAM bureaucrat, Augusto Oliveira. Oliveira’s receptionist downloaded their ID into her desktop I processor and told them in unaccented English to wait, please, Mr. Oliveira was in conference. They waited through most of the morning in the plush, relentlessly bright office. Keller had picked up some rough Portuguese during the war, and he spent a little time deciphering the legend on Oliveira’s door; far as he could tell, it was Department of Mines, Maps, and Documents.
Oliveira himself appeared shortly before noon. His inner office was a sanctuary of wall windows and broad, flat filing cabinets. Outside, a rack of cumulus clouds cruised above the microwave dishes that crowned the old white buildings.
Oliveira waved them into chairs and gazed at them aloofly. Byron cleared his throat and said, “We’re from Cruz Wexler. He said you could get us—”
Oliveira’s look became aggrieved. “Please,” he said. “Don’t mention that name here. I have no connection with Cruz Wexler.” He added, “I know who you are.”
“We want to get into Pau Seco,” Byron said. “The rest of it doesn’t matter.”
“Everybody wants to get into Pau Seco. Obviously. Pau Seco.”
“Is it possible?”
“It may be.” Oliveira hooked his hands behind his back. “You want to own a plot, is that it? Dig in the dirt? Become garimpeiros?”
“Just visit,” Byron said stiffly.
“Pau Seco is seldom visited. Journalists are forbidden. Foreigners of any kind are very unusual. Really, you’re ;asking a lot.”
“Wexler said—” Byron caught himself, glowered. “We were told it would be possible.”
“Possible but dangerous.”
Oliveira moved behind his desk, thumbed his intercom, and said something in Portuguese to his secretary. A cavernous silence fell over the room. Byron crossed his arms and leaned back, scowling. Oliveira watched calmly. Keller understood that the bureaucrat was savoring their discomfort now. In return he watched Oliveira closely: he did not doubt this footage would find its way on to the Network, set amidst some stern dicta regarding the corruption of government officials.
Oliveira gazed at them silently until his secretary arrived with a cafezinho: dense, fragrant coffee in a thimble-sized cup. He drank it back convulsively and said, “How much do you know about Pau Seco?”
“It’s the mine,” Teresa said, “where the oneiroliths come from.”
“It’s a hole in the jungle,” Oliveira said, “where thirty thousand men are attempting to become wealthy. It’s also a national security area. The military is in charge. Anarchy and martial law—both, you understand? Here, look.”
He tapped a keyboard. Keller sat forward: the surface of Oliveira’s desk had become a topological map, black contour lines on a field of gently glowing blue.
“The Pau Seco mine,” Oliveira said.
The scale was immense.
“It’s operated the way the gold mines at Serra Pelada were operated. Foreign powers came in very quickly back in the twenties, you understand? The land was surveyed, there were sophisticated interferographs made of the soil beneath. But in the end it was Brazil that prevailed. Our antique mineral-rights laws.” Light from the liquid-crystal display played up the soft angles of Oliveira’s face. Absorbed now, he swept his hand over the desktop. “This is where the Exotic deposits appear. All this territory. Ten square miles of mud and clay, progressively less rich from the core deposit, here. The government allots the land in units of four square meters. For a brief time, years ago, the plots were sold cheaply. Now they’re auctioned. No one may own more than one, and it must be worked for the owner to retain title. Any given plot may produce nothing… but understand that even a small stone, a small oneirolith, is worth at least three hundred million cruzeiros.” He shrugged loftily. “Someday this may end. We may decipher all there is to be deciphered from these artifacts. The secrets of the universe, hm? And then Pau Seco will go back to jungle and all the garimpeiros can go home. Maybe that day is coming. But not yet. Every stone we unearth sheds new light, reveals a little more of the puzzle. Once its data have been abstracted, of course, the stone loses its enormous value … it might be duplicated, it might even find its way into the black market as a sort of drug.” He looked at Byron and smiled. “But I wouldn’t know about that. At Pau Seco the government buys the stones directly from the garimpeiros and takes a commission against their value on the international market. They may not be sold or traded privately. The price we offer is competitive… and there is the military to prevent smuggling.”