"I hope you had a good flight," Fengler said.
"I hate airplanes," Wells said, matter-of-factly.
"We have a car," Fengler said. "And Colonel Mawson has put you up in the Warwick. I hope that's all right."
"Fine," Wells said. "Has Mawson talked to Kruger?"
"I don't know, sir."
"The reason I asked is that someone is to meet me at the Warwick."
"I don't know anything about that, sir."
"Then maybe something is finally breaking right," Wells said. "The Warwick's fine."
The only thing Stanford Fortner Wells III said on the ride downtown was to make the announcement that he used to come to Philadelphia when he was at Princeton.
"And I went from Philadelphia to Princeton," Fengler said.
Wells grunted, and smiled.
When they reached the hotel, Wells got quickly out of the limousine and hurried across the sidewalk, up the stairs, and through the door to the lobby. Fengler scurried after him.
There was a television monitor mounted on the wall above the receptionist's desk at WCBL-TV when Peter Wohl walked in. "Nine's News" at six was on, and Louise Dutton was looking right into the camera.
My God, she's good-looking!
"May I help you?" the receptionist asked.
"My name is Wohl," Peter said. "I'm here to see Miss Dutton."
The receptionist smiled at him, and picked up a light blue telephone.
"Sharon," she said. "Inspector Wohl is here." Then she looked at Wohl. "She'll be right with you, Inspector."
Sharon turned out to be a startlingly good-looking young woman, with dark eyes and long dark hair, and a marvelous set of knockers. Her smile was dazzling.
"Right this way, Inspector," she said, offering her hand. "I'm Sharon Feldman."
She led him into the building, down a corridor, and through a door marked STUDIO C. It was crowded with people and cameras, and what he supposed were sets, one of which was used for "Nine's News." He was surprised when Louise saw him and waved happily at him, understanding only after a moment that she was not at the moment being telecast, or televised, or whatever they called it.
Sharon Feldman led him through another door, and he found himself in a control room.
"There's coffee, Inspector," Sharon Feldman said. "Help yourself. See you!"
"Roll the Wonder Bread," an intense young woman in horn-rimmed glasses, sitting in the rear of two rows of chairs behind a control console said; and Peter saw, on one of a dozen monitors, one marked AIR, the beginning of a Wonder Bread commercial.
"Funny," a man said to Peter Wohl, "you don't look like a cop."
Peter looked at him icily.
"Leonard Cohen," the man said. "I'm the news director."
"Good for you," Peter said.
"No offense, Wohl," Cohen said. "But you really don't, you know, look like what the word 'cop' calls to mind."
"You don't look much like Walter Cronkite yourself," Peter said.
"I don't make as much money, either," Cohen said, disarmingly.
"Neither, I suppose, does the president of the United States," Wohl said.
"At least that we know about," Cohen said. "Did you catch the guy who got away from the Waikiki Diner?"
"Not as far as I know," Peter said.
"But you will?"
"I think so," Peter said. "It's a question of time."
"What about the party or parties unknown who hacked up the fairy?"
"What fairy is that?"
"Come on," Cohen said. "Nelson."
"Was he a fairy?" Peter asked, innocently.
"Wasn't he?"
"I didn't know him that well," Peter said. "Did you?"
Cohen smiled at Wohl approvingly.
"Maybe the princess has met her match," he said. "I knew there had to be some kind of an attraction."
"Leonard, for Christ's sake, will you shut up?" the intense young woman snapped, and then, "Two, you're out of focus, for Christ's sake!"
Cohen shrugged.
"Good night, Louise," Barton Ellison said to Louise Dutton.
"See you at eleven, Barton," Louise said, "when we should have film of the fire at the Navy Yard."
"It should be spectacular," Barton Ellison replied. "A real fouralarm blaze."
"Roll the logo," the intense young woman said.
Through the plate-glass window, Peter saw a man step behind Louise. She took something from her ear and handed it to him, and then stood up. Then she unclipped what he realized after a moment must be a microphone, and tugged at a cord, pulling it down and out of her sleeve.
Then she walked across the studio to the control room, entered it, walked up to him, said "Hi!"; stood on her toes, and kissed him quickly on the lips.
The intense young woman applauded.
"You're just jealous, that's all," Louise said.
"You got it, baby," the intense young woman said. "Has he got a friend?"
Louise chuckled, and then took Peter's arm and led him out of the control, through another door, and into a corridor.
"Since we'll be at my place," she said, "and I want to change anyway, I can wipe this crap off there." She touched the heavy makeup on her face. "Where are you parked?"
"Out in front," he said.
She looked at him in surprise.
"Right in front?" she asked. He nodded.
She started to say something, and then laughed. She had, Peter thought, absolutely perfect teeth.
"I was about to say, 'My God, the cops will tow your car away,' " she said. "But I guess not, huh?"
"There are fringe benefits in my line of work," he said. "Not many, but some."
"How do they know it's a cop car?"
"Most of the time, they can tell by the kind of car, or they see the radio," he replied. "Or you just have the ticket canceled. But if you have a car like mine, with the radio in the glove compartment, and you don't want it towed away, you put a little sign on the dash. Or sometimes on the seat."
"Can you get me a sign?"
"No."
"Fink," she said, and took his arm and led him out of the building through the lobby.
At Stockton Place, he parked the LTD behind the Jaguar and walked with her into the foyer of Number Six.
There was an eight-by-ten-inch white cardboard sign on the door of Apartment A. Red letters spelled out, POLICE DEPARTMENT, CITY OF PHILADELPHIA. CRIME SCENE. DO NOT ENTER.
Louise looked at Peter but didn't say anything. But when the elevator door opened and he started to follow her in, she put up her hand to stop him.
"You wait down here," she said. "What I have on my mind now is dinner."
"That's all?"
"Dinner first," she said. "No. Car first, then dinner. Then who knows?"
"I'm easy to please," Peter said. "I'll settle for that."
He walked back out onto the street and to the Jaguar, and examined the hood where Tony Harris had sat on it.
Louise came down much sooner than he expected her to. She had removed all her makeup and changed into a sweater and pleated skirt.
"That was quick," he said.
"It was also a mistake," Louise said, and got behind the wheel of the Jaguar.
"What?"
"I'll tell you later," she said. Then she said, "Kind of low to the ground, isn't it?"
"I guess," Peter said.
"Well, first I need the keys," she said, and as he fished for them, added, "and then you can explain how that little stick works, and we' ll be off."
"What little stick?"
"That one," she said, pointing to the gearshift, "with all the numbers on it."
"You do know how to drive a car with a clutch and gearshift?"
"Actually, no," she said. "But I'm willing to learn."
"Oh, God!"
"Just teasing, Peter," Louise said. "You really love this car, don't you?"
"You're the first person to ever drive it since I rebuilt it," he said.
"I'm flattered," she said. "Want to race to your house?"