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Five fucking years, I thought. This is what my brother’s life is worth in Mississippi. Five years.

We Are Here

In my search for words to tell this story, I found more statistics about what it means to be Black and poor in the South. Thirty-eight percent of Mississippi’s population is Black. It is one of six states where African Americans constitute at least a quarter of the population.2 In 2009, the poverty rate was greatest in the South, and in the South greatest in Mississippi, where 23.1 percent of the population lived below the poverty level.3 In 2001, a report by the United States Census Bureau indicated that Mississippi was the poorest state in the country, in part because there has been little money apportioned for rural development. The state has a median household income of $34,473.4 According to the American Human Development Project, Mississippi ranks dead last in the United States on the UN’s Human Development Index, a comparative measure of life expectancy, literacy, education, and standard of living.5 About 35 percent of Black Mississippians live below the poverty level, compared with 11 percent of Whites, and “about one of every 12 Black Mississippi men in their 20s is an inmate in the Mississippi prison system.”6 Recently, researchers at Columbia University’s Mailman School of Public Health found that poverty, lack of education, and poor social support contribute to as many deaths as heart attack, stroke, and lung cancer in the United States.7 These are the numbers that bear fruit in reality.

By the numbers, by all the official records, here at the confluence of history, of racism, of poverty, and economic power, this is what our lives are worth: nothing.

We inherit these things that breed despair and self-hatred, and tragedy multiplies. For years I carried the weight of that despair with me; it was heaviest right after Joshua died, when I lived and worked in New York City. In the morning I fought through crowds of people to get to the subway, to get a standing spot on the train, for my commute. I lived with rich White friends when I first arrived, slept on their antique sofa for five months, cleaned their apartment like a maid because I felt beholden, and walked their dog, which hated me. Next I moved in with my then-boyfriend, who charged me rent to sleep in the bed with him for the three months I stayed there. After that I moved in with an actor for nine months, and then with two girls I met through a friend.

And as I moved from place to place, I was wandering around the city, bewildered and depressed as I tried to find the basics: Laundromat, grocery store, subway station. In the evenings, I commuted home in empty, rattling train cars and daydreamed or fell asleep, missing my stop and getting lost in dirty tiled mazes. I was hurrying past boys bleeding to death on sidewalks from neck stabbings outside movie theaters off Times Square. I was walking past homeless women with knotty dreads, women who held cardboard signs that read: AIDS HOMELESS PLEASE HELP. I was fainting on the F train. I was riding the subway at midnight to nightclubs with my friends, where I drank until I stumbled into taxis at four in the morning: deliriously, wretchedly, wonderfully, blackout drunk. I was buying liters of Brazilian rum and dumping tablespoons of sugar in glasses and topping with ice and drinking the rum straight, fancying myself a connoisseur of the caipirinha, three nights a week. I was smoking weed with Jamaicans until I was stupid.

And every day I was eyeing the tracks, the coming train, the third rail with its protective wooden shield, and wondering why I was alive and my brother was a year, two years dead. Each day I descended into the belly of the city, eyeing those tracks. And I thought about my family and how they would feel to lose me and Joshua, but they were so far away and my misery and grief and loneliness were so close. It slept with me. It walked with me down the crowded streets. I imagined my brother sometimes, when I was more lonely and desperate, imagined him walking to my right and slightly behind me, throwing an arm across my shoulders, and it would comfort me until I realized I was still alone and he was still dead, that he could not walk with me through those building-shadowed streets, through the garbage-stinking heat and the insidious icy snow, that he could not pull a coat over my head and protect me.

Sometimes I eyed my wrists, thought of how easy it would be to take a razor across the left one by wielding the blade with my right hand, and wondered if I could bleed out from just managing one cut. So I got a tattoo of my brother’s signature on the inside of my left wrist so that it seemed like my brother had signed his name on me before he died, had made his mark across the cutting line. I did it because I knew that I could never make that fatal cut across Joshua’s name. And when I fought through the crowds in Grand Central Station while trying to find a place to eat, a place where I could sit in a corner alone and disappear into the wall behind me, while I walked and fumbled past woman after man, felt all these people touching and crowding me while making me realize that I had never been so lonely, so alone, even though I was surrounded by young men in suits and older women in black woolen coats and sticky-faced children, I fantasized about cutting the right wrist with my left hand, so I got another tattoo in my brother’s handwriting across the other cutting line on the inside of my right wrist. Love brother is how he signed the one letter he wrote me while I was in college. Love brother is what the tattoo says.

After I left New York, I found the adage about time healing all wounds to be false: grief doesn’t fade. Grief scabs over like my scars and pulls into new, painful configurations as it knits. It hurts in new ways. We are never free from grief. We are never free from the feeling that we have failed. We are never free from self-loathing. We are never free from the feeling that something is wrong with us, not with the world that made this mess.

Death spreads, eating away at the root of our community like a fungus. In 2008, a seventeen-year-old girl named Dariane attempted to cross the tracks in Pass Christian and was hit by a train. A few winters ago, Rog’s sister Rhea died of septicemia from pneumonia, seven years after her brother died. A couple of years ago, a boy named Matt, who’d been like a younger brother to C. J., was shot; he crawled into the woods next to the road and died. Less than a year ago, a young woman named Shabree was stabbed to death by her boyfriend and left nude and bloody in the bed they shared; when relatives finally found their way to her house and her six-year-old let them in the door, she told them her mother was asleep and covered in ketchup. This is why I choose the option of a life insurance plan at every job I work. This is why I hate answering my phone. This is why fear roots through me when I think of my nephew, who is funny and even-shouldered and quiet, when I think of what waits for him in the world.

Yet I’ve returned home, to this place that birthed me and kills me at once. I’ve turned down more-lucrative jobs, with more potential for advancement, to move back to Mississippi. I wake up every morning hoping to have dreamed of my brother. I carry the weight of grief even as I struggle to live. I understand what it feels like to be under siege.

It is an awful weight. As the years pass, I find my memory shrinking and adhering to photos. I look at a picture of Joshua on his last birthday with a coconut cake bearing one burning candle and my brother a crooked smile, and I think: I remember that day. I look at another photo of him with his arm in the air, posing for me with all the other boys from the neighborhood in the middle of the street, and I remember the way he complained about my big camera and called me a tourist when I told them to stop for a picture on our walk down to the park. When I see him in profile, his eyes closed, wearing a red shirt, I think of the day I took the photo, how I had to look up to him to take it and the sun shone on him, blurred his edges, and I’d said to him: Look at my brother! He’s so cute. Just look at him!