with the knife. Inside there’s too many hours to dawn; too
many hours o f dark to hold them off; they’ll get in; I know this
small world as well as they do, I know what they can do and
what they can’t do and once it’s night they can break the door
down and no one will stop them; and the police don’t come
here; you never see a cop here; there’s no w ay to keep them out
and m y blood’s running cold from the banging, from the noise
o f them, fists, knives, I don’t know what, sticks, I guess,
maybe baseball bats, the arsenal o f the streets. The telephone’s
worthless, they cut the wire when they broke in; but no one
would come. This is the loneliest I ever knew existed; now;
them banging. There’s things you learn, tricks; no one can
hurt me. I’m not some stupid piece o f shit. Y ou got a gang
outside, banging, making threats. They want to come in;
fuck. T h ey’ll kill me; fuck me dead or kill me after. It’s like
anything, you have to face what’s true, you don’t get to say if
you want to handle it or not, you handle it to stay alive. So
what’s it to me; if I can just get through it; minimum damage,
minimum pain, the goal o f all women all the time and it’s not
different now. If you’re ever attacked by a gang you have to
get the leader. If you get him, disable him, pull him away from
the others, kill him, render him harmless, the others are
nothing. If you miss him, attack him but miss, wound him,
irritate him, aggravate him, rile him, humiliate him without
taking him out, you are human waste, excreta. So it’s clear;
there’s one way. There’s him. I have to get him. if I can pull
him away from them, to me, I have a chance; a chance. I open
the door. I think if I grab him between the legs I’m in charge; if
I pull his thing. I learn the limits o f m y philosophy. Every
philosophy’s got them. I ain’t in charge. It’s fast. It’s simple. I
open the door. It’s a negotiation. The agreement is he comes
in, they stay out; he doesn’t bring the big knife he has in with
him; it stays outside; if I mess with him, he will hurt me with it
and turn me over to them; if anything bad happens to him or if
I don’t make him happy, he will turn me over to them. This is
consent, right? I opened the door myself. I picked him. I just
got to survive him; and tom orrow find a w ay out; away from
here. He comes in; he’s Pedro or Jo e or Juan; he swaggers,
touches everything, there’s not much left he notes with
humor; he wants me to cook him dinner; he finds m y knife; he
keeps it; he keeps saying what he’ll do to me with it; I cook; he
drinks; he eats; he keeps talking; he brags; he talks about the
gang, keeps threatening me, what he’ll do to me, what they’ll
do to me, aspects o f lovemaking the gang would also enjoy
and maybe he’ll just let them in now or there’s time after,
they’re waiting, right outside, maybe he’ll call them in but
they can come back tom orrow night too, there’s time, no need
to w orry, nice boys in the gang, a little rough but I’ll enjoy
them, w o n ’t I? Then he’s ready; he’s excited himself; he’s even
fingered him self and rubbed himself. Like the peace boys he
talks with his legs spread wide open, his fingers lightly
caressing his cock, the denim pulled tight, exerting its own
pressure. He goes to the bed and starts to undress and he runs
one hand through the hair on his chest and he holds the knife in
the other hand, he fingers the knife, he rubs his thumb over it
and he caresses it and he keeps talking, seductive talk about
how good he is and how good the knife is and I’m going to like
them both and he’s got a cross on a chain around his neck and it
glistens in his hair, it’s silver and his skin is tawny and his hair
on his chest is black and curly and thick and it shines and I’m
staring at it thinking it shouldn’t be there, the shiny cross, I am
having these highly moral thoughts against the blasphemy o f
the cross on his chest, I think it is w rong and concentrate on
the im m orality o f wearing it now, doing this, w hy does he
wear it, what does it mean, his shirt is o ff and his pants are
coming o ff and he is rapturous with the knife in his hand and I
look at the cross and I look at the knife and I think they are both
for me, he will hold the knife, maybe I can touch the cross, I
will try to touch it all through and maybe it will be something
or mean something or I w o n ’t feel so frightened, so alone in
this life now, and I think I will just touch it, and there’s him,
there’s the cross, there’s the knife, and I’m under them and I
don’t know, I will never remember, the hours are gone, blank,
a tunnel o f nothing, and I’m naked, the bell rings, it’s light
outside so it’s been five hours, six, there’s a knock on the door,
insistent knocking, he says don’t answer it, he says don’t
move, he holds the knife against me, just under m y skin, the
tip just under it, and I try to fight for m y life, I say it’s a friend
who expects me to be here and will not go away and I will have
to answer the door and I w on’t say anything and I w on’t tell or
say anything bad, I will just go to the door to tell m y friend to
go away, to convince him everything’s fine, and someone’s
knocking and he has a deep voice and I don’t know what I will
do when I reach the door or who it is on the outside or what
will happen; but I’m hurt; dizzy; reeling; can’t feel anything
but some obscure pain somewhere next to me or across the
room and I don’t know what he’s done, I don’t look at any part
o f me, I cover m yself a little with a sheet, I pull it over me and I
don’t look down, I have trouble keeping m y head steady on
m y shoulders, I don’t know if I can walk from the bed to the
door, and I think I can open the door maybe and just keep
walking but I am barely covered at all and maybe the gang’s
outside and you can’t walk naked in a sheet, they’ll just hurt
you more; anyone will. I can’t remember and I can barely
carry m y head up and I have this one chance; because I can’t
have him do more; you see? I got up, I put something around
me, over me, a sheet or something, just held it together where
I could, and I took some steps and I kept whispering to the
man with the knife in m y bed that I would just get rid o f the
man at the door because he wouldn’t go away if I didn’t come
to the door and really I would just make him go aw ay and I
kept walking to the door to open it, not knowing if I would fall
or if the man in the bed would stick the knife in me before I got
there, or who was on the other side o f the door and what he