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Most of those who saw Fred riding out of Middlemarch in company with Bambridge and Horrock, on his way of course to Houndsley horse-fair, thought that young Vincy was pleasure-seeking as usual; and but for an unwonted consciousness of grave matters on hand, he himself would have had a sense of dissipation, and of doing what might be expected of a gay young fellow. Considering that Fred was not at all coarse, that he rather looked down on the manners and speech of young men who had not been to the university, and that he had written stanzas as pastoral and unvoluptuous as his flute-playing, his attraction towards Bambridge and Horrock was an interesting fact which even the love of horseflesh would not wholly account for without that mysterious influence of Naming which determinates so much of mortal choice. Under any other name than “pleasure” the society of Messieurs Bambridge and Horrock must certainly have been regarded as monotonous; and to arrive with them at Houndsley on a drizzling afternoon, to get down at the Red Lion in a street shaded with coal-dust, and dine in a room furnished with a dirt-enamelled map of the county, a bad portrait of an anonymous horse in a stable, His Majesty George the Fourth with legs and cravat, and various leaden spittoons, might have seemed a hard business, but for the sustaining power of nomenclature which determined that the pursuit of these things was “gay.”

In Mr. Horrock there was certainly an apparent unfathomableness which offered play to the imagination. Costume, at a glance, gave him a thrilling association with horses (enough to specify the hat-brim which took the slightest upward angle just to escape the suspicion of bending downwards), and nature had given him a face which by dint of Mongolian eyes, and a nose, mouth, and chin seeming to follow his hat-brim in a moderate inclination upwards, gave the effect of a subdued unchangeable sceptical smile, of all expressions the most tyrannous over a susceptible mind, and, when accompanied by adequate silence, likely to create the reputation of an invincible understanding, an infinite fund of humor— too dry to flow, and probably in a state of immovable crust,— and a critical judgment which, if you could ever be fortunate enough to know it, would be THE thing and no other. It is a physiognomy seen in all vocations, but perhaps it has never been more powerful over the youth of England than in a judge of horses.

Mr. Horrock, at a question from Fred about his horse’s fetlock, turned sideways in his saddle, and watched the horse’s action for the space of three minutes, then turned forward, twitched his own bridle, and remained silent with a profile neither more nor less sceptical than it had been.

The part thus played in dialogue by Mr. Horrock was terribly effective. A mixture of passions was excited in Fred—a mad desire to thrash Horrock’s opinion into utterance, restrained by anxiety to retain the advantage of his friendship. There was always the chance that Horrock might say something quite invaluable at the right moment.

Mr. Bambridge had more open manners, and appeared to give forth his ideas without economy. He was loud, robust, and was sometimes spoken of as being “given to indulgence”—chiefly in swearing, drinking, and beating his wife. Some people who had lost by him called him a vicious man; but he regarded horsedealing as the finest of the arts, and might have argued plausibly that it had nothing to do with morality. He was undeniably a prosperous man, bore his drinking better than others bore their moderation, and, on the whole, flourished like the green bay-tree. But his range of conversation was limited, and like the fine old tune, “Drops of brandy,” gave you after a while a sense of returning upon itself in a way that might make weak heads dizzy. But a slight infusion of Mr. Bambridge was felt to give tone and character to several circles in Middlemarch; and he was a distinguished figure in the bar and billiard-room at the Green Dragon. He knew some anecdotes about the heroes of the turf, and various clever tricks of Marquesses and Viscounts which seemed to prove that blood asserted its preeminence even among black-legs; but the minute retentiveness of his memory was chiefly shown about the horses he had himself bought and sold; the number of miles they would trot you in no time without turning a hair being, after the lapse of years, still a subject of passionate asseveration, in which he would assist the imagination of his hearers by solemnly swearing that they never saw anything like it. In short, Mr. Bambridge was a man of pleasure and a gay companion.

Fred was subtle, and did not tell his friends that he was going to Houndsley bent on selling his horse: he wished to get indirectly at their genuine opinion of its value, not being aware that a genuine opinion was the last thing likely to be extracted from such eminent critics. It was not Mr. Bambridge’s weakness to be a gratuitous flatterer. He had never before been so much struck with the fact that this unfortunate bay was a roarer to a degree which required the roundest word for perdition to give you any idea of it.

“You made a bad hand at swapping when you went to anybody but me, Vincy! Why, you never threw your leg across a finer horse than that chestnut, and you gave him for this brute. If you set him cantering, he goes on like twenty sawyers. I never heard but one worse roarer in my life, and that was a roan: it belonged to Pegwell, the corn-factor; he used to drive him in his gig seven years ago, and he wanted me to take him, but I said, `Thank you, Peg, I don’t deal in wind-instruments.’ That was what I said. It went the round of the country, that joke did. But, what the hell! the horse was a penny trumpet to that roarer of yours.”

“Why, you said just now his was worse than mine,” said Fred, more irritable than usual.

“I said a lie, then,” said Mr. Bambridge, emphatically. “There wasn’t a penny to choose between ‘em.”

Fred spurred his horse, and they trotted on a little way. When they slackened again, Mr. Bambridge said—

“Not but what the roan was a better trotter than yours.”

“I’m quite satisfied with his paces, I know,” said Fred, who required all the consciousness of being in gay company to support him; “I say his trot is an uncommonly clean one, eh, Horrock?”

Mr. Horrock looked before him with as complete a neutrality as if he had been a portrait by a great master.

Fred gave up the fallacious hope of getting a genuine opinion; but on reflection he saw that Bambridge’s depreciation and Horrock’s silence were both virtually encouraging, and indicated that they thought better of the horse than they chose to say.