“So is your family still in Bolivia?” I said instead, thinking family connection in a time of grief.
“Some distant relatives-but our parents are gone.”
Nice try, Max. I pushed away from the table and went to my so-called kitchen.
“Are you hungry? I can heat something up. Soup, maybe?”
“No thank you,” Luz said.
I busied myself, finding a saucepan and going through my cupboard. It may be ironic in this place of water and so close to the sea, but my favorite soup is still the canned Bookbinder’s lobster bisque from Philadelphia, which I buy a case at a time in a market in Fort Lauderdale and leave here. Billy would disown me if I asked for it at his place. Sherry only wrinkles her nose at any mention of the stuff; when I’m here, I indulge. You have to thicken the bisque by adding milk, so I always like to eat it the first day I come out, when I’ve just brought fresh milk for the cooler.
I pushed a few more pieces of dry pine into the stove to get the heat up and then opened the can, mixed it in the pan, and set it to simmer. Fortunately, the shack is built in the style of Old Florida dwellings. The inside ceiling is no ceiling at all. The roof slants up in four planes like a pyramid, the triangles coming together twenty feet above and meeting at a cupola that’s vented at the top. The heat inside the cabin rises to the top and vents, thus creating a vacuum. And because the entire structure is raised above the water on stilts, the cool shaded air beneath is drawn up-natural air-conditioning. I have never felt overwhelmed by heat out here.
“There are some books in the armoire on the left,” I said to Luz, letting an apologetic tone invade my voice. “I read a lot out here, and even if Mr. Manchester is constantly warning me that the hardbacks are going to rot in the humidity, I still keep a few at hand.”
She looked up from the table at me, and I felt I had to prompt her and nodded my head at the stand-up wardrobe.
“Help yourself.”
I couldn’t stand the thought of watching her stare at the lantern frame all night.
She rose and went to the armoire and began browsing the piles of books on the high shelf as I kept stirring my soup. You can ruin it if you let it scald. I kept cutting looks at Luz as she carefully fingered each volume, sliding them out of their tight space, studying the covers, sometimes pulling one down and perusing the flap copy to get a sense of the story. A lot of what I kept here was Florida history, books on the wildlife of the southern United States, and travel books by Jonathan Raban, Peter Matthiessen, and Paul Theroux. I have some fiction, mostly southern stuff by Tom Franklin and some collections of Harry Crews. I was only a bit surprised when she returned to the table with a copy of Gabriel Garcia Marquez’s Chronicle of a Death Foretold.
“Do you like the magical realism, Mr. Freeman?” she said as I brought my warm bowl of soup to the table along with a cold Rolling Rock from the cooler.
“I liked One Hundred Years of Solitude,” I said, recalling another Garcia Marquez novel.
“It is better in its original Spanish,” Luz said, flipping through the early pages of the novel in her hands. “But I can see how you would enjoy Mr. Garcia’s themes of solitude.”
I took a long sip from the neck of the beer. Yeah, pretty obvious, I thought.
“You are not a religious man, Mr. Freeman,” she said. It wasn’t a question. “You are a practical man.”
I nodded, an action I was using a lot lately.
“And your woman-is she practical as well?”
“My woman?” I did not recall bring Sherry’s name up during any conversation with Luz Carmen.
“You told her you loved her on the phone while we were in my house.”
“Yes,” I said, remembering the conversation. “She is a practical person.”
Luz was quiet again, looking at the pages of the novel, but not reading them.
“It’s a good thing to love someone. But it is hard to do in solitude,” she finally said. “You should call your woman and tell her again that you love her.”
This comment was made while Luz was seemingly concentrating on reading the opening pages of the book she’d selected. I said nothing in return and finished my soup. Then I washed off the dishes at my old iron slop sink, using the old-time hand pump that drew water from below. I pulled out another beer, took my cell phone outside, and went down the steps to the small dock platform, far enough away, I thought, to keep Luz Carmen from listening in.
“Hey, how you doin’?”
“Just finished swimming. What’s up?”
“I’m out at the shack.”
“Yeah? Dark out there by now.”
Sherry was right. This far out there is little ambient light at night, though if you know which direction to look in, you can still detect the glow of the urban world rising and then reflecting off the cloud cover. And on clear nights, if there is a moon, you can actually navigate the river in that natural luminescence.
“I’m with the client,” I said.
“You think that’s a good move?”
“For right now, anyway,” I said, studying Sherry’s question, her voice. She doesn’t usually question smart tactics.
“You and a woman out in the Glades?”
Sherry is not a jealous woman. The statement caught me unawares. I was stumbling with a response and she read the hesitation.
“I’m kidding, Max.”
“Oh, yeah,” I said, waiting for her to continue the so-called joke by warning me not to permanently disfigure the girl while I was out here. But I said nothing.
“So I got a call from Mr. Booker,” she said, breaking the uncomfortable silence.
“Yeah?”
“He wants to meet with me again.”
“Progress,” I said.
“Well, actually, he invited me to meet him at his home. He wants to show me some sort of classic car he’s been rebuilding. Says he’s thinking of adding a hand system for the accelerator and brakes; he thinks if he started driving, things might open up for him.”
“Sure. A hobby-something to get back into,” I said. Sherry’s idea of a hobby after her amputation was physically beating herself into exhaustion on Loop Road or in the pool. “What does the sheriff’s office counselor think of that?”
“I don’t know, I haven’t reported in yet,” Sherry said. “But I think something else is up.”
“Like he’s making a move on you?” I said, trying to make it light, like a joke for a joke, but then regretting it instantly.
“Max.”
“Sorry, babe.”
“Let’s not joust, OK?” she said. “I think the guy is busting to tell me something that he’s holding out on.”
“Like?”
“Like something to do with the accident that he’s unwilling to tell anybody else. You saw the alienation going on in that gym. He’s not going to spill anywhere near those meatheads. We always learned that if you get an interviewee in a place where he’s comfortable, the better chance of him opening up, right?”
It was interview technique 101, but rarely happened in police work. You get them at the scene. You get them in an enclosed room downtown. You get them in a cell. But you don’t often interview anyone sitting on their couch at home or out back in on their patio overlooking the garden, or in their shop tinkering with a favorite engine.
“What do you think he’s holding out on?” I said. “He’s been pushing the investigators on the hit-and-run, right? Wouldn’t he have given them everything to help get the guy who chopped him in half?”
Again I was ruing the words the instant they left my lips, but Sherry never hesitated.
“I don’t know, Max. But that’s why they wanted me to work the guy, to get into his head.”
“Unless they’re playing you to get to the boys in the gym through him,” I said, finally just tossing it out there, an angle both of us had to play since seeing McKenzie and the steroid pimples popping up on the gang in the muscle factory.
“God, that’s pretty despicable.”
“Which rules it out?”
“Not in the least,” Sherry said.