Find Shaddack. Murder the maker and release the anguished monsters he had made.
9
Preceded by Sam and followed by Tessa, Chrissie squelched through the mushy turf of the athletic field. In places the soggy grass gave way to gluey mud, which pulled noisily at her shoes, and she thought she sounded like a sort of goofy alien herself, plodding along on big, sucker-equipped feet. Then it occurred to her that in a way she was an alien in Moonlight Cove tonight, a different sort of creature from what the majority of the citizens had become.
They were two-thirds of the way across the field when they were halted by a shrill cry that split the night as cleanly as a sharp ax would split a dry cord of wood. That unhuman voice rose and fell and rose again, savage and uncanny but familiar, the call of one of those beasts that she'd thought were invading aliens. Though the rain had stopped, the air was laden with moisture, and in that humidity, the unearthly shriek carried well, like the bell-clear notes of a distant trumpet.
Worse, the call at once was answered by the beast's excited kin. At least half a dozen equally chilling shrieks arose from perhaps as far south as Paddock Lane and as far north as Holliwell Road, from the high hills in the east end of town and from the beach-facing bluffs only a couple of blocks to the west.
All of a sudden Chrissie longed for the cold, lightless culvert churning with waist-deep water so filthy that it might have come from the devil's own bathtub. This open ground seemed wildly dangerous by comparison.
A new cry arose as the others faded, and it was closer than any that had come before it. Too close.
"Let's get inside," Sam said urgently.
Chrissie was beginning to admit to herself that she might not make a good Andre Norton heroine, after all. She was scared, cold, grainy-eyed with exhaustion, starting to feel sorry for herself, and hungry again. She was sick and tired of adventure. She yearned for warm rooms and lazy days with good books and trips to movie theaters and wedges of double-fudge cake. By this time a true adventure-story heroine would have worked out a series of brilliant stratagems that would have brought the beasts in Moonlight Cove to ruin, would have found a way to turn the robot-people into harmless car-washing machines, and would be well on her way to being crowned princess of the kingdom by acclamation of the respectful and grateful citizenry.
They hurried to the end of the field, rounded the bleachers, and crossed the deserted parking lot to the back of the school.
Nothing attacked them.
Thank you, God. Your friend, Chrissie.
Something howled again.
Sometimes even God seemed to have a perverse streak.
There were six doors at different places along the back of the school. They moved from one to another, as Sam tried them all and examined the locks in the hand-hooded beam of his flashlight. He apparently couldn't pick any of them, which disappointed her, because she'd imagined FBI men were so well trained that in an emergency they could open a bank vault with spit and a hairpin.
He also tried a few windows and spent what seemed a long time peering through the panes with his flashlight. He was examining not the rooms beyond but the inner sills and frames of the windows.
At the last door — which was the only one that had glass in the top of it, the others being blank rectangles of metal — Sam clicked off the flashlight, looked solemnly at Tessa, and spoke to her in a low voice. "I don't think there's an alarm system here. Could be wrong. But there's no alarm tape on the glass and, as far as I can see, no hard-wired contacts along the frames or at the window latches."
"Are those the only two kinds of alarms they might have?" Tessa whispered.
"Well, there're motion-detection systems, either employing sonic transmitters or electric eyes. But they'd be too elaborate for just a school, and probably too sensitive for a building like this."
"So now what?"
"Now I break a window."
Chrissie expected him to withdraw a roll of masking tape from a pocket of his coat and tape one of the panes to soften the sound of shattering glass and to prevent the shards from falling noisily to the floor inside. That was how they usually did it in books. But he just turned sideways to the door, drew his arm forward, then rammed it back and drove his elbow through the eight-inch-square pane in the lower-right corner of the window grid. Glass broke and clattered to the floor with an awful racket. Maybe he had forgotten to bring his tape.
He reached through the empty pane, felt for the locks, disengaged them, and went inside first. Chrissie followed him, trying not to step on the broken glass.
Sam switched on the flashlight. He didn't hood it quite so much as he had done outside, though he was obviously trying to keep the backwash of the beam off the windows.
They were in a long hallway. It was full of the cedar-pine smell that came from the crumbly green disinfectant and dust-attractor that for years the janitors had sprinkled on the floors and then swept up, until the tiles and walls had become impregnated with the scent. The aroma was familiar to her from Thomas Jefferson Elementary, and she was disappointed to find it here. She had thought of high school as a special, mysterious place, but how special or mysterious could it be if they used the same disinfectant as at the grade school?
Tessa quietly closed the outside door behind them.
They stood listening for a moment.
The school was silent.
They moved down the hall, looking into classrooms and lavatories and supply closets on both sides, searching for the computer lab. In a hundred and fifty feet they reached a junction with another hall. They stood in the intersection for a moment, heads cocked, listening again.
The school was still silent.
And dark. The only light in any direction was the flashlight, which Sam still held in his left hand but which he no longer hooded with his right. He had withdrawn his revolver from his holster and needed his right hand for that.
After a long wait, Sam said, "Nobody's here."
Which did seem to be the case.
Briefly Chrissie felt better, safer.
On the other hand, if he really believed they were the only people in the school, why didn't he put his gun away?
10
As he drove through his domain, impatient for midnight, which was still five hours away, Thomas Shaddack had largely regressed to a childlike condition. Now that his triumph was at hand, he could cast off the masquerade of a grown man, which he had so long sustained, and he was relieved to do so. He had never been an adult, really, but a boy whose emotional development had been forever arrested at the age of twelve, when the message of the moonhawk had not only come to him but been imbedded in him; he had thereafter faked emotional ascension into adulthood to match his physical growth.
But it was no longer necessary to pretend.
On one level, he had always known this about himself, and had considered it to be his great strength, an advantage over those who had put childhood behind them. A boy of twelve could harbor and nurture a dream with more determination than could an adult, for adults were constantly distracted by conflicting needs and desires. A boy on the edge of puberty, however, had the single-mindedness to focus on and dedicate himself unswervingly to a single Big Dream. Properly bent, a twelve-year-old boy was the perfect monomaniac.
The Moonhawk Project, his Big Dream of godlike power, would not have reached fruition if he had matured in the usual way. He owed his impending triumph to arrested development.
He was a boy again, not secretly any more but openly, eager to satisfy his every whim, to take whatever he wanted, to do anything that broke the rules. Twelve-year-old boys reveled in breaking the rules, challenging authority. At their worst, twelve-year-old boys were naturally lawless, on the verge of hormonal-induced rebellion.