The MC said, "So what's your choice? Do you want what's behind screen number one, screen number two, or screen number three?"
Talking back to the tube, Pack said, "I'll take what's in that cutie's Maidenforrn, thank you very much," and he swigged more beer.
Just then someone knocked on the door.
Pack did not get up or in any way acknowledge the knock. He had no friends, so visitors were of no interest to him. They were always either community do-gooders bringing him a box of food that he didn't want, or offering to cut down his weeds and clean up his property, which he didn't want, either, because he liked his weeds.
They knocked again.
Pack responded by turning up the volume on the TV.
They knocked harder.
"Go away," Pack said.
They really pounded on the door, shaking the whole damn trailer.
"…What the hell?" Pack said. He clicked off the TV and got up.
The pounding was not repeated, but Pack heard a strange scraping noise against the side of the trailer.
And the place creaked on its foundation, which it sometimes did when the wind was blowing hard. Today, there was no wind.
"Kids," Pack decided.
The Aikhorn family, which lived on the other side of the county road and two hundred yards to the south, had kids so ornery they ought to have been put to sleep with injections, pickled in formaldehyde, and displayed in some museum of criminal behavior. Those brats got a kick out of pushing cherry bombs through chinks in the foundation blocks, under the trailer, waking him with a bang in the middle of the night.
The scraping at the side of the trailer stopped, but now a couple of kids were walking around on the roof.
That was too much. The metal roof didn't leak, but it had seen better days, and it was liable to bend or even separate at the seams under the weight of a couple of kids.
Pack opened the door and stepped out into the rain, shouting obscenities at them. But when he looked up he didn't see any kids on the roof. What he saw, instead, was something out of a fifties bug movie, big as a man, with clacking mandibles and multifaceted eyes, and a mouth framed by small pincers. The weird thing was that he also saw a few features of a human face in that monstrous countenance, just enough so he thought he recognized Daryl Aikhorn, father of the brats. "Neeeeeeeeeeed," it said, in a voice half Aikhorn's and half an insectile keening. It leaped at him, and as it came, a wickedly sharp stinger telescoped from its repulsive body. Even before that yard-long serrated spear skewered his belly and thrust all the way through him, Pack knew that the days of beer and bologna sandwiches and Fritos and disability checks and game-show girls with perfect hooters were over.
Randy Hapgood, fourteen, sloshed through the dirty calf-deep water in an overflowing gutter and sneered contemptuously, as if to say that nature would have to come up with an obstacle a thousand times more formidable than that if she hoped to daunt him. He refused to wear a raincoat and galoshes because such gear was not fashionably cool. You didn't see rad blondes hanging on the arms of nerds who carried umbrellas, either. There were no rad girls hanging on Randy, as far as that went, but he figured they just hadn't yet noticed how cool he was, how indifferent to weather and everything else that humbled other guys.
He was soaked and miserable — but whistling jauntily to conceal it — when he got home from Central at twenty minutes till five, after band practice, which had been cut short because of the bad weather. He stripped out of his wet denim Jacket and hung it on the back of the pantry door. He slipped out of his soggy tennis shoes, as well.
"I'm heeeeerrreeeee," he shouted, parodying the little girl in Poltergeist.
No one answered him.
He knew his parents were home, because lights were on, and the door was unlocked. Lately they'd been working at home more and more. They were in some sort of product research at New Wave, and they were able to put in a full day on their dual terminals upstairs, in the back room, without actually going in to the office.
Randy got a Coke out of the refrigerator, popped the tab, took a swig, and headed upstairs to dry out while he told Pete and Marsha about his day. He didn't call them mom and dad, and that was all right with them; they were cool. Sometimes he thought they were even too cool. They drove a Porsche, and their clothes were always six months ahead of what everyone else was wearing, and they'd talk about anything with him, anything, including sex, as frankly as if they were his pals. If he ever did find a rad blonde who wanted to hang on him, he'd be afraid to bring her home to meet his folks, for fear she'd think his dad was infinitely cooler than he was. Sometimes he wished Pete and Marsha were fat, frumpy, dressed out of date, and stuffily insisted on being called mom and dad. Competition in school for grades and popularity was fierce enough without having to feel that he was also in competition at home with his parents.
As he reached the top of the stairs, he called out again, "In the immortal words of the modern American intellectual, John Rambo: 'Yo!'"
They still didn't answer him.
Just as Randy reached the open door to the workroom at the end of the hall, a case of the creeps hit him. He shivered and didn't stop, however, because his self-image of ultimate coolth did not allow him to be spooked.
He stepped across the threshold, ready with a wisecrack about failure to respond to his calls. Too late, he was flash-frozen in place by fear.
Pete and Marsha were sitting on opposite sides of the large table, where their computer terminals stood back to back. No, they were not exactly sitting there; they were wired into the chairs and the computers by scores of hideous, segmented cables that grew out of them — or out of the machine; it was hard to tell which — and not only anchored them to their computers but to their chairs and, finally, to the floor, into which the cables disappeared. Their faces were still vaguely recognizable, though wildly altered, half pale flesh and half metal, with a slightly melted look.
Randy could not breathe.
But abruptly he could move, and he scrambled backward.
The door slammed behind him.
He whirled.
Tentacles — half organic, half metallic — erupted from the wall. The entire room seemed weirdly, malevolently alive, or maybe the walls were filled with alien machinery. The tentacles were quick. They lashed around him, pinned his arms, thoroughly him, and turned him toward his parents.
They were still in their chairs but were no longer facing their computers. They stared at him with radiant green eyes that appeared to be boiling in their sockets, bubbling and churning.
Randy screamed. He thrashed, but the tentacles held him.
Pete opened his mouth, and half a dozen silvery spheres, like kill ball bearings, shot from him and struck Randy in the chest.
Pain exploded through the boy. But it didn't last more than a couple of seconds. Instead, the hot pain became an icy-cold, crawling sensation that worked through his entire body and up his face.
He tried to scream again. No sound escaped him.
The tentacles shrank back into the wall, pulling him with them, until his back was pinned tightly against the plaster.
The coldness was in his head now. Crawling, crawling.
Again, he tried to scream. This time a sound came from him. A thin, electronic oscillation.
Thursday afternoon, wearing warm wool slacks and a sweatshirt and a cardigan over the sweatshirt because she found it hard to stay warm these days, Meg Henderson sat at the kitchen table by the window, with a glass of chenin blanc, a plate of onion crackers, a wedge of Gouda, and a Nero Wolfe novel by Rex Stout. She had read all of the Wolfe novels ages ago, but she was rereading them. Returning to old novels was comforting because the people in them never changed. Wolfe was still a genius and gourmet. Archie was still a man of action. Fritz still ran the best private kitchen in the world. None of them had aged since last she'd met them, either, which was a trick she wished she had learned.