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It was still not clear whether the locals regarded him as their prisoner, or honoured guest. He'd made no attempt to leave, and they'd made no effort to prevent him from returning to his ship when it was time to collect the vials of antibiotic. Perhaps they had guessed that it would be futile to try to stop him, given the likely capabilities of his technology. Or perhaps they had guessed - correctly, as it happened - that Tyrant would be going nowhere until it was repaired and fuelled. In any event they seemed less awed by his arrival than intrigued, shrewdly aware of what he could do for them.

Merlin liked Malkoha, even though he knew almost nothing about the man. Clearly he was a figure of high seniority within this particular organisation, be it military or political, but he was also a man brave enough to fly a hazardous mission to ferry medicines through the sky, in a time of war. And his daughter loved him, which had to count for something. Merlin now knew that Malkoha was her 'spelter' or father, although he did indeed look old enough to have been separated from her by a further generation.

Almost everything that Merlin did learn, in those early days, was due to Minla rather than the adults. The adults seemed willing to at least attempt to answer his queries, when they could understand what he was getting at. But their chalkboard explanations usually left Merlin none the wiser. They could show him maps and printed historical and technical treatises, but none of these shed any light on the world's many mysteries. Cracking text would take Tyrant even longer than cracking spoken language.

Minla, though, had picture books. Malkoha's daughter had taken an obvious liking to Merlin, even though they shared nothing in common. Merlin gave her a new flower each time he saw her, freshly spun from some exotic species in the biolibrary. Merlin made a point of never giving her flowers from a particular world twice, even when she wanted more of the same. He also made a point of always telling her something about the place from where the flowers had come, regardless of her lack of understanding. It seemed to be enough for her to hear the cadences of a story, even if it was in an alien language.

There was not much colour in Minla's world, so Merlin's gifts must have had a luminous appeal to her. Once a day, for a few minutes, they were allowed to meet in a drab room inside the main compound. An adult was always stationed nearby, but to all intents and purposes Merlin and the girl were permitted to interact freely. Minla would show Merlin drawings and paintings she had done, or little compositions, written down in laboured handwriting in approximately the form of script Tyrant had come to refer to as Lecythus A. Merlin would examine Minla's works and offer praise when it was merited.

He wondered why these meetings were allowed. Minla was obviously a bright girl (he could tell that much merely from the precocious manner of her speaking, even if he hadn't had the ample evidence of her drawings and writings). Perhaps it was felt that meeting the man from space would be an important part of her education, one that could never be repeated at a later date. Perhaps she had pestered her father into allowing her to spend more time with Merlin. Merlin could understand that; as a child he'd also formed harmless attachments to adults, often those that came bearing gifts and especially those adults that appeared interested in what he had to show them.

Could there be more to it than that, though? Was it possible that the adults had decided that a child offered the best conduit for understanding, and that Minla was now their envoy? Or were they hoping to use Minla as a form of emotional blackmail, so that they might exert a subtle hold on Merlin when he decided it was time to leave?

He didn't know. What he was certain of was that Minla's books raised as many questions as they answered, and that simply leafing through them was enough to open windows in his own mind, back into a childhood he'd thought consigned safely to oblivion. The books were startlingly similar to the books Merlin remembered from the Palace of Eternal Dusk, the ones he used to fight over with his brother. They were bound similarly, illustrated with spidery ink drawings scattered through the text or florid watercolours gathered onto glossy plates at the end of the book. Merlin liked holding the book up to the light of an open window, so that the illustrated pages shone like stained glass. It was something his father had shown him on Plenitude, when he had been Minla's age, and her delight exactly echoed his own, across the unthinkable gulf of time and distance and circumstance that separated their childhoods.

At the same time, he also paid close attention to what the books had to say. Many of the stories featured little girls involved in fanciful adventures concerning flying animals and other magic creatures. Others had the worthy, over-earnest look of educational texts. Studying these latter books, Merlin began to grasp something of the history of Lecythus, at least in so far as it had been codified for the consumption of children.

The people on Lecythus knew they'd come from the stars. In two of the books there were even paintings of a vast spherical spaceship hoving into orbit around the planet. The paintings differed in every significant detail, but Merlin felt sure that he was seeing a portrayal of the same dimly remembered historical event, much as the books in his youth had shown various representations of human settlers arriving on Plenitude. There was no reference to the Waynet, however, or anything connected to the Cohort or the Huskers. As for the locals' theory concerning the origin of the aerial land masses, Merlin found only one clue. It lay in a frightening sequence of pictures showing the night sky being riven by lava-like fissures, until whole chunks of the heavens dropped out of place, revealing a darker, deeper firmament beyond. Some of the pieces were shown crashing into the seas, raising awesome waves that tumbled over entire coastal communities, while others were shown hovering unsupported in the sky, with kilometres of empty space under them. If the adults remembered that it was alien weaponry that had smashed their camouflaging sky (weapons deployed by aliens that were still out there) no hint of that uncomfortable truth was allowed into Minla's books. The destruction of the sky was shown simply as a natural catastrophe, like a flood or volcanic eruption. Enough to awe, enough to fascinate, but not enough to give nightmares.

Awesome it must have been too. Tyrant's own analysis had established that the aerial land masses could be put together like a jigsaw. There were gaps in that jigsaw, but most of them could be filled by lifting chunks of land out of the seas and slotting them in place. The inhabited aerial land masses were all inverted compared to their supposed positions in the original sky, requiring that they must have been flipped over after the shattering. Tyrant could offer little insight into how this could have happened, but it was clear enough that unless the chunks were inverted, life-supporting materials would spill off over the edges and rain down onto the planet again. Presumably the necessary materials had been uplifted into the air when the unsupported chunks (and these must have been pieces that did not contain gravity-nullifiers, or which had been damaged beyond the capacity to support themselves) came hammering down.

As to how people had come to the sky in the first place, or how the present political situation had developed, Minla's texts were frustratingly vague. There were pictures of what were obviously historic battles, fought with animals and gunpowder. There were illustrations of courtly goings-on: princes and kings, balls and regattas, assassinations and duels. There were drawings of adventurers rising on kites and balloons to survey the aerial masses, and later of what were clearly government-sponsored scouting expeditions, employing huge flotillas of flimsy-looking airships. But as to exactly why the people in the sky were now at war with the people on the ground, Merlin had little idea, and even less interest. What mattered - the only thing, in fact - was that Minla's people had the means to help him. He could have managed without them, but by bringing him the things he needed they made it easier. And it was good to see other faces again, after so long alone.