It has long been common knowledge that only 1/10 of our brain is active. What does the dominating remainder of 9/10 do, the remainder which we could have at our disposal? Why did natural selection, evolution and mutation produce a brain with a weight of 1,300 to 1,800 grammes if mankind scarcely uses it? Furthermore, the 'beast brain' is capable of incalculably more than is demanded of it in everyday life. Mediums, clairvoyants, telepathists, telekinetists ... and prophets prove it.
When they 'grafted' their own genetic characteristics on to hominids - a method adopted on a minor scale in plant cultivation and the breeding of domestic animals - the extraterrestrial cosmonauts also transferred their highly developed faculties of extrasensory perception - in 'their own image'. They did not take the trouble to ennoble (= humanize) hominids out of pure altruism, love or as a gracious gift from the vast coffers of their omnipotence, as religions claim.
It was a technical business for the aliens. They had acquired knowledge they wanted to preserve.
Knowing that the inhabitants of their home planet would have 'come to dust' long before their return, they set up 'knowledge depots'. These depots became communications centres for all the children they had fabricated in their image.
Next, transmitting and receiving stations were installed in many places. But how were the communications to be established? Electromagnetic waves diverge at great distances, because of the resultant inevitable interference, but there are no obstacles to thought transference. Present-day researchers have proved this clearly in telepathic experiments when they have sent thought waves from transmitting mediums to receivers through several hundred metres of sea. Researchers have also shut up receivers in Faradaic cages protected against all kinds of waves by lead plates. The telepathic signals came through unobstructed.
Nevertheless language was an insuperable obstacle to telepathic news transfers of this kind. The bright cosmonaut mutation specialists had foreseen the development of different languages. Made exactly after their pattern, in 'their image', they knew that the new race with its various species would have enemies and wage wars. So the development of different languages as a kind of secret code in the nascent family of races was unavoidable - as a safeguard against their enemies. But different moral and ethical concepts would also take shape along with different languages, and scientific and technical knowledge would be expressed in different ways. The news radiated by transmitter X would not be understood by receiver Y because of the language barrier. The only way left was that of emotional and visual telepathy! Feelings such as love, trust, hate, danger etc. would be understood everywhere, just as pictures would be understood by common-sense.
In fact every genuine vision begins with the receipt of soothing news. 'Peace be with you.' 'Do not be afraid.' Such emotional telepathy is possible and effective between intelligent beings. Words like 'love'
and 'peace' were not transmitted in any one language: they would not have been universally understood. (Esperanto, which aspires to be a universal language remains in the ghetto of the language laboratory.) So feelings of love and peace were sent out. The emotional transmission was strengthened and consolidated by pictures and symbols. Pictures are international and intercosmic. The Mona Lisa's smile gives pleasure in both Paris and Tokyo.
Music was used as a third frequency. Vibrations and shock harmonies that clash with one another excite the neurons of the brain and release oscillations, conversions of energy.
The elderly are often completely disconcerted by modern music. A new consciousness of the strange oscillations has appeared among present-day youth. The electronically produced cosmic oscillations of the music get right under their skin, just as sub- or supraconscious cerebral layers are activated by the influence of drugs. We should not forget that on the LPs preferred by young people, organs and synthesizers with their echo vibrations are always used as stimuli for expanded consciousness. It is strange that such new 'worlds' appear simultaneously everywhere and are not tied to national or regional taste.
What is the force that suddenly makes a composer in Korea hit on the same kind of music as his colleagues in London, Paris, New York or Berlin? What is the reason for the sudden dominance in painting of surrealism or abstraction? Where do these recognizable limited impulses come from?
Because the new kind of music or painting is 'in demand' and modern? Why is something suddenly in demand and modern? The waltz was once modern and fashionable in the western world, though it did not animate Hindus and Indians. Did it not penetrate into the layers of consciousness in which a common feeling is programmed?
In spite of the existing gaps in the chain of evidence, I take it as accepted fact that the human brain can register finer and more sensitive oscillations than the most delicate apparatus. No measuring apparatus has ever recorded 'love'. But since brilliant scientists have also been smitten by it, they cannot deny that love exists. The conversion of elements is fully accepted in physics and chemistry. Are other principles meant to be valid for the human brain?
Professor George Ungar [24] of Baylor Medicine College, Houston, Texas, has proved by thousands of animal experiments that brain cells are activated by electrical impulses and form a new matter — memory molecules. He says: 'whether we like it or not, we must take as our starting point today the fact that in the long run our brain is a storehouse for millions of memory molecules and also an apparatus for "playing" them'.
Thought molecules in the brain are circuits by which programmed knowledge can be summoned up.
They are material. Once made to oscillate, they influence the micro-parts of the antimaterial world.
Emotions cause the same effect in the brain, as the physicist achieves in his syncroton (accelerator for imparting high energies to elementary particles) by electron volts. Each of us carries such energy converters inside him in the form of hate, love, joy, sadness, sympathy, envy. In the normal states emotions release normal reactions. The trance, a state reached by suggestive or hypnotic means, raises paranormal faculties to a higher power. That much is proved, even if the forces that bring it about have not yet been confirmed.
The English physicist and chemist, Sir William Crookes, who was already well known, experimented in his laboratory with the medium Daniel Douglas Home. Sir William believed that there was a force which made contact with the body by unknown means. During the experiments the medium D.D.
Home - lifted by invisible forces - rose several feet above the ground. Sir William wrote: This fantastic event ... did not take place once or twice in bad light, but was repeated hundreds of times in every conceivable condition .... Once Home even floated out of one window at a height of 70 feet and floated in through another. Such distinguished gentlemen as Lord Dunravei Lord Lindsay and Captain Wynne, who were eye-witnesses were prepared to confirm this fact on oath [25].
A similar event took place in 1938 before 300 spectators with the English medium Colin Evans as protagonist. This levitation (*) was photographed at various stages. People have speculated and will continue to speculate about the nature of the forces which cause these phenomena. I should not like to put any chips down on a roulette wheel which spurts out this kind of energy: there are too many possibilities and too few chances of winning. Isn't it enough to know that the forces are there and can be recorded and proved? The mere fact of their existence is quite enough to give us a good idea why figures in visions float in the air and seem to be weightless. Was a statue from Lourdes seen in a garden at Beauraing a case of levitation? Were not similar objects levitated by means of psychokinetic phenomena at other sites where visions were seen? Such open questions should be included in presentday research programmes.