I certainly don't know! Matthew had answered, a bit too stridently. I'm not her keeper! And I don't have time for even talking about her, anyhow.
But Matthew, Matthew! And it really was pitiful, the way Effrem hobbled on that crutch. Don't you think she's the prettiest girl you ever saw?
Matthew wasn't sure about that, either, but he did know that standing this close to her, here in the narrow little stairway awaiting an answer to the knock on McCaggers' door, she smelled very nice. It was perhaps the scent of the cinammon soap with which she washed the curly tresses of her coppery-red hair, or the faintly-sweet aroma of the blue wildflowers that adorned the rim of her straw hat. She was nineteen years old, her birthday being in the last week of June; it had been celebrated, if one was to put it suchly, aboard the ill-fated vessel that had brought her across the Atlantic and deposited her as a moldy mess staggering down the gangplank in midsummer, which was the first sight Matthew had had of her. But that was then and now was now, and so much the better. Berry's cheeks and her finely-chiseled nose were dusted with freckles, her jaw firm and resolute, her eyes dark blue and just as curious about the world as those of her esteemed grandfather. She wore a lavender-hued dress with a lace shawl about her shoulders, for last night's rain had brought a chill to the air. Before their initial meeting, Matthew had expected her to be a gnome to match Marmaduke's misshapen proportions, yet she stood almost at his own height and was anything but gnomely. In fact, Matthew did find her to be pretty. And more than that, actually. He found her to be interesting. Her descriptions of London, its citizens, and her travels-and misadventures-across the English countryside kept him enthralled during their mealtimes together at Marmaduke's table. He hoped to someday see that enormous city, which appealed to him not only for its variety but for its atmosphere of intrigue and danger gleaned from his readings of the London Gazette. Of course, he hoped to live long enough to get there, as he had intrigues and dangers enough in New York.
"Why are you looking at me like that?" Berry asked.
"Like what?" He'd let his mind wander and his eyes linger, and so he immediately brought himself back to the business at hand. In answer to Berry's knock, a small square aperture in the door flipped up and an eye-glassed dark brown eye peered out. The first time Matthew had visited up here, he'd been witness to McCaggers' experiments with pistols on Elsie and Rosalind, the two dress-maker's forms that served for target practice. Not to mention the other items behind that door. In another minute or two, Berry was going to be beating a hasty retreat back down the stairs.
The door opened. Ashton McCaggers said, in a light and pleasant voice, "Good afternoon. Please come in."
Matthew motioned for Berry to enter, but she was paying no attention to him anyway and had already started across the threshold. Matthew followed her, McCaggers closed the door, and then Matthew had almost run smack into Berry because she was standing there, quite still, taking stock of the coroner's heaven.
The light through the attic's windows streamed upon what hung suspended from the rafters above their heads. McCaggers' "angels", as he'd once described them to Matthew, were four human skeletons, three adult-sized and one a child. Adorning the walls of this macabre chamber were twenty or more skulls of different sizes, some whole and some missing jawbones or other portions. Wired-together bones of legs, arms, ribcages and hands served as strange decorations that only a coroner could abide. In the room, which was quite large, stood a row of honey-colored file cabinets atop which were arranged more bone displays. There were animal skeletons as well, showing that McCaggers gathered bones for the sake of their shapes and variety. Next to a long table topped with beakers of fluid in which objects of uncertain-but certainly disturbing-origin floated was McCaggers' rack of swords, axes, knives, muskets, pistols and cruder weapons such as clubs studded with frightful-looking nails. It was before this assortment of things that turned human beings into boneyards that Hudson Greathouse stood, holding in one hand an ornately-decorated pistol he was in the process of admiring.
He looked now from the pistol at Berry, and said with a faint smile, "Ah. Miss Grigsby."
Berry didn't answer. She was yet motionless, still studying the grisly surroundings, and Matthew wondered if she could find her tongue.
"Mr. McCaggers' collections," Matthew heard himself say, as if it would do any good.
A silence stretched, and finally McCaggers said, "Can I get anyone some tea? It's cold, but-"
"What a magnificent " Berry paused, seeking the correct word. "Gallery," she decided. Her voice was calm and clear and she stretched out an arm toward the child-sized skeleton that hung nearest her. Matthew winced, thinking she was going to touch its hand, but of course it was too high for her to reach. Though not by much. She turned her gaze toward the coroner, and as Matthew walked quietly around to one side he could see her mind at work, examining the man who lived amid such a museum. "I presume these were unclaimed corpses, and the cemetery is not filling up so quickly in New York that there's no more room?"
"Indeed, not, and you presume correctly." McCaggers allowed himself a hint of a smile. He took off his spectacles and cleaned them on a handkerchief from the pocket of his black breeches. The better to see Berry more clearly, Matthew thought. McCaggers was only three years older than Matthew, was pale and of medium height and had light brown hair receding from a high forehead. He wore a plain white shirt with the sleeves rolled up, and was perpetually a day or two away from a decent shave. In spite of that, he kept himself and his attic as neat as Sally Almond's kitchen. He put his spectacles back on, and seemed to view Berry in a new light. "I don't have many visitors here. The ones I do have usually cringe, and can't wait to get out. Most people are you know so afraid of death."
"Well," Berry answered, "I'm not fond of the idea," and she gave Matthew a quick glance that said she still hadn't quite gotten over their brush with mortality in the form of hawk talons and killers' knives at the Chapel estate. "But for the sake of form, your specimens are very interesting. One might say artful."
"Oh, absolutely!" McCaggers almost grinned, obviously pleased to have discovered a kindred spirit. "The bones are beautiful, aren't they? As I once told Matthew, to me they represent everything fascinating about life and death." He gazed up at the skeletons with an expression of pride that made Matthew's flesh crawl. "The young man and woman-those two there-came with me from Bristol. The little girl and older man were found here. My father was a coroner in Bristol, you know. As was my grandfather before-"
There came the loud snap of the pistol's trigger being pulled, which served to stop McCaggers' recitation of his family history.
"Our business at hand," said Greathouse, who nodded toward a table across the attic where Zed sat in a spill of light cleaning and polishing some of the forceps, calipers and little blades that were tools of the coroner's trade. Zed's attire was a gray shirt and brown breeches, far removed from his suit of last night. When he looked up and saw everyone staring at him he returned the attention impassively, and then shifted his chair so his broad back was presented to his audience. He continued his work with admirable dignity.
"So," McCaggers went on, again concentrating on Berry. "You have an appreciation for art?"
Oh for Lord's sake! Matthew thought. If Effrem were present, the tailor's son might feel a twinge of jealousy at this obvious play for Berry's interest.
"I do, sir," Berry answered. "Most certainly."