Moment Of Truth

'I'm in love.'

'That's a problem.'

'That guy over there. I just got in the ticket line because I thought he was so cute. Do you think he's cute?'

The agent's gaze slid sideways to Trevor and back again. 'For a guy with a nose job.'

'You think?'

'I know.'

'I hate that. Why is it okay when women are vain but not men?'

The agent smiled, her lipstick glossy. 'They don't teach us that at Amtrak.'

Mary laughed. She kept an eye on Trevor, who was leaving the ticket window with two blue tickets in his hand. 'Can you tell me where he's going? Look him up in the computer?'

'No. Forget about him anyway. It ain't happening.' The agent pointed, and Mary turned around.

Trevor was rushing into the outstretched arms of a pretty blond girl with long, straight hair. She looked slightly older than he, but had a matching nose job, and Trevor embraced her, giving her a long, wet kiss. 'Jesus, Mary, and Joseph,' Mary said, under her breath.

'Looks like he's taken.'

'You don't know the half of it.' Mary shook her head and watched Trevor go down for another deep, lingering kiss.

'You gotta go,' the agent said. 'Remember, there's a lotta fish in the sea.'

'Sure.' She nodded and moved from the window as Trevor hugged the girl close. Then he checked his watch, put his arm around her, and they hurried laughing into the concourse.

Mary followed him to find out which train they took. She couldn't believe this guy. Scum, total scum. She lurked under the black information board in the middle of the busy concourse. 'Metroliner to New York, all aboard Track Six,' boomed a voice over the loudspeaker. The information board changed, its numbers flipping noisily around, and she watched Trevor and the blonde sprint into the line at Track Six, where the passengers were already showing their tickets to a blue-jacketed conductor.

So that was it. Trevor had another girlfriend and they were going to New York. Mary saw him and the blonde show their tickets to the conductor, then waited until they disappeared down the stairs to the train.

27

Lou, in an old black gypsy cab, trailed Paige's Yellow cab down Race Street. Behind them was the Parkway, ahead lay the red-lettered signs of Chinatown's restaurants. Paige's cab was heading east, away from downtown. Lou slid forward on his seat, his eyes on the Yellow. What kind of girl was this Paige? Eating at the Four Seasons? Takin' cabs everywhere?

Lou shook his head. When he was a kid on Leidy Street, he walked. Rode his bike. Took the trolley, with sparks flying from the wires that hung over the city like black lace. Or the subway-surface cars, with that burnt rubber smell. Forget cabs. He wasn't in a cab until he was twenty-five. It was a very special thing to take a cab. Lou still couldn't hail one without feeling rich.

'She's turnin' onto Race,' the driver said. A young black kid, excited to be following someone. Lou didn't mind it. He liked enthusiasm in people.

'Stay with her,' Lou said, his thoughts on this Paige. What kind of a name was Paige anyway? When did girls start getting named Paige? He understood names like Sally, Mary, Selma. But Paige? Lou's mouth set grimly. How you expect a girl to turn out when you name her Paige?

'She turned right on Twelfth, goin' up,' the cabbie said, gesturing with his hand. A colorful braided string was tied to his wrist. 'You want me to step on it?'

'Nah. Just don't lose 'em.' The cabbie's shoulders drooped, and Lou felt bad raining on his parade. 'You like music?' he asked, just to make conversation as they sat stalled. Construction around the Convention Center clogged the street, the jack-hammers like machine-gun fire.

'I love music,' the cabbie answered.

'What do you like?'

'Rap.'

'Everybody likes rap, nowadays.'

'It's good.'

'It is? Who's a good rapper?'

'DMX Dr Ore. You know them?'

'I know Dr Dre. Takes care of my prostate,' Lou said, and the cabbie laughed.

Paige's Yellow cab took a right toward The Gallery, and Lou was surprised. She was going shopping? He had her figured more for Neiman Marcus than JCPenney, but the cab stopped on the right, short of The Gallery. He looked around. What else was there? The bus station. What, was she leaving town?

'She's gettin' out,' said the cabbie, edging up in his seat, and Lou's cab slowed to a stop a half a block behind the girl's. The back door of the Yellow cab opened, and Lou quickly fished out a twenty and handed it to the cabbie, who looked at the money in astonishment. 'But the fare's only three bucks.'

'I know that. You gotta buy a record with the difference.'

'A record? You mean a CD?'

'A CD, yes. Buy yourself Stan Getz At the Shrine:' Lou could see Paige moving in the backseat of her cab. She must be paying, too. 'Getz. You got that name?'

'Never heard of him. He new?'

'No, he's old. Very old. Old as me. Promise you'll get that CD.'

'I promise,' the cabbie said, and Lou climbed out of the cab after the girl.

But when Paige got out of the cab she didn't look the same as when she went in. She was wearing a black baseball cap that she must have put on in the cab and her red ponytail swung from an opening in the back of the cap. She slipped on a pair of dark sun-glasses as she

walked. It was a disguise, strictly amateur, but why would she do it? To go shopping? To take a bus? What gives? True, the Newlin murder was all over the Daily News and the Inquirer, but nobody had published the girl's photo yet. The father was the story.

The girl kept walking down the cross street and even in the glasses and baseball cap caught plenty of stares from passersby and construction workers. Lou could see why. She wore a black miniskirt and legs. It was cold out, but you'd never know it from how she was dressed, in a navy pea coat that almost covered the skirt. She took strides so long he had to huff and puff to keep up with her, and the motion of her walk was something else. Even in clunky black shoes, she moved like the sidewalk was a catwalk. Lou didn't mind watching her, then felt guilty about it. She was way too young, and he liked young girls to be ladies, not to do the stuff this kid was doing. At the Four Seasons yet.

She crossed Market Street past The Gallery, and Lou followed her at a safe distance. Where was she going? Nowhere close. And why have the cab drop you so far from where you're going? Lou thought about it. Because you don't want anybody to know where you're going. And considering her disguise, he figured the girl was either paranoid or had something to hide.

They entered the old business district, abandoned now that most of the large companies had fled uptown to the new, glistening skyscrapers… Lou remembered when this part of town hopped, because of the Ben Franklin Hotel, the Old Federal Courthouse, and the busiest, the Post Office. Nowadays everything was e-mail and Chestnut Street was lined with car stereo outlets, credit unions, and Dollar stores. But Lou didn't have time to reminisce. He followed Paige to a sooty sliver of a low-rise and watched her disappear through its stainless steel door. Lou didn't know the building. Its sign was small and he squinted to read it.

PLANNED PARENTHOOD.

Lou halted in his tracks. He felt suddenly like he wasn't allowed to enter, like it was a ladies' bathroom or a bra store. He thrust his hands in the pockets of his corduroys. Wind ruffled his hair as he stood in the cold sun. People hurried past, looking back curiously. Even if he was a man, he could still go inside, couldn't he? It was a free country. He smoothed his hair in place, straightened his tie, and went in.

Paige took an elevator to the fourth floor; Lou knew because he watched the old-fashioned numbers light up to track the single car, and he went up after her. Planned Parenthood's offices turned out to be brightly lit and painted a watercolor lavender, with matching cushioned chairs arranged in two rows in front of a TV mounted in the left corner of the room. The large reception desk was shielded by clear glass, which Lou figured was for security. Pastel pictures of women covered the walls, and women's magazines were fanned out on display on the side wall. On the rug under the display sat a large wicker basket in which Lou would have expected some artificial fruit. Instead were sample packets of Stayfree minipads.