It took the form of digging into my diaries and notebooks and it yielded, among other documents, a two-year-old poem, Kiplingesque in its rhythms, entitled “Why I Am a Socialist.” The first words of the first line were “You ask …,” then came a long answer. But it was not an answer to anything she’d wondered. Like all mothers — at least, all I have known — she was obsessed with the entirely private and possibly trivial matter of a daughter’s virginity. Why I was a Socialist she rightly conceded to be none of her business. Still, she must have felt she had to say something, and the something was “You had better be clever, because you will never be pretty.” My response was to take — take, not grab — the poem from her and tear it up. No voices were raised. I never mentioned the incident to anyone. That is how it was. We became, presently, mutually unconcerned. My detachment was put down to the coldness of my nature, hers to the exhaustion of trying to bring me up. It must have been a relief to her when, in the first half of Hitler’s war, I slipped quietly and finally out of her life. I was now eighteen, and completely on my own. By “on my own” I don’t mean a show of independence with Papa-Mama footing the bills: I mean that I was solely responsible for my economic survival and that no living person felt any duty toward me.
On a bright morning in June I arrived in Montreal, where I’d been born, from New York, where I had been living and going to school. My luggage was a small suitcase and an Edwardian picnic hamper — a preposterous piece of baggage my father had brought from England some twenty years before; it had been with me since childhood, when his death turned my life into a helpless migration. In my purse was a birth certificate and five American dollars, my total fortune, the parting gift of a Canadian actress in New York, who had taken me to see Mayerling before I got on the train. She was kind and good and terribly hard up, and she had no idea that apart from some loose change I had nothing more. The birth certificate, which testified I was Linnet Muir, daughter of Angus and of Charlotte, was my right of passage. I did not own a passport and possibly never had seen one. In those days there was almost no such thing as a “Canadian.” You were Canadian-born, and a British subject, too, and you had a third label with no consular reality, like the racial tag that on Soviet passports will make a German of someone who has never been to Germany. In Canada you were also whatever your father happened to be, which in my case was English. He was half Scot, but English by birth, by mother, by instinct. I did not feel a scrap British or English, but I was not an American either. In American schools I had refused to salute the flag. My denial of that curiously Fascist-looking celebration, with the right arm stuck straight out, and my silence when the others intoned the trusting “… and justice for all” had never been thought offensive, only stubborn. Americans then were accustomed to gratitude from foreigners but did not demand it; they quite innocently could not imagine any country fit to live in except their own. If I could not recognize it, too bad for me. Besides, I was not a refugee — just someone from the backwoods. “You got schools in Canada?” I had been asked. “You got radios?” And once, from a teacher, “What do they major in up there? Basket weaving?”
My travel costume was a white piqué jacket and skirt that must have been crumpled and soot-flecked, for I had sat up all night. I was reading, I think, a novel by Sylvia Townsend Warner. My hair was thick and long. I wore my grandmother’s wedding ring, which was too large, and which I would lose before long. I desperately wanted to look more than my age, which I had already started to give out as twenty-one. I was traveling light; my picnic hamper contained the poems and journals I had judged fit to accompany me into my new, unfettered existence, and some books I feared I might not find again in clerical Quebec — Zinoviev and Lenin’s Against the Stream, and a few beige pamphlets from the Little Lenin Library, purchased secondhand in New York. I had a picture of Mayakovsky torn out of Cloud in Trousers and one of Paddy Finucane, the Irish RAF fighter pilot, who was killed the following summer. I had not met either of these men, but I approved of them both very much. I had abandoned my beloved but cumbersome anthologies of American and English verse, confident that I had whatever I needed by heart. I knew every word of Stephen Vincent Benét’s “Litany for Dictatorships” and “Notes to Be Left in a Cornerstone,” and the other one that begins:
They shot the Socialists at half-past five
In the name of victorious Austria.…
I could begin anywhere and rush on in my mind to the end. “Notes …” was the New York I knew I would never have again, for there could be no journeying backward; the words “but I walked it young” were already a gate shut on a part of my life. The suitcase held only the fewest possible summer clothes. Everything else had been deposited at the various war-relief agencies of New York. In those days I made symbols out of everything, and I must have thought that by leaving a tartan skirt somewhere I was shedding past time. I remember one of those wartime agencies well because it was full of Canadian matrons. They wore pearl earrings like the Duchess of Kent’s and seemed to be practicing her tiny smile. Brooches pinned to their cashmere cardigans carried some daft message about the Empire. I heard one of them exclaiming, “You don’t expect me, a Britisher, to drink tea made with tea bags!” Good plain girls from the little German towns of Ontario, christened probably Wilma, Jean, and Irma, they had flowing eighteenth-century names like Georgiana and Arabella now. And the Americans, who came in with their arms full of every stitch they could spare, would urge them, the Canadian matrons, to stand fast on the cliffs, to fight the fight, to slug the enemy on the landing fields, to belt him one on the beaches, to keep going with whatever iron rations they could scrape up in Bronxville and Scarsdale; and the Canadians half shut their eyes and tipped their heads back like Gertrude Lawrence and said in thrilling Benita Hume accents that they would do that — indeed they would. I recorded “They’re all trained nurses, actually. The Canadian ones have a good reputation. They managed to marry these American doctors.”
Canada had been in Hitler’s war from the very beginning, but America was still uneasily at peace. Recruiting had already begun; I had seen a departure from New York for Camp Stewart in Georgia, and some of the recruits’ mothers crying and even screaming and trying to run alongside the train. The recruits were going off to drill with broomsticks because there weren’t enough guns; they still wore old-fashioned headgear and were paid twenty-one dollars a month. There was a song about it: “For twenty-one dollars a day, once a month.” As my own train crossed the border to Canada I expected to sense at once an air of calm and grit and dedication, but the only changes were from prosperous to shabby, from painted to unpainted, from smiling to dour. I was entering a poorer and a curiously empty country, where the faces of the people gave nothing away. The crossing was my sea change. I silently recited the vow I had been preparing for weeks: that I would never be helpless again and that I would not let anyone make a decision on my behalf.