The Quales came to my aunt’s house that night, carrying a leather grip. My aunt, sensing something, told me to go to my room. I was too big to be ordered that way, exactly, but I went upstairs and lay on the floor and listened through the iron grille of the hot-air register. I could hear Mrs. Quale telling my aunt how I had played them false and destroyed their daughter.
My aunt made an astonishing reply: “You have let that girl run wild. It’s a wonder nothing worse has ever happened. She roams all over town on Leo’s bike, talking to strangers. She has been seen near the highway, talking to men in cars. She has been seen with a gang, Lily the only girl, throwing stones at people in canoes.”
The stone-throwing incident had occurred when Lily was eleven. My aunt was not trying to excuse me but simply was upholding the tradition that made girls responsible for their own virtue. I was guilty of having disobeyed Lily’s mother — nothing more.
“Put that thing away,” my aunt said, sharply, next.
The Quales had opened the leather bag and were attempting to unfold the evidence. “It’s the sheet,” said Mr. Quale — his only remark.
“I believe you. Please put it away.”
“Don’t you look down on us,” said Mrs. Quale. “We’ve got our only son in the service. Lily’s always been head of her class. We own most of the home we live in. My husband has an honored position on the police force. Mr. Quale has never walked a beat.”
Did my aunt smile? Something made Mrs. Quale break into full-throated weeping — nothing like my aunt’s rare, silent tears. It was a comic-strip bawling, Katzenjammer roars of “Wah!” and “Ooh.” My aunt said, “I know, I know,” and offered to make tea. Soon after that I heard the Quales leave.
My aunt did not let me think I was innocent. The only reason she did not send me away to school, as she wanted to, was that my father could not afford the fees. She was saving her own money to put me through university. In the meantime, it would be good if I were to show common sense and gratitude. I had never heard her say I was supposed to be grateful for anything: for a time, it put a wall of shyness between us. The Quales, stretching their means to the limit, shut Lily up with nuns, in one of the places from which her Polish friend had been expelled. I went on commuting, but without a sight of Lily.
Windsor Station was full of soldiers, and there was a brownish, bleak kind of light on winter afternoons. Once I saw Lily’s Polish friend. She was a tender blonde, dimpled, with small blue eyes — something like Leo’s. I noticed her wedding ring, and said, “Is your husband going overseas?”
“Oh, no,” she said. “Morrie’s got a heart. I mean, he’s cardiac. I’m not here for anything in particular. I just came over with my girlfriend.” I had shot past her in height. She had to look up, as Leo’s mother did to Leo. Her girlfriend, talking to a knot of airmen in the shadows of the station, was unknown to me. Lily’s friend seemed to be weighing the advantages of spending any more time in my company, but she must have spent more than I remember: it was she who told me what happened after Lily got home that other afternoon. She was a good-natured girl but restless, as if nothing had yet been settled, in spite of the wedding ring. She wrote me off, abruptly, and turned away. I took that for a good sign. I would not have known how to end the conversation. Something in my manner spoke for me, and would always ease me out of awkward times. So I thought.
“Aren’t you Steven Burnet?” Mitchell Coleman looked wholly different as a soldier: younger, for one thing. The lumpy uniform, the thick boots, the close-cut hair, brought him near to Leo in age and manner. Even in the unprepossessing uniform he seemed neat and spruce, still ready to be knocked unconscious and undressed by strangers — all that was left of his former self.
He gave me a slow look and probably surmised, correctly, that I had known him at once but would never have approached him. “I barely recognized you,” he said. “You’re twice your old height. But there’s still a look — a family look, I suppose. More of an expression than an arrangement of features.” I did not know what to make of a personal observation of that kind. I wondered if he meant to criticize my aunt’s appearance, or mine. “How old can you be now?”
“I’m still going to high school.”
“They tried to teach me how to make Army training films,” he said. “But documentary movies are a string of lies. I decided not to sit the war out.” He did not ask for news of his old friend; the trusted friend who had dropped him, without a word of explanation, without hearing his side of the case. “Well,” he said. “For King and country, eh?” and there was not a hint or a glance to let me know whether he was being ironic. He shouldered his kit, and we shook hands.
He’s only a corporal, like Leo, I said to myself. At his age he should at least be a captain.
When she was playing at war, Lily made medals out of silver paper. Her soldiers, pronounced dead, got up to receive a decoration. They said, “I’ve got mud on my coat. I’m going to catch it at home. Somebody, help me get the mud off.”
In that war, or one like it, Vince Whitton begins to whine: “Beryl, my feet are getting cold. I’m hungry. I have to go to the bathroom.”
“You can pee your pants, for all I care.”
He stops sniveling for a minute, and moves closer to Leo; leaves the girls to be with the men. Mr. Quale points the stem of his pipe, that time or another, and says, “You can’t do a bloody thing with them.” The players freeze. They stand, hardly breathing, small creatures in an open field, hoping they have become the white of the snow around them and the hawk will leave them alone.
Leo’s death made two of the English newspapers in Montreal. My aunt sent Mrs. Quale a note. Looking back, she felt that the Quales had never been suited to the occasion; in short, they had done me no good whatever. I had learned nothing from Leo or his family—“poor Leo,” he had become. In a sense, they had ceased even to be a family, with Leo gone and Lily away from home, under close surveillance. Once, she said, “The worst mistake I ever made was when I let you chase around after Leo”—which shows how blameless her life must have been.
THE CONCERT PARTY
ONCE, LONG AGO, for just a few minutes I tried to pretend I was Harry Lapwing. Not that I admired him or hoped to become a minor Lapwing; in fact, my distaste was so overloaded that it seemed to add weight to other troubles I was piling up then, at twenty-five. I thought that if I could not keep my feelings cordial I might at least try to flatten them out, and I remembered advice my Aunt Elspeth had given me: “Put yourself in the other fellow’s place, Steve. It saves wear.”
I was in the South of France, walking along a quay battered by autumn waves, as low in mind as I was ever likely to be. My marriage had dropped from a height. There weren’t two pieces left I could fit together. Lapwing wasn’t to blame, yet I kept wanting to hold him responsible for something. Why? I still don’t know. I said to myself, O.K., imagine your name is Harry Lapwing. Harry Lapwing. You are a prairie Socialist, a William Morris scholar. All your life this will make you appear boring and dull. When you went to England in the late forties and said you were Canadian, and Socialist, and working on aspects of William Morris, people got a stiff, trapped look, as if you were about to read them a poem. You had the same conversation twenty-seven times, once for each year of your life:
“Which part of Canada are you from?”
“I was born in Manitoba.”
“We have cousins in Victoria.”
“I’ve never been out there.”