"What is it?"
His eager expression surprised me a little. I had seen such a look before only when he fronted a new and intricate machine.
"This is a real find."
"Find?" I thought of some piece of trade luck.
"A real sight," he corrected himself as if he knew my thought. "This is a Thassa show."
Like Captain Foss he had visited Yiktor before. But I could only repeat, "Thassa?" I believed I had studied the Yiktor tapes with close attention, but the meaning of this eluded me.
"Come!" Griss pulled me along to where a slender native in a silvery tunic and high red boots was accepting scale pieces for admittance. The native looked up and I was startled.
Around us was the crowd of Yiktorians born and bred—human as to form, with only slight differences between them and my own species. But this youth in his pale clothing seemed more alien to the world than we.
He had an appearance of fragility, almost as if the wind tugging at the sign banner over us could lap around him and carry him off. His skin was very smooth, with no sign that any beard had ever pricked through its surface, and very fair—little or no color in it. His features were human enough, except for the huge eyes, so dark one could not be certain of their color. His brows slanted so far up on the temples they actually joined with his hair, and the shade of that growth was silver-white.
I tried not to stare as Griss offered a token and the native lifted the tent flap for our entrance.
III
There were no seats, but several wide platforms raised in a series of steps at one end of the tent, such as might be easily dismantled when the show moved. These faced a larger stage which was now empty, but backed by draperies of the same pink-gray as the banner. A series of moon lanterns hung from the center pole overhead. The whole effect was somehow simple yet almost elegant, and to me not in keeping with any beast show.
We had come just in time, for a fold of the back drapery was lifted and the master trainer came to face the audience. Even though the hour was early, there were a goodly number of people, many of them children.
Master? No, the newcomer, though she wore tunic, breeches, and high boots similar to those of the doorkeeper, was clearly a woman. Her tunic was not collared tight to the throat, but fanned out behind her head in an arc of stiffened fabric that glinted along the edge with small sparks of ruby light, the color of which matched her boots and wide belt. She wore also a short, formfitting, sleeveless jacket of the same red-gold fur I had seen displayed in the Great Booth that morning.
She did not carry any whip such as most beast tamers flick about to enforce their commands, but a slender silver wand which could be no defense. It gleamed to match her hair, which was twisted into a high cone and made fast with pins headed by the sparkling ruby lights. In the triangular space between her long slanting eyebrows and the center of her hairline was an elaborate arabesque of silver and ruby which appeared fastened to her skin, for it did not shift with any turn or lift of her head. There was about her a sureness, a confidence that is a part of those who are masters of themselves and of some great art.
I heard a quick-drawn breath from Griss. "Moon Singer!" His exclamation held a tinge of awe, an emotion rare among the Traders. I would have demanded an explanation from him, save that she who stood on the platform made a gesture now with her wand and at once all hum of speech ended. The audience paid her far more respect than the crowd without had paid the temple gong.
"Freesha and Freesh"—her voice was low, a kind of croon, leaving one from the first word wanting to hear more—"give kindness now to my little people, who wish only to amuse you." She stepped to the end of the platform and made another wave of her wand. The drapery at the back rose just high enough to allow entrance to six small furred creatures. Their pelts were short-haired, but very thick and plushy, of a dazzling white. They scurried on hind feet, holding small ruby-colored drums to their rounded stomachs with forepaws which had a distinct resemblance to our human palms and fingers, save that their fingers were very long and thin. Their heads were round, and from them projected furless, slightly pointed ears. As with their mistress, their eyes appeared too large in proportion to the rest of their faces, which were wide-nosed and rounded of muzzle. Each carried in a loop over its back a bushy, silky-looking tail.
They trooped, one behind the other, to the opposite side of the stage from their trainer, and squatted on their haunches behind the drums on which they now rested their long-fingered paws. She must have given them some signal I missed, for they began to thump out, not ill-assorted bangs, but a definite rhythm.
Again the draperies arose and another set of actors came forth. These were larger than the drummers, and perhaps less quick in their movements. They were heavy of body for their size, but they tramped in time to the drumming, their coarsely furred bodies dark brown in shade, their huge, long ears and narrow, protruding snouts making them seem grotesque and truly alien. Now they swung their heads in time to the rhythm, their snouts flicking at the tips.
But they only served as mounts for yet another troop. Small heads of light cream, with big rings of darker fur about the eyes giving the faces an eternally inquiring look, were held high. Like the drummers these riders appeared to use their forepaws as we might our hands; they also carried cream-and dark-ringed tails pointing straight up.
The tapir-nosed mounts and their ring-featured riders paraded solemnly to the fore of the stage. And thereafter I witnessed sheer magic. I have seen many beast shows on many worlds, but nothing like unto this. There was no cracking of whip, no voiced orders from their mistress. They performed not as if they were doing learned tricks, but rather as though they were carrying out some ceremonies of their own, unwatched by those not of their species. And there was no sound from the audience, nothing save the different rhythms beat out by the furred musicians and the complicated series of cries the actors voiced now and again. The snouted beasts and their riders were only the first. I was too entranced to count all the acts. But when at last they paraded off-stage to a roar of applause, which they apparently did not hear, I thought we had seen at least ten different species.
She who was mistress came once more to the center of the platform and saluted us with her wand.
"My people are tired. If they have pleased you, Freesh, Freesha, they have had their reward. They will appear again tomorrow."
I looked to Griss. "Never have I—" I began when there was a touch on my shoulder and I turned my head to see the youth who had collected admissions.
"Gentle Homos," he spoke in Basic and not in the speech of Yrjar, "would you care to see the little ones more closely?"
Why such an invitation had been given us, I had no idea. But it was one which I was eager to accept. Then that caution ingrained in us asserted a warning, and I hesitated, looking to Griss. Since he appeared to know something of these Thassa (who or whatever they might be), I left the decision to him. But he seemed to have no doubts.
We drew apart from those who were reluctantly leaving and followed our guide to the stage and behind the draperies. There were strange scents here, those of animals, but clean and well-cared-for beasts, of bedding of vegetable matter, of food alien to our noses. The space fronting us was perhaps three times the size of the theater.
Lengths of wooden screen had been erected to enclose the area. Stationed alongside them were vans such as we had seen elsewhere for the transportation of wares. There was a line of picketed heavy draft animals, kasi, many of them now lying at ease chewing their cuds. Set in rows, almost in the form of a town with narrow streets, were a series of cages. At the end of the nearest of such rows was the woman. Woman—no—though I could not set age to her, she looked at this distance far more like a girl of few years. It was the elaborate coiling of her hair, the forehead decoration, and her vast assurance which gave the patina of years closer looks denied.