She offered coffee and cake after we’d all gone back downstairs, but neither Marie nor I felt inclined to take her up on it. Instead, we thanked her for her generosity, returned to the car, and headed home, the old house growing small in my rearview mirror before it finally vanished behind a sudden curve.
It was dark by the time we reached Old Salsbury. Peter was asleep in the back seat. I took him up the stairs and laid him on his bed, then sat down beside him and ran my fingers through his hair. I had seen my father do the same to me, and certainly he’d done it to Laura and Jamie as well. There had been a gentleness in him, a guardianship and care. That murder might finally flow from such a source seemed inconceivable to me.
I left Peter to his sleep, and walked across the hallway to where Marie sat at her dressing table, applying her nightly oils and creams. I took off my clothes, placing everything neatly on the little wooden valet which stood on my side of the bed, and crawled beneath the covers. The sheets were very cool, as I prefer them, but later Marie drew in beside me, her body heating them, so that I pulled away from her, finally edging myself precariously toward the far side of the bed.
I rarely dream, or if I do, I rarely remember my dreams. But that night I had not so much a dream as what I would call a visitation. It was not a visit from my father. There was no shotgun-toting figure moving toward me from the depths of a smoky corridor, the subject of my childhood nightmares. In fact, there was no one in my dream at all. At least, no one but myself. And yet, it was so powerfully rendered, so elaborately detailed, that I could easily recall it the following morning.
In the dream, I awakened slowly, rather than the way I usually do, with a sudden start. It was a luxurious restfulness from what appeared to have been a state of great exhaustion. The dream gave no hint as to what had tired me so, but only that I had slept a long time, and was now rising with a natural and unhurried rhythm.
The room was very bright, but it was not my room, nor any room in which I’d ever been. It seemed a bit drab, but also strangely atmospheric, so that I felt completely at home in it, as if living there were my natural state. There was a large wooden bureau, the plain metal bed on which I had slept, and a sink. A pair of wrinkled towels hung over each side of the sink, and a slender full-length mirror hung from the wall beside it.
In my dream, I got to my feet languidly and walked toward the window. On the way, I glanced at the mirror. What I saw did not alarm me. I had about a three-day growth of beard, and I was wearing a white, sleeveless T-shirt and baggy brown trousers. I was barefoot, but I could see a pair of old shoes beneath the bed, one set of laces a little frayed, but otherwise in good repair.
At the window, I parted a pair of ragged white curtains and looked out. The sun was very bright, and I remember sensing that it was midday. Beyond the window, there was a large, dusty city, a conglomeration of rust-colored shingled roofs and distant church towers. In the streets below, I could see signs written in a foreign language, and hear men laughing in an outdoor tavern. Over their laughter, I could make out the sound of guitars, strummed softly by men I could not see, and the lilting cry of what I took for a wooden flute.
I awoke while still standing at the window. Nothing at all happened in the dream. And yet, it awakened me, not languidly, but with the usual sense of being startled. Dawn had not broken, and so I felt my way through the continuing darkness until I made it into the hallway. I switched on the light, walked past Peter’s room, then down the stairs to the kitchen. There was a can of soda in the refrigerator, which I opened and poured into the huge mug Peter had given me the previous Christmas, porcelain with German figures on it, smiling milkmaids and old men in lederhosen.
I drank silently, the dream still lingering in my mind, as if it were an afterimage which needed only a bit more time to fade. But as the minutes passed, and I followed the first soda with a second, it still held its place in my mind, all its details fully intact, everything from the tiniest scratches I had seen on the old bureau to the notes I’d heard played on the flute I’d never seen.
I couldn’t finish the second soda, and after a while, I walked back upstairs, crawled into bed again, twisted about uncomfortably for a few minutes, then returned to the kitchen. I switched on the light, and as I did so, my eyes caught on the half-filled mug I’d put in the sink. It sat near the drain, upright, but out of place, just as my father’s unfinished cup of coffee had rested in nearly the same position on that November day, as if waiting still for Mrs. Fields to see it. It was then that it struck me that the dream had come from him, that it was a message—although still cryptic and unreadable—from my father.
What did your father do?
Even that night, after the visit to my father’s house and the dream that followed it, even then, it was still someone else’s question.
It was Bobby Fields’s question when we met the first day of first grade, and to which I’d been able to give the simple reply that I would lose forever in only a few years: “He owns a hardware store.”
It was Jerry Flynn’s question when I was ten, and living in Maine, and when he asked it, he meant Uncle Quentin, whom he assumed to be my father.
It was Sally Peacock’s question when I went out on my first date and had to explain, because there seemed no way to avoid it, that my father had left me years before and so, at the moment, I had no idea what he “did.”
It was Marie’s question that long night we first made love, and I told her in full and ghastly detail exactly what my father had done on that November day.
And at last, as it must always be with sons, it was my question, too.
THREE
THE USUAL BREAKFAST atrocities occurred the Monday morning after we brought Peter back from camp. Peter dropped or spilled nearly everything he touched, and Marie became increasingly exasperated with him, finally screaming at his back as he trudged, hunched and angry, out into the backyard.
Once he’d left, she turned her wrath on me, her eyes narrowing lethally, as if taking aim.
“Why don’t you ever say anything to him?” she demanded harshly. “Why do I have to do all the yelling?”
“I don’t care what he spills,” I told her with a shrug. “It doesn’t matter to me.”
It was a reply which only concentrated her anger by focusing it on me.
“It’s because you don’t have to clean it up,” she shot back. “If you had to clean it up, then you’d care.”
I started to offer something in return, but she whirled around and strode out of the kitchen, tossing a wadded paper towel into the plastic garbage can beside the door.
It was typical of Marie to storm out of a room rather than engage in a longer confrontation. Even our first real argument had been a clipped and stifled affair, again with Marie leaving rapidly, this time from a car, but with the same air of unavoidable flight. Over the years I’d come to think of it as a way of avoiding some invisible line she feared to cross, a form of self-control.
I left around fifteen minutes later, waving to Peter as I headed for the car. He sat, slumped in a chair beside the pool, and as I went by, he waved back halfheartedly, then offered a knowing smile, as if we were allies in some war we waged against the central woman in our lives.
I backed slowly out of the driveway, glancing only briefly toward the house. I could see Marie at the window of our bedroom on the second floor. She’d thrown open the curtains and was standing in the full morning light, her arms folded tightly below her breasts, so that their round upper quarters were lifted and exposed beneath the partly open gown. It was a stance my mother would never have assumed, and I remember thinking, as I pulled out of the driveway, that for “poor Dottie” bedroom curtains were meant to be tightly closed. As for the woman poised behind them, a plain red housedress would do just fine.