The desk, like the man who worked there, was heavy and dark and entirely lacking in grace. It also happened to be one of Ivan’s most prized possessions, for it had once belonged to Yuri Andropov, the former head of the KGB who had succeeded Leonid Brezhnev as Soviet leader in 1982. The computer monitor and keyboard sat next to a silver-framed photograph of Ivan’s father in his KGB general’s uniform. The CPU was concealed beneath the desk on the floor. Elena crouched down and pressed the POWER button, then opened a small door on the front of the unit and plugged in the USB device that Gabriel had given her on the plane. After a few seconds, the drive engaged and the computer began to whir. Elena checked the monitor: a few characters of Hebrew, a time bar indicating that the job of copying the data files would take two minutes.
She glanced at her wristwatch, then walked over to the set of ornate bookcases on the opposite side of the room. The button was hidden behind Ivan’s first edition of Anna Karenina-the second volume, to be precise. When pressed, the button caused the bookcases to part, revealing the door to Ivan’s vault. She punched the same eight-digit code into the keypad and again placed her thumb on the scanner pad. Three chirps sounded, followed this time by the dull thud of the locks.
The interior light came on automatically as she pulled open the heavy door. Ivan’s secret disks, the gray matter of his network of death, stood in a neat row on a shelf. One shelf below were some of the proceeds of that network: rubles, dollars, euros, Swiss francs. She started to reach for the money but stopped when she remembered the blood. The blood shed by men wielding Ivan’s weapons. The blood of children forced to fight in Ivan’s wars. She left the money on the shelf and took only the disks. The disks that would help Gabriel find the missiles. The disks that Gabriel would use to destroy her husband.
At the edge of Serafimovicha Street lies a broad traffic island. Like most in Moscow, it is cluttered day and night with parked cars. Some of the cars that afternoon were foreign and new; others were Russian and very old, including a battered Lada of uncertain color and registry occupied by Uzi Navot and his driver from Moscow Station. Navot did not appear happy, having witnessed several developments that had led him to conclude the operation was rapidly unraveling. He had shared that view with the rest of his teammates in the calmest voice he could manage. But now, as he watched Luka Osipov coming back over the Bolshoy Kamenny Bridge at a dead sprint, he knew that the time for composure had passed. “He’s on his way back,” he murmured into his wrist mike. “And it looks like we’re in serious trouble.”
Though Shmuel Peled had no radio, the steadily darkening expression on Gabriel’s face told him everything he needed to know.
"Are we losing her, boss? Tell me we’re not losing her.”
“We’ll know soon enough. If she comes out of that building with her handbag over her left shoulder, everything is fine. If she doesn’t…” He left the thought unfinished.
“What do we do now?”
“We wait. And we hope to God she can talk her way back into her car.”
“And if she doesn’t come out?”
“Speak Russian, Shmuel. You’re supposed to be speaking Russian.”
The young driver resumed his ersatz Russian monologue. Gabriel stared at the western façade of the House on the Embankment and listened for the sound of Uzi Navot’s voice.
Luka Osipov had gained fifteen pounds since leaving the Alpha Group and lost much of his old physical fitness. As a result, he was breathing heavily by the time he arrived back at the porter’s desk in the lobby.
“I need to get into Apartment 9A immediately.”
“I’m afraid that’s not possible-not without a security card for the elevator and a key for the apartment itself.”
“I believe a woman under my protection is in grave danger in that apartment at this very moment. And I need you to get me inside.”
“I’m sorry, but it’s against policy.”
“Do you know who I work for, you fool?”
“You work for Mrs. Kharkov.”
“No, I work for Ivan Kharkov. And do you know what Ivan Kharkov is going to do if anything happens to his wife?”
The porter swallowed hard. “I can get you up to the ninth floor but I can’t get you into that apartment. Mr. Kharkov doesn’t let us keep a key on file.”
“Leave that part to me.”
“Good luck,” the porter said as he came out from behind his desk. “From what I hear, you’re going to need a Red Army tank to get into that place.”
Elena closed the bookcases, removed the USB device from the computer, and switched off the power. Stepping into the hallway, she glanced at her watch: 4:02… The entire thing had taken just eight minutes. She shoved the device into the bag and closed the zipper, then punched the eight-digit code into the keypad. While the heavy door swung slowly shut, she righted the fallen table and returned the telephone to its proper place. After taking one last look around to make certain everything was in order, she started for the door.
It was then she heard the pounding. A large male fist, interspersed with a large male palm. She reckoned it was the same sort of pounding the occupants of this house of horrors had heard nearly every night during the Great Terror. How many had been dragged from this place to their deaths? She couldn’t remember the exact number now. A hundred? A thousand? What difference did it make. She only knew she might soon join them. Perhaps one day she would be the answer in a macabre Russian trivia question. Who was the last person to be taken from the House on the Embankment and murdered? Elena Kharkov, first wife of Ivan Borisovich Kharkov…
Like all those who had heard the dreaded knock, she entertained thoughts of not answering it. But she did answer. Everyone answered eventually. She did so not in fear but in a fit of feigned outrage, with her handbag over her left shoulder and her right hand wrapped around the plastic spray bottle in her coat pocket. Standing in the vestibule, his face pale with anger and damp with sweat, was Luka Osipov. A gun was in his hand and it was pointed directly at Elena’s heart. She feared the gun might go off if she attempted to deploy the spray bottle, so she drew her empty hand slowly from her pocket and placed it on her hip, frowning at her bodyguard in bewilderment.
“Luka Ustinovich,” she said, using his patronymic. “Whatever’s gotten into you?”
“Where’s Pyotr?”
“Who’s Pyotr?”
“The guard who’s supposed to be on duty at this flat.”
“There was no one here when I arrived, you idiot. Now, let’s go.”
She tried to step into the vestibule. The bodyguard blocked her path.
“What game do you think you’re playing, Luka? We have to get to the airport. Trust me, Luka Ustinovich, the last thing you want is for me to miss my plane.”
The bodyguard said nothing. Instead, he reached into the elevator, with the gun still aimed at her abdomen, and sent the carriage back down to the lobby. Then he pushed her into the apartment and slammed the door.
59 GROSVENOR SQUARE, LONDON
Shamron’s lighter flared in the gloom of the ops center, briefly illuminating his face. His eyes were focused on the large central display screen at the front of room, where Uzi Navot’s last transmission from Moscow flashed with all the allure of a dead body lying in a gutter.