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I consulted hundreds of books, newspaper and magazine articles, and websites while preparing this manuscript, far too many to name here. I would be remiss, however, if I did not mention the extraordinary scholarship and reporting of Robert Service, Peter Baker, Susan Glasser, David E. Hoffman, David Remnick, Alex Goldfarb, Marina Litvinenko, Anna Politkovskaya, Hedrick Smith, Peter Landesman, Douglas Farah, Stephen Braun, and Anne Appelbaum. Anne’s columns inspired me, and her Pulitzer prizewinning book, Gulag, is an unforgettable reminder of what lies buried in the not-so-distant Russian past.

Chris Donovan gave me a research packet from heaven. Louis Toscano made countless improvements to the manuscript, as did my copy editors, Tony Davis and Kathy Crosby. A special thanks to the remarkable team at Putnam, especially Neil Nyren, Marilyn Ducksworth, and Ivan Held, who graciously allowed me to borrow his first name for my villain. It goes without saying that none of this would have been possible without their support, but I shall say it in any case. You are all simply the best in the business.

We are blessed with many friends who fill our lives with love and laughter at critical junctures during the writing year, especially Henry and Stacey Winkler, Andrea and Tim Collins, Greg Craig and Derry Noyes, Enola Aird and Stephen L. Carter, Lisa Myers and Marcia Harrison, Mitch Glazer and Kelly Lynch, and Jane and Burt Bacharach. I listened constantly to “Painted from Memory,” Burt’s brilliant collaboration with Elvis Costello, while finishing the manuscript, and even managed to slip the title into the final chapter. The members of “the Peloton” were great friends and company during a long hard winter of writing. My study partners-David Gregory, Jeffrey Goldberg, Steven Weisman, Martin Indyk, Franklin Foer, Noah Oppenheim, and Erica Brown-kept my heart focused on what is truly important, even if my thoughts were sometimes elsewhere.

I wish to extend the deepest gratitude and love to my children, Lily and Nicholas, who were at my side throughout this journey, as they have been from the beginning. Finally, my wife, Jamie Gangel, helped find the essence of the story when it eluded me and skillfully edited my early drafts. Were it not for her patience, attention to detail, and forbearance, Moscow Rules would not have been completed. My debt to her is immeasurable, as is my love.

Daniel Silva

He has been placed in the same category as John le Carré and Graham Greene. He has been called his generation’s finest writer of international intrigue and one of the greatest American spy novelists ever. Compelling, passionate, haunting, brilliant: these are the words that have been used to describe the work of Daniel Silva.

Silva burst onto the scene in 1997 with his electrifying bestselling debut, The Unlikely Spy, a novel of love and deception set around the Allied invasion of France in World War II. His second and third novels, The Mark of the Assassin and The Marching Season, were also instant New York Times bestsellers and starred two of Silva’s most memorable characters: CIA officer Michael Osbourne and international hit man Jean-Paul Delaroche. But it was Silva’s fourth novel, The Kill Artist, that would alter the course of his career. The novel featured a character described as one of the most memorable and compelling in contemporary fiction, the art restorer and sometime Israeli secret agent Gabriel Allon, and though Silva did not realize it at the time, Gabriel’s adventures had only just begun. Gabriel Allon appeared in Silva’s next four novels, each one more successful than the last: The English Assassin, The Confessor, A Death in Vienna, and Prince of Fire. The sixth Gabriel Allon novel, The Messenger, will be published in July 2006.

Silva knew from a very early age that he wanted to become a writer, but his first profession would be journalism. Born in Michigan, raised and educated in California, he was pursuing a master’s degree in international relations when he received a temporary job offer from United Press International to help cover the 1984 Democratic National Convention in San Francisco. Later that year Silva abandoned his studies and joined UPI fulltime, working first in San Francisco, then on the foreign desk in Washington, and finally as Middle East correspondent in Cairo and the Persian Gulf. In 1987, while covering the Iran-Iraq war, he met NBC correspondent Jamie Gangel. They were married later that year. Silva returned to Washington and went to work for CNN. In 1994 Jamie gave birth to a set of twins, Lily and Nicholas.

In 1995 he confessed to Jamie that his true ambition was to be a novelist. With her support and encouragement he secretly began work on the manuscript that would eventually become The Unlikely Spy. He left CNN in 1997 after the book’s successful publication and began writing full time. He continues to reside in Washington and when not writing he can usually be found roaming the stacks of the Georgetown University library, where he does much of the research for his books.

Though all of Silva’s books have been New York Times and national bestsellers, his success has not been limited to the United States. His books have been translated into more than 25 languages and have been published across Europe and around the world. He is currently at work on a new Gabriel Allon novel and warmly thanks all those friends and loyal readers who have helped to make the series a success.

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