A most marvelous event has taken place. Star Dunstan has come home to die.
Can you hear me, slug-spittle?
Listen to me, you exhausted bag of skin—
My dearest hope is that your flesh should blister, that you should have to labor for the smallest gulps of air and feel individual organs explode within you, so on and so forth, your eyes to burst, that kind of thing, but though I shall not be able to manage these matters on your behalf, my old sweetheart, I shall do my best to arrange them for our son.
• 3
• Right from the beginning, I had the sense that something crucially significant, something without which I could never be whole, wasmissing. When I was seven, my mother told me that as soon as I'd learned to sit up by myself, I used to do this funny thing where I turned around and tried to look behind me. Boom, down I'd go, but the second I hit the ground I'd turn my head to check that same spot. According to Star, Aunt Nettie said, "That boy must think the doctor cut off his tail when he was born." Uncle Clark chimed in with, "He appears to think someone's sneakin' up on him."
"They meant you had something wrong with you," Star told me, "which was to be expected, me being your mother. I said, 'My boy Neddie's smart as a whip, and he's seeing if his shadow followed him inside the house.' They shut up, because that was exactly how you looked—like you were trying to find your shadow."
I can scarcely describe the combination of relief and uncertainty this caused in me. Star had given me proof that my sense of loss was real, for it had been a part of me long before I could have made it up. Even before I could walk, back when my thoughts could have been little more than the recognition of states like hunger, fear, comfort, warmth, I had been aware that it had been missing, whatever it was, and when I tried to look behind me, I was trying to find it. And if at the age of six months I was looking for the absent thing, didn't that mean that at one time it had not been absent?
A few days later, I resolved to ask her about the difference between me and other children. A couple of things made me hesitate, as I had before. Did everyone else's claim to a father mean that I had to have one? Or could someone like Uncle Clark or Uncle James have stepped in to sign the papers, or whatever men did to make them fathers? Uncle Clark and Uncle James displayed so little paternal feeling that they had to make an effort merely to tolerate my existence. From the start, I felt welcome in their houses only by virtue of my best behavior. A child knows these things. You know when you have to earn acceptance. On top of that, I already had the caretaker child's sense of emotional obligation, and my mother was as unpredictable as the weather.
In the summer of my seventh year, Star was comfortable and relaxed with her family. She moved at about half her normal speed. For the first time in my life, I heard stories about her childhood and what I had been like as a baby. She helped Aunt Nettie in the kitchen and let Uncle Clark expound without telling him he was a bigoted ignoramus. Being Star Dunstan, she had signed up for a poetry workshop and a night class in watercolor painting at Albertus, which Uncle Clark called "Albino U."
Three days a week, she clerked at the pawnshop owned by her stepfather, Toby Kraft, who in spite of universal Dunstan disapproval years before had married Star's mother. Toby Kraft had reinforced the family's distrust by moving his bride into the apartment above his shop instead of submitting to Cherry Street. Despite their general dislike, he had participated in family gatherings for the rest of Queenie's life and continued to do so after her death, the occasion for Star's most recent return to Edgerton and my release from the latest set of foster parents. It did not occur to me until much later that the death of her mother was behind Star's new ease. She must have experienced an elemental relief at the lifting of Queenie's everlasting scorn. Her second job involved what she described as "modeling" a couple of nights each week at Albertus. I did not grasp at the time that this meant posing nude for students in a life-drawing class.
Our orderly existence permitted me to ask my question. I waited until we were alone in Aunt Nettie's kitchen, me drying the dishes she washed while Nettie gabbed on the porch rocker with Aunt May, and Uncle Clark and Uncle James watched a cop show on television. Star handed me a dish, and I rubbed the cloth over its glistening surface while she described a jazz concert she had seen in the Albertus auditorium a month after my conception.
"At first, I wasn't even sure I liked that group. It was a quartet from the West Coast, and I was never all that crazy about West Coast jazz. Then this alto player who looked like a stork pushed himself off the curve of the piano and stuck his horn in his mouth and started playing 'These Foolish Things.' " The memory still had the power to make her gasp. "And, oh, Neddie, it was like going to some new place you'd never heard about, but where you felt at home right away. He just touched that melody for a second before he lifted off and began climbing and climbing, and everything he played linked up, one step after another, like a story. Neddie! It was like hearing the whole world open up in front of me. It was like going to heaven. If I could sing the way that man played alto, Neddie, I'd stop time forever and just keep on singing."
She was trying to communicate the importance of music in her life, but at the time I had no idea of the impact these words would have on me. It would certainly never have occurred to me that one day I would find it possible to witness the rapture she was describing. All of that was far ahead of me, and I thought she was trying to keep me from asking my question.
When she stopped talking, I said, "I really want to know something."
She turned her head to smile at me, warmed by the memory of the music and expecting a question about it. Then the smile clicked off, and her hands stopped moving in the water. She already knew that my question had nothing to do with an alto saxophone solo on "These Foolish Things."
"Ask away." She plucked a dish out of the foam with self-conscious gravity.
I knew that whatever she was going to tell me would be a lie, and that I would believe it for as long as I could. "Who's my dad? He isn't Uncle Clark, is he?"
She glanced over her shoulder, shook her head, and smiled down at me. "No, honey, he sure isn't. If Uncle Clark was your daddy, Aunt Nettie would be your mommy, and wouldn't you be in a pickle?"
"But who is he? What happened to him?"
She seemed to concentrate on scrubbing the plate in her hands. I know now that she sat next to my father during the concert she had been talking about. "Your father went into the army after we got married. Because he was so smart and so strong, it wasn't long before they made him an officer."
"He was an army man?"
"One of the best army men ever," she said, locking into place both my disbelief and the need to deny it. "They sent him places ordinary soldiers couldn't go. He wasn't allowed to tell me about them. When you're on a Top Secret mission, you can't talk about it." She passed the plate beneath a stream of water and handed it to me. "That's what your father was doing when he died. He was out on a secret mission. All they could tell me was that he died like a hero. And he's buried in a special hero's grave, way up on a mountainside on the other side of the world, overlooking the sea."