A beat ahead of the others, Nettie fixed me with a warning glare.
“I don't know what we're talking about," May said. "Shouldn't we divide up what's in Nettie's bag, so I can go home?"
"Does Edward Rinehart mean anything to you?"
My aunts exchanged a glance almost too brief to be seen. May said, "Do you know that name, Nettie?"
“I do not," Nettie said.
"Star moved out of here to live with this man. She and her friends used to visit you, and they scattered cigarette ash all over the porch. Probably Edward Rinehart came with them."
“It was just Suki and a couple other mixed-up girls, all jabbering away about Al-Bear Cam-oo," said Nettie, proving that her memory hadn't lost any ground.
“If you can remember Albert Camus, you can hardly have forgotten the name of the man who took my mother away from Cherry Street."
"You'd be surprised what you forget when you get to be my age."
"What you got in that bag?" Clark asked.
The seat cushion between my aunts disappeared beneath a mound of pens and pencils, pads of paper, scissors, paperclips, tubes of lip balm and skin moisturizer, cigarette lighters, paperweights, envelopes, desk calendars, coffee mugs, wrapped coils of plastic tubing, light bulbs, antihistamines and nasal steroids in sample packets, cotton balls, a stack of gauze bandages and rolls of tape, stamps, and toilet paper. After a while, my dismay surrendered to amazement, and I had to force myself not to laugh. It was like going to the circus and watching the clowns pile out of the little car.
The sisters began dividing the plunder into two equal piles, now and then adding things to a third, smaller share.
I could no longer keep from laughing. "No alligator shoes for Uncle Clark? I could use some new underwear and socks."
"Medical gentlemen seldom wear alligator," May said, "and as for the other, you'll have to wait until the next time I go to Lyall's."
Nettie floated into the kitchen and returned with two grocery bags, one to hold May's spoils and the other for the smaller pile. "After you see May home, you can drop this off at Joy's. I'll leave some lights on."
I helped May down the steps. On the other side of the street, Joy's dark figure peered through a slit in her curtain. The lamps cast circles of thick yellow light onto the pavement and threw the trees intostark relief. The moist night air hovered like fog. May and I stepped down from the curb. "Don't you ever worry about getting caught?" I asked.
May shook her head. "Neddie, I'm too good to get caught. Now hush up, because talking brings bad luck."
I got her up onto the opposite sidewalk, and we moved into the light of the street lamp. Our shadows blotted the cement. "Hush up about that other thing, too, if you know what's good for you."
“I don't get it," I said. "We're talking about a man who disappeared thirty-five years ago."
“I'll have to hush up for both of us, then." She did not say another word until she thanked me for accompanying her home.
Next door, a bent, osteoporotic Joy accepted her bag of goodies and, in a voice age or unhappiness had ground to semi-transparency, sohesitantly asked me in that my refusal came as a relief to us both. The most infirm of the three surviving sisters seemed to exude the same musty, faintly corrupt atmosphere as the barrenness dimly visible behind her. I promised to visit the following afternoon. Inside Nettie's house, I carried my bags upstairs.
A lamp burned on a table beside a metal-spring bed opposite a sink with an overhanging mirror and medicine chest. Through the open window at the front of the room, I saw Joy's house go dark. I put my bags on the linoleum, unzipped the duffel, and took out my blazer, the CD equipment, and my Dopp Kit. The next day's clothing went on the seat of a rush chair, the blazer over its back.
The bedsprings yelped when I stretched out. I pulled up the sheet and the thin blanket. A disc of Emma Kirkby singing Monteverdi went into the player, the headphones over my ears. Before I pressed theplay button, I noticed my blazer splayed askew over the back of the chair and got up to hang it in the closet. When I lifted it from the chair, the blazer drooped to one side, weighted by something in its right pocket.
I reached into the pocket and pulled out a thick wad of bills. I fanned the money over the blanket. Three fifties, lots of tens and twenties, a lot more fives and ones—it added up to five hundred and seventy-six dollars. I separated two fives glued together with beer and counted it again. Five hundred and eighty-one dollars. I stared at the money, feeling as though I ought to lock the door. Then I thought I should tear the bills into confetti and flush them down the toilet. Inthe end, I pushed the money into a front pocket of my knapsack. I went to the mirror and looked at my face without seeing anything all that familiar or all that new. I pushed the knapsack under the bed, switched off the light, and buried my head in the pillow.
• 25
• For the first time in years, unconsciousness pulled me into my recurring nightmare. Despite its long absence, each of its details remained as fresh as the images on a reel of film.
In my earlier years, the dream began with the shadow ripping the seams that connected us and ended with the shadow's gesture toward the forest. Later, I pursued my shadow through the trees. Monstrous beings launched themselves from overhanging rocks, dug claws into my shoulders, and fastened their jaws around my neck. Years after I ran away from Vermont, a hitherto unexpected dream-capacity kept me from jolting out of sleep. Until that point, my fear, above all the sense that Irecognized the monsters, blasted the dream apart. The unexpected capacity I mentioned was the ability to defeat the monsters. When the dream-self had finally come to trust its capacity for survival, the dream went away.
But, hundreds of times before I seemed free of my nightmare, the shadow appeared before me, leaning against a tree trunk or perching on a low-hanging branch. Sometimes it sprawled in midair, head propped on one hand.
"You keep on coming, don't you?" it said. "Haven't you ever wondered where this is going to end?"
“I'm going to catch you," I said.
"What did I ask: where this will end, or how?"
“It'll end here." Even as I indicated the forest, I doubted what I had said.
“Is that the best you can do?"
“I don't give a damn where it happens."
"Ding-dong," the shadow said. "Would you give a damn if our conclusion were to take place in Jones's Woods, just outside the town of Middlemount, in Vermont?"
"No." A chill radiated upward from the pit of my stomach.
"Ding-dong. We'd think twice about going back to Jones's Woods, wouldn't we?"
"This isn't Jones's Woods."
"Ding. A half-lie. Remember what is going on. You aredreaming. F or all you know, we could be smack-dab in the middle of that forest where you nearly shuffled off the old mortal coil." The invisible smile lengthened on the invisible face, another impossibility, but there you are.
"Jones's Woods didn't look anything like this." The cold threading up from my stomach brushed my lungs.
"Ding." He sighed. “Isn't it your impression that dreams turn one thing into another and exaggerate like crazy? That they display a tendency toward the surreal?"
"What's your point?"
"We are getting closer to something you used to be able to see."
“I don't know what—"
"Ding-dong. You do too."