"All," Laurie said.
"He wants to keep out of the picture. Toby only gave me this much on the condition that we never had the conversation, and the name didn't come from him."
Laurie swung into the northbound on-ramp.
"Your father's name was Yves D'Lency, and he drove across the African veldt to shoot lions?"
"Not really. It's a long story. You don't want to hear it."
"Try me," I said.
Yves D'Lency had been a glamorous daredevil born to an aristocratic family in possession of aGascony estate and a noble art collection. At eighteen, he had escaped to immerse himself in the literary and artistic worlds of postwarParis, where he supported himself by literary journalism and private art dealing. He learned to fly; he drove racing cars. At the end of the fifties, he moved toLos Angeles, where he already had several clients who trusted his taste in paintings. He married Laurie's mother and bought a house inBeverly Hills. Laurie was born, and for seven years all went well. Then he died. Laurie still had two paintings from his private collection.
"How did he die?"
Her glance was almost ferocious. "He was flying from an airfield in the San Fernando Valley to see a friend in Carmel. He had a little Cessna. The engine crapped out north of Santa Barbara. Down they fell, all the king's horses and all the king's men." Her right hand lifted from the wheel and fluttered down.
"You were seven."
"Ever since, the sight of a Cessna always makes me feel like puking." I got another burning flash from her eyes. She straightened her arms and pushed herself back into the seat.
"Tell me how you met Stewart Hatch."
Five years earlier, a reasonably attractive man of about forty had stationed himself beside Laurie D'Lency near midpoint of a party spilling upstairs, downstairs, and into the garden of a townhouse owned by an executive at the NBC affiliate in San Francisco. Stewart Hatch was an acquaintance of a KRON executive several rungs above the owner of the townhouse; he was neither charmless nor anything like too old; yet he did not interest her, especially when he confessed to being a businessman from an obscure city in Illinois. After three years of doing background for the news staff, Laurie knew she had a chance of beating out her competition, two other young women circulating like benevolent hurricanes through the townhouse, for an opening as an on-camera reporter. The Illinois tycoon might as well have been a black hole in a distant galaxy.
Stewart Hatch had rematerialized at the end of the party and offered a ride home in his limousine. The friends who had driven her to the party had disappeared, and the alternative to the limousine was a cab service. She accepted.
Thereafter, Hatch had laid siege, sending flowers, calling two or three times a day from the limousine, between meetings, from his suite at the Fairmont. He had sweaters and blouses delivered from Neiman Marcus and on his last night in San Francisco took Laurie to Il Postrio. During dinner, Stewart Hatch had astonished her with a proposal of marriage.
"Boy, what a con job that guy did on me."
"You didn't agree to marry him over dinner at Il Postrio," I said. "Unless it was the most amazing meal you'd ever had in your life, and Stewart ordered a couple bottles of great champagne."
"Roederer Cristal. Which, as Stewart took pains to instruct me, is akin to the Holy Grail. Children in third-world countries fling themselves into bottomless chasms for a glimpse of a single bottle. We had two. And the food was spectacular. But I turned him down. Was Stewart discouraged? Stewart doesn't know the meaning of the word."
• 46
• At the restaurant on the other side of Marion, an elderly waiter gave us menus taller than those at Le Madrigal and asked what we wanted to drink. "A glass of that nice Bordeaux," Laurie said. I said I'd have the same.
The waiter left, and I said, “I don't usually drink at lunch. It makes me sleepy."
"One glass of wine isn't reallydrinking," she said. "So tell me, why was Toby Kraft so secretive about Max Edison? Were they bad boys together? Did they convey tommy guns in violin cases?"
"Toby implied that he used to be mixed up in something, years ago."
"These days, there are criminals everywhere I look." She gave me a brief, rueful smile.
“I low did Stewart persuade you to marry him?"
"The old-fashioned way," she said. "The rat chased me until I fell in love with him." She described an aggressive long-distance courtship made up of telephone calls, deliveries of orchids and expensive clothes, and frequent visits. Hatch had promised her a busy, interesting life: trips toNew York and Europe, civic involvement at home.
“I thought I'd be able to join these commissions and boards and panels he was talking about. It sounded like a great life, keeping busy and doing good works."
"What went wrong?"
"None of it happened. Stewart went out of town by himself. I couldn't get on committees because I didn't know enough about Edgerton. Besides that, Stewart wanted a son right away. Not just a baby, a son. His grandfather, Carpenter, set up this complicated family trust that keeps passing the money to a firstborn male child, like something out of the Middle Ages. Eventually, I realized that he married me to give him an heir and impress his friends, and that was that."
The details of the extraordinary trust were so complicated that I forgot most of them as soon as they were out of her mouth. What I retained was that Cobden Hatch, Stewart's father, had modified its conditions so that evidence of criminal behavior eliminated the possibility of inheritance. Apparently his black-sheep brother had embarrassed the family.
The waiter lowered our plates to the table.
“In other words," Laurie said, “If Stewart is convicted of embezzlement and tax fraud and whatever, Cobbie gets it all. And as if that weren't reason enough for my darling husband to refuse me a divorce, or to demand custody if I manage to get one, his grandfather released control of the trust to whoever is the heir on January first of next year."
"You have no doubts that Stewart is guilty?"
"None."
“I don't get it. He was risking everything."
"You don't know Stewart. Whatever he did, he did out of state, through phony companies with bank accounts in the West Indies. He'sstill sure he'll walk away free and clear."
"But why would he do it in the first place?"
"He's greedy and impatient, and he wants everything now. And I bet he loved the idea of rubbing his grandfathers nose in the dirt. Stewart's into revenge in a big way."
Laurie concentrated on the other side of her fish and lifted the entire fillet off the small, white armature of bone. “I wish I were like your friend Ashleigh. In ten years, she'll be running her own law practice. As far as a career is concerned, my life is over. The only real purpose I have in life is raising Cobbie, and Stewart is going to do his damndest to take him away from me."
"The truth is, Ashleigh undoubtedly wishes she were more like you. When most men look at her, they think about carrying her back to the cave. When they look at you, they feel like groveling at your feet."
“Imagine how wonderful that must be." Laurie grinned across the table. "Tell me about Cherry Street. Tell me about your mother."
• During the rest of our drive, Laurie indulged me by recounting the miseries following her father's death. Her mother married a movie producer in BelAir, an acquaintance of D'Lency's, and what she had hoped would represent security became an incarceration. Pathologically jealous, the producer refused to let her leave his house unless she was accompanied by one of his female assistants. Because he did not trust his domestic help, he fired them, then fired their replacements until he was left with a single housekeeper too old and embittered to be anything but his watchdog. Laurie's mother began to drink during the day. The producer sent his stepdaughter to a Catholic girls' school notorious for its discipline, and one day, while searching through her dresser drawers, discovered a film canister packed with marijuana.