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    "Did you see him after he retired?"

    "He wasn't the kind of man to keep in touch. Anyhow, I got sent up to do a little stretch in Greenhaven."

    Edisontook off his sunglasses and folded them on the table. "Then what happened, that Clothhead Spelvin I mentioned got busted for some dumb-ass thing, excuse me, Mrs. Hatch, a thing never would have happened earlier, and as soon as Clothhead started looking at jail time, he rolled over on Mr. Rinehart, andhe got arrested."

    "Edward Rinehart went to jail?" Laurie asked.

    "On a minimum ten-year sentence, yes, ma'am. I was present when he came in. Mr. Rinehart acted like he was on a first-class trip to Paris. He knew the only problem he'd have in prison was the problem of being in prison, which if you have connections like Mr. Rinehart's is like being outside, except you're in prison. At Greenhaven, he was free to do just about everything he wanted—except get out of prison. He got me a good job in the library and sent over a nice Italian dinner almost every week. Once Mr. Rinehart came into the population,

    I had cigarettes and pints of whiskey whenever I wanted them, though I didn't abuse the privilege."

    "You got whiskey and Italian dinners in jail?" Laurie asked.

    “It's still prison, Mrs. Hatch. I was released in November 1958. A little over two years later, they hada big riot up there. When the troopers moved in, twelve men were lying dead in the yard, and one of them was Mr. Rinehart. He's up there in the Greenhaven cemetery. That's not a bad place for him."

    "What?" Laurie said. "Oh. You were afraid of him."

    Edison gave us a slow smile. "Sometimes I think I'mstill afraid of him."

    Laurie and I said nothing.

    A distant amusement shone in Edison's sandy eyes. "Believe this or don't, it's all the same to me. A couple of nights, I was driving all alone in the car to where Mr. Rinehart told me to pick him up, and I hear a lighter snap open behind me and see a flare in the mirror. There's Mr. Rinehart, lighting up. 'Sorry, Max,' he says. 'Didn't you hear me get in?' Those back doors never opened or closed. Is there any way I could missthat sound?

    "One time, three, four o'clock in the morning, I took him to Mountry to meet a man named Ted Bright in a building back of a garage. We pulled up, and he said, 'Duck down and keep down until I get back.' I looked over my shoulder, and I guess either I went blind or the seat could talk, because Mr. Rinehart wasn't there. I ducked under the wheel so you'd have to walk right up to the window to see me. Footsteps came around from in front—two guys, moving slow and careful. One of them said, 'That's his car.' The other one said, 'Let's do the deed.' I can't swear what I heard next was shotguns being primed, but I'd put a hundred dollars on it. I said to myself,Max, you better cover Mr. Rinehart's backside, I was reaching for the door handle when I realized he told me to keep out of sight because he knew Homer and Jethro were on the way."

    Laurie asked, "Did you have a gun?"

    He nodded. "When I drove for Mr. Rinehart, I carried a weapon. Never fired it. Never even drew it from the holster, though I came close that night. With Mr. Rinehart, the smartest course was to follow orders, but I couldn't be sure he knew what was going down. I waited maybe a minute. Didn't hear a thing. I decided to crack the passenger door and sneak out and keep low, just in case. All of a sudden there was enough noise out there to wake up a graveyard. I grabbed the door handle with one hand, grabbed my gun with the other. Right in front of me, Ted Bright slams against the hood, covered neck to belly in blood. Bright rolls off and hits the ground. I look at the front of the building. A body's lying facedown in the dirt, holding the door open. There's another body halfway in, halfway out. Another one's down on the floor inside. Place looks like a slaughterhouse. Right behind me, someone clears his throat, and I almost jump out of my clothes. Mr. Rinehart's sitting in the back seat. 'Let's get back to civilization,' he says."

    "Did you ask him what happened?" Laurie asked.

    "Mrs. Hatch." Edison replaced his sunglasses. "Even if he felt like talking, I didn't want to listen. When I got home, I put away a pint of bourbon without benefit of ice or water. Next day on the radio, they said a businessman named Mr. Theodore Bright got killed attempting to escape from a kidnapping. As good as any other story, far as I was concerned. Mr. Theodore Bright brought it downon himself by himself."

    "That was the real story," I said.

    "I wasthere, and I don't know if there was any real story. What I'm telling you is, Mr. Edward Rinehart could be a one-manHalloween."

    "You're right," I said. "The Greenhaven cemetery is a good place for him."

    "We were talking about Clothhead Spelvin, who rolled over on Mr. Rinehart? He was in a holding cell when Mr. Rinehart was arrested. They put Mr. Rinehart two cells down, and that night Clothhead got cut to pieces. No one saw anyone go in or out of his cell."

    Edison moved first one leg, then the other, from under the table. It cost him some effort. "Folks, sorry to break up the party, but I want to get back to my room." He wavered to his feet. "Maybe Toby didn't tell you, but I came down with cancer of the pancreas. They give me two more months, but I hope to push it to six."

    He did his best to conceal his pain as he sauntered across the parking lot.

 • 48

 • “What kind of danger?"

    Every time we reached the top of a hill, through the windshield I could see the low, sensible skyline of the city where I had been born. Such places were not supposed to contain people like Edward Rinehart. Families like mine, if there were other families like the Dunstans, did not belong in them, either.

    "You and Cobbie shouldn't have anything to do with this Rinehart stuff. It's too risky. I'd rather be Donald Messmer's son."

    "Cobbie and I can't be in danger from a dead man. And tonight, we are going to find this Donald Messmer."

    “I thought Stewart was dropping Cobbie off."

    "Afterwards. Posy will be back just afterfive o'clock, and I could pick you up around six. My son would love to see you again. He keeps saying, 'Is Ned coming to our house?' So come to our house, why don't you? Posy and I will give you dinner, and you can show me Edward Rinehart's book."

    It sounded more interesting than dinner in Hatchtown and a return to the rooming house. My fears of endangering Laurie and her son no longer seemed rational; Max Edison had spooked me.

    “I warn you, Cobbie is going to make you listen to his favorite music, so be prepared."

    "What kind of music does he like?"

    “I am baffled," Laurie said. "Cobbieis fixated on the last section ofEstampes, a Debussy piano thing, a Monteverdi madrigal called 'Confitebor tibi' sung by an English soprano, and Frank Sinatra doing 'Something's Gotta Give.' He can't really be only four years old. I think he's a thirty-five-year-old midget."