Holding to the stiff, tan arm of the young deputy, Mrs. Doyle reached down to check the heel of her shoe. Black shoes, black suit and purse, wide black hat-they all sinned against us by their fashionableness, blazing wealth as well as death. She stood there, arrested a moment in the hot immobility of the air, then she hurried down, rushing the two big deputies down with her, to the open door of the orange patrol car. Papa stepped forward so quickly that the gap filled with people before I could follow him. I squeezed through, fighting with my elbows, and I saw that he was holding his straw hat in one hand, and offering the other hand out to the murderer. "Stella, how are you? Clayton Hayes."
As she turned, I saw the strawberry gold hair beneath the hat; then her hand, bright with a big diamond, took away the dark glasses. I saw what Papa meant. She was beautiful. Her eyes were the color of lilacs, but darker than lilacs. And her skin held the light like the inside of a shell. She was not like other pretty women, because the difference was not one of degree. I have never seen anyone else of her kind.
"Why, Clayton! God Almighty, it's been years." "Well, yes, a long time now, I guess," he said, and shook her hand.
She took the hand in both of hers. "You look the same as ever. Is this your boy?" she said. The violet eyes turned to me.
"Yes, this is Buddy. Ada and I have six so far, three of each."
"Six? Are we that old, Clayton?" She smiled. "They said you'd married Ada Hackney."
A deputy cleared his throat. "Sorry, Clayton, we're going to have to get going."
"Just a minute, Lonnie. Listen, Stella, I just wanted you to know I'm sorry as I can be about your losing Hugh."
Tears welled in her eyes. "He did it himself, Clayton," she said.
"I know that. I know you didn't do this." Papa nodded slowly again and again, the way he did when he was listening. "I know that. Good luck to you."
She swatted tears away. "Thank you."
"I'm telling everybody I'm sure of that."
"Clayton, thank you."
Papa nodded again, then tilted his head back to give her his slow, peaceful smile. "You call Ada and me if there's ever something we can do to help you, you hear?" She kissed his cheek and he stepped back with me into the crowd of hostile, avid faces as she entered the police car. It moved slow as the sun through the sightseers. Cameras pushed against its windows.
A sallow man biting a pipe skipped down the steps to join some other reporters next to us. "Jury sent out for food," he told them. "No telling with these yokels. Could go either way." He pulled off his jacket and balled it under his arm. "Jesus, it's hot."
A younger reporter with thin, wet hair disagreed. "They all think Hollywood 's Babylon and she's the whore. Hugh Doyle was the local prince, his daddy kept the mills open in the bad times, quote unquote half the rednecks in the county. They'll fry her. For that hat if nothing else."
"Could go either way," grinned the man with the pipe. "She was born in a shack six miles from here. Hat or no hat, that makes her one of them. So what if she did shoot the guy, he was dying of cancer anyhow, for Christ's sake. Well, she never could act worth the price of a bag of popcorn, but Jesus damn she was something to look at!"
Now that Stella Doyle was gone, people felt the heat again and went back to where they could sit still in the shade until the evening breeze and wait for the jury's decision. Papa and I walked back down Main Street to our furniture store. Papa owned a butcher shop, too, but he didn't like the meat business and wasn't very good at it, so my oldest brother ran it while Papa sat among the mahogany bedroom suites and red maple dining-room sets in a big rocking chair and read, or talked to friends who dropped by. The rocker was actually for sale but he had sat in it for so long now that it was just Papa's chair. Three ceiling fans stirred against the quiet, shady air while he answered my questions about Stella Doyle.
He said that she grew up Stella Dora Hibble on Route 19, in a three-room, tin-roofed little house propped off the red clay by concrete blocks-the kind of saggy-porched, pinewood house whose owners leave on display in their dirt yard, like sculptures, the broken artifacts of their aspirations and the debris of their unmendable lives: the doorless refrigerator and the rusting car, the pyre of metal and plastic that tells drivers along the highway "Dreams don't last."
Stella's mother, Dora Hibble, had believed in dreams anyhow. Dora had been a pretty girl who'd married a farmer and worked harder than she had the health for, because hard work was necessary just to keep from going under. But in the evenings Mrs. Hibble had looked at movie magazines. She had believed the romance was out there and she wanted it, if not for her, for her children. At twenty-seven, Dora Hibble died during her fifth labor. Stella was eight when she watched from the door of the bedroom as they covered her mother's face with a thin blanket. When Stella was fourteen, her father died when a machine jammed at Doyle Mills. When Stella was sixteen, Hugh Doyle, Jr., who was her age, my father's age, fell in love with her. "Did you love her, too, Papa?"
"Oh, yes. All us boys in town were crazy about Stella Dora, one time or another. I had my attack of it, same as the rest. We were sweethearts in seventh grade. I bought a big-size Whitman's Sampler on Valentine's. I remember it cost every cent I had."
"Why were y'all crazy about her?"
"I guess you'd have to worry you'd missed out on being alive if you didn't feel that way about Stella, one time or another."
I was feeling a terrible emotion I later defined as jealousy. "But didn't you love Mama?"
"Well, now, this was before it was my luck to meet your mama."
"And you met her coming to town along the railroad track and you told your friends 'That's the girl for me and I'm going to marry her,' didn't you?"
"Yes, sir, and I was right on both counts." Papa rocked back in the big chair, his hands peaceful on the armrests.
"Was Stella Dora still crazy about you after you met Mama?"
His face crinkled into the lines of his ready laughter. "No, sir, she wasn't. She loved Hugh Doyle, minute she laid eyes on him, and he felt the same. But Stella had this notion about going off to get to be somebody in the movies. And Hugh couldn't hold her back, and I guess she couldn't get him to see what it was made her want to go off so bad either."
"What was it made her want to go?"
Papa smiled at me. "Well, I don't know, son. What makes you want to go off so bad? You're always saying you're going here, and there, 'cross the world, up to the moon. I reckon you're more like Stella than I am."
"Do you think she was wrong to want to go be in the movies?"
"No."
"You don't think she killed him?"
"No, sir, I don't."
"Somebody killed him."
"Well, Buddy, sometimes people lose hope and heart, and feel like they can't go on living."
"Yeah, I know. Suicide."
Papa's shoes tapped the floor as the rocker creaked back and forth. "That's right. Now you tell me, why're you sitting in here? Why don't you ride your bike on over to the ballpark and see who's there?"
"I want to hear about Stella Doyle." "You want to hear. Well. Let's go get us a Coca-Cola, then. I don't guess somebody's planning to show up in this heat to buy a chest of drawers they got to haul home."
"You ought to sell air conditioners, Papa. People would buy air conditioners." "I guess so."
So Papa told me the story. Or at least his version of it. He said Hugh and Stella were meant for each other. From the beginning it seemed to the whole town a fact as natural as harvest that so much money and so much beauty belonged together, and only Hugh Doyle with his long, free, easy stride was rich enough to match the looks of Stella Dora. But even Hugh Doyle couldn't hold her. He was only halfway through the state university, where his father had told him he'd have to go before he married Stella, if he wanted a home to bring her to, when she quit her job at Coldsteam's beauty parlor and took the bus to California. She was out there for six years before Hugh broke down and went after her.