The woman didn’t go with him. She was small and trim, in a tailored suit that had been fitted by an expert, and her face was all eyes. Not that they popped, but they ran the show. In spite of Alec Gallant’s lordly presence, as I approached the table I found myself aiming at Anita Prince’s eyes.
Gallant was speaking. “What’s this? About Sarah Yare?”
“Just a couple of questions.” He had eyes too, when you looked at them. “It shouldn’t take even five minutes. I suppose Mr. Drew told you?”
“He said Nero Wolfe is making an inquiry and sent you. What about? About how she died?”
“I don’t think so, but I’m not sure. The fact is, Mr. Gallant, on this I’m just an errand boy. My instructions were to ask if you got any messages or letters from her in the past month or so, and if so will you let Mr. Wolfe see them.”
“My God.” He closed his eyes, tilted his head back, and shook it — a lion pestered by a fly. He looked at the woman. “This is too much. Too much!” He looked at me. “You must know a woman was assassinated here yesterday. Of course you do!” He pointed at the door. “There!” His hand dropped to the desk like a dead bird. “And after that calamity, now this, the death of my old and valued friend. Miss Yare was not only my friend; in mold and frame she was perfection, in movement she was music, as a mannequin she would have been divine. My delight in her was completely pure. I never had a letter from her.” His head jerked to Anita Prince. “Send him away,” he muttered.
She put fingers on his arm. “You gave him five minutes, Alec, and he has only had two.” Her voice was smooth and sure. The eyes came to me. “So you don’t know the purpose of Mr. Wolfe’s inquiry?”
“No, Miss Prince, I don’t. He only tells me what he thinks I need to know.”
“Nor who hired him to make it?”
So Drew had covered the ground. “No. Not that either. He’ll probably tell you, if you have what he wants, letters from her, and you want to know why he wants to see them.”
“I have no letters from her. I never had any. I had no personal relations with Miss Yare.” Her lips smiled, but the eyes didn’t. “Though I saw her many times, my contact with her was never close. Mr. Gallant preferred to fit her himself. I just looked on. It seems—” She stopped for a word, and found it. “It seems odd that Nero Wolfe should be starting an inquiry immediately after her death. Or did he start it before?”
“I couldn’t say. The first I knew, he gave me this errand this morning. This noon.”
“You don’t know much, do you?”
“No, I just take orders.”
“Of course you do know that Miss Yare committed suicide?”
I didn’t get an answer in. Gallant, hitting the table with a palm, suddenly shouted at her, “Name of God! Must you? Send him away!”
“I’m sorry, Mr. Gallant,” I told him. “I guess my time’s up. If you’ll tell me where to find your sister and Miss Thorne, that will—”
I stopped because his hand had darted to an ashtray, a big metal one that looked heavy, and since he wasn’t smoking he was presumably going to let fly with it. Anita Prince beat him to it. With her left hand she got his wrist, and with her right she got the ashtray and moved it out of reach. It was very quick and deft. Then she spoke, to me. “Miss Gallant is not here. Miss Thorne is busy, but you can ask Mr. Drew downstairs. You had better go.”
I went. In more favorable circumstances I might have spared another five minutes for a survey of the pin-ups, but not then, not if I had to dodge ashtrays.
In the hall, having pulled the door shut, the indicated procedure, indicated both by the situation and by Miss Prince’s suggestion, was to take the elevator down and see Drew again, but a detective is supposed to have initiative. So when I heard a voice, female, floating out through an open door, I went on past the elevator, to the door, for a look. Not only did I see, I was seen, and a voice, anything but female, came at me.
“You. Huh?”
I could have kicked myself. While, as I said, my mission couldn’t be called secret with five people on the list, certainly Wolfe had intended it to be private, and there was Sergeant Purley Stebbins of Homicide West, glaring at me.
“Sightseeing?” he asked. Purley’s idea of humor is a little primitive. “The scene of the crime?”
I descended to his level. “Just morbid,” I told him, crossing the sill. “Compulsion neurosis. Is this it?”
Evidently it was. The room was about the same size as Alec Gallant’s, but while his had been dominated by women without clothes, this one ran to clothes without women. There were coats, suits, dresses, everything. They were on dummies, scattered around; on hangers, strung on a pole along a wall; and piled on a table. At my right one dummy, wearing a skirt, was bare from the waist up; she might have blushed if she had had a face to blush with. There was one exception: a well-made tan wool dress standing by a corner of a desk contained a woman — a very attractive specimen in mold and frame, and in movement she could have been music. Standing beside her was Carl Drew. Seated at the desk was Sergeant Purley Stebbins, with a paper in his hand and other papers on the desk. Also on the desk, at his left, was a telephone — the one, presumably, that Wolfe and I had heard hit the floor.
What I had stumbled into was obvious. Purley was examining the effects, including papers, probably the second time over, of Bianca Voss, deceased, under surveillance on behalf of Alec Gallant Incorporated.
“Actually,” I said, advancing past the immodest dummy, “this is one homicide I have no finger in. I’m on a fishing trip.” I moved my eyes. “Would you tell me, Mr. Drew, where I can find Miss Thorne?”
“Right here,” the tan wool dress said. “I am Miss Thorne.”
“I’m Archie Goodwin of Nero Wolfe’s office. May I have a word with you?”
She exchanged glances with Carl Drew. Her glance told me that Drew had told her about me; and his, if I am half as bright as I ought to be, told me that if he was not on a more personal basis with her than he had been with Sarah Yare it wasn’t his fault. If he wasn’t he would like to be.
“Go ahead,” Drew told her. “I’ll stick around.” She moved toward the door, and I was following when Purley pronounced my name, my last name. He has on occasion called me Archie, but not when I suddenly appeared, uninvited, when he was working on a homicide. I turned.
“Who are you fishing for?” he demanded.
“If I knew,” I said, “I might tell you, but don’t hold your breath.” There was no point in trying to sugar him. The damage, if any, had been done the second he saw me. “See you in court.”
Emmy Thorne led me down the hall to a door, the next one, and opened it. Walking, she could have been music at that, if her heels had had any purchase. She held the door for me to enter, shut it, went to a chair behind a desk, and sat. The room was less than half the size of the others and displayed neither women nor clothes.
“Sit down,” she said. “What is this nonsense about letters from Sarah Yare?”
I took the chair at the end of her desk. “You know,” I said, “my tie must be crooked or I’ve got a grease spot. Mr. Drew resented me, and Mr. Gallant was going to throw an ashtray at me. Now you. Why is it nonsense to ask a simple question politely and respectfully?”
“Maybe ‘nonsense’ isn’t the word. Maybe I should have said ‘gall.’ What right have you to march in here and ask questions at all? Polite or not.”
“None. It’s not a right, it’s a liberty. I have no right to ask you to have dinner with me this evening, which might not be a bad idea, but I’m at liberty to, and you’re at liberty to tell me you’d rather dine at the automat with a baboon, only that wouldn’t be very polite. Also when I ask if you have any letters from Sarah Yare you’re at liberty to tell me to go climb a tree if you find the question ticklish. I might add that I would be at liberty to climb a pole instead of a tree. Have you any letters from Sarah Yare?”