As I came to maturity I found that my memory suffered in a different way; it began to color incidents dramatically. For example, I had been told a story by someone, it lay dormant in me for years; suddenly some striking fact called back the tale and I told it as if I had been present and it was fulfilled with dramatic effects, far beyond the first narration.
I am no longer a trustworthy witness; yet more honest, I dare swear, than any Rousseau or Casanova of them all. Hamlet declares he could accuse himself of dreadful faults, but takes care never to hint even at the wild sensuality and mad, baffled jealousy which he pours out in floods on his unhappy mother, who, for love of lewdness, stands to him for his faithless mistress. I intend to accuse myself of all my worst faults, for already I notice that my mind is so confirmed a partisan that if I don't put in all the shadows, there will be little likeness to humanity in my self-coloured portrait. To write one's life truthfully one should keep a complete diary and record, not only facts; but motives-fears, hopes and imaginings-day by day at very considerable length. It is altogether too late for me to begin such a work; but from today on (November 22nd, 1923) I propose to keep such a careful record that when I come to this last lap of the race I may be able to put down the true truth in every particular. Yet no man's mind can mirror truth perfectly.
But whether I can tell the truth or not does not alter the fact that I mean even in this second volume to keep as near the truth as I can.
The soul of the first volume was the insane sex-urge of healthy youth and the desire to learn and grow and become someone of note in life. The inspiration of this second volume is the realization of the virtue of chastity, or, if you will, of total abstinence from all sex-pleasure for years and its effect not only upon character but upon the mind, and especially upon the creative power.
In the first period I cultivated my will a little now and then in order to make my body subservient to my intelligence; in the second period I reaped enormous benefits from this discipline.
I never dreamed then that one day in my old age I should sing the praises of chastity; but clearly enough I see now that chastity is the mother of many virtues. There's a story of Balzac that illustrates my meaning, I think it's told by Gautier. The great novelist came in one day with a gloomy face. "What's the matter?" asked Gautier.
"Matter enough," replied Balzac; "another masterpiece lost to French literature!"
"What do you mean?" cried Gautier.
"I had a wet dream last night," Balzac replied, "and consequently shall not be able to conceive any good story for at least a fortnight; yet I could certainly write a masterpiece in that time."
I found out that the chastity must not be continued too long or one would become too susceptible to mere sensuous pleasure; the semen, so to say, would get into one's blood and affect the healthy current of one's life. But to feel drained for a fortnight after one orgasm and unable to create any thing worth while proves to demonstrate that Balzac, like Shakespeare, must have been of poor virility. Didn't Shakespeare cry at thirty-four or-five:
Past reason hunted and no sooner had Past reason hated, an experience that few healthy men reach before fifty-five and some of us, thank God, never reach at all.
But self-control or chastity must be practiced by all who wish to realize the highest in themselves or indeed who wish to reach vigorous old age.
There are other experiences of this kind that I think just as interesting and important as Balzac's, which I propose to record in this self-history. For example, besides the merits of chastity, I was also to learn that my pleasure in the embrace was not my chief object: as love entered my life I found that the keenest thrill of ecstasy could only be reached through the delight given to your partner. Again in this I resembled Montaigne: "Verily, the pleasure I do others in this sport, both more sweetly tickle my imagination, than that is done unto me."
In this volume I shall not be as contemptuous of convention as I was in the first; but I propose to use such freedom of speech as may be necessary, and certainly as much as Chaucer and the best Frenchmen use.
After all, the final proof of the pudding is in the eating. If anyone can write as true a record of his time or paint such deep and intimate portraits of great men as I have painted, without using equal freedom of speech, he may condemn me. If no one has or can, then I am justified and in time shall be praised and my example followed.
VOLUME TWO
CHAPTER I
When the Russian Turkish war broke out in the early summer of 1877, I knew at once how my summer must be spent: I had to find out by experience what modern war was like, and to learn it while getting a sight of Russia and the Balkans and perhaps Turkey seduced me: I must get to the front immediately.
With the intuition that now and then comes to English journalists when writing about war, the name of Skobelef, the conqueror of Turkestan, had been blazoned about in half a dozen sheets and had captured my Celtic fancy. I sat down and wrote to him at once in English and French, asking him to allow me to see him at work and to chronicle his doings against the Turks for some American journals. I had already got the consent of two to act as correspondent and promise to pay twenty dollars a column for everything they accepted, which seemed to me, in my utter ignorance, fair enough pay.
In June I was in Moscow staying at the Slavianski Bazaar and had written again to Skobelef, begging for a meeting. I soon found out, however, to my astonishment, that Skobelef was not to be commander-in-chief; had indeed no official position and had gone to the seat of war, hoping to make himself useful.
The first official position he had, and this after the passing of the Danube and the investment of Plevna, was as a sort of assistant to General Dragomirof.
But neither envy nor jealousy could keep that soaring spirit down for long.
Wherever he went in the camp he was a marked man: the first thing I heard about him was an obscene jest he had made when they brought him a mare after a horse had been killed under him: "It's the female's business, you think, to be mounted by a man," he was reported to have said.
His contempt of convention pleased me hugely. In a few days I got presented to him and thanked him in my best, carefully prepared French for the mot- a shrug of the shoulders and a gleam of amusement in his eyes satisfied me.
He would have been more or less than human if he could have resisted my enthusiastic admiration. Years later I was telling Lord Wolseley about it and he said, "It all reminds me of Stanley in my Ashanti campaign, f He came up and asked me to be allowed to accompany me: I was the only person he wanted to know, he said; but he was so self-assured and cool that I told him to go to the proper officer who had charge of the correspondents. From time to time afterwards I noticed him, always pretty close to me; but one day we fell into a sort of ambush and were almost surrounded by the savages. As their fire slackened I remarked a man in grey some forty yards in front of me and to the right; the savages were creeping round him, dodging from tree to tree, and he was in the utmost danger; but he paid no attention to them, shooting very successfully at those in front: his coolness and splendid marksmanship fascinated me. Our troops came up and the savages broke and fled. I could not resist going over to see who the marksman was. I found it was my very independent American: he bowed and I had to ask: 'Didn't you see that the blacks had surrounded you?' "'To tell the truth, General,' he remarked, brushing his knee, 'I was so occupied with the gentlemen in front that I paid no attention to the others.' "From that moment on we were friends," Wolseley concluded, "much I imagine as Skobelef and you became friends; courage in a common danger quickly breaks down all barriers."