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Our season at Astley's came to an end in November: to make room for Lord George Sanger and his circus. I chucked the North-western Railway, and joined a touring company. My sisters were much troubled. At Euston, I was earning seventy pounds a year, and I might become general manager. I pointed out to them that, instead, I might become London's leading actor with a theatre of my own. But they only cried. We opened at Torquay on Boxing day with a farce, a two-act drama and a pantomime. I had assumed the name of Harold Crichton, and our chief comedian turned out to be Haldane Crichton, who afterwards became a lessee of theatres; and had for daughter Madge Crichton. I think she is now in America. We were assumed to be brothers, and he took an interest in me, and taught me dancing and tumbling. I had to leap through flaps, and sometimes there was a mattress on the other side to catch me, and sometimes there wasn't; and arriving on the stage by way of a star trap calls for nerve and a thick skull. Haldane thought I had the makings of a clown in me, but my own ambition was rather towards the legitimate. After Torquay, we travelled round the south with what would now be termed repertory. Often, during the evening's performance, I would be handed my part in a piece to be played the next night. For one play I remember we had three rehearsals.

“What do they think we are,” grumbled our first old man, “a pack of sanguinary amateurs?”

Altogether, I was on the stage three years. Occasionally, I obtained a short London engagement: at the old Surrey under the Conquests; at the Brit, and the Pav. Then, as now, the West End, to those without money or influence, lay behind a closed door. Most of my time I spent in the provinces. The bogus manager was our haunting fear. So long as he was making money, salaries were paid: they varied from a pound to fifty shillings. If the luck changed, the manager would disappear—generally on a Friday evening during the performance. Leaving their baskets with their landladies, the company would get back to their homes as best they could. Often they would have to tramp, begging their way by the roadside. Nobody complained: everybody was used to it. Sometimes a woman would cry. But even that was rare. There were one-night companies that played in Town halls, Institutes, Assembly Rooms and such like. Here thirty shillings a week would be the maximum salary—when you got it. “The shilling a nighters,” we were called. If one could not secure a night's lodging for a shilling, paid in advance, one went without. In summer, one hunted for an out-of-the-way corner, or climbed the railings and slept in the church porch. In winter time, we would club together and, bribing the door-keeper, would sleep in the dressing-rooms, when there were any; and if not, upon the stage. Now and then, of course, one struck a decent company and then one lived bravely, sleeping in beds, and eating rabbit pie on Saturday.

Though I say it myself, I think I would have made a good actor. Could I have lived on laughter and applause, I would have gone on. I certainly got plenty of experience. I have played every part in “Hamlet” except Ophelia. I have doubled the parts of Sairey Gamp and Martin Chuzzlewit on the same evening. I forget how the end came. I remember selling my wardrobe in some town up north, and reaching London with thirty shillings in my pocket. Fortunately the weather was mild and I was used to “sleeping rough,” as they call it in the country. The difficulty, of course, in London was to dodge the police. On wet nights I would have to fork out ninepence for a doss-house. The best I ever struck was one half-way up Pentonville Hill, where they gave you two blankets; but one had to be early for that. Literary gents have always been much given to writing of the underworld. I quite agree there must be humour and pathos and even romance to be found there; but you need to be outside it to discover its attractions. It was a jungle sort of existence. Always we slept with everything belonging to us, even to our leaky boots, underneath our pillows; and would start up with our hands clenched if a mouse crept across the floor. Round the common frying-pan, where we cooked our breakfast, when it ran to it, we stood on guard, ready to defend our skimpy rasher or our half-starved-looking bloater, if need be, with our lives. The old and feeble fared badly. The janitor was supposed to keep order; but among the outcast there is one law for the strong and another for the weak; and always there would be some hefty bully with whom it was best to make terms. By luck I came across a chum, one with whom I had gone poaching when a boy. He, too, had fallen upon evil days, and had taken to journalism. He was now a penny-a-liner—or to be exact, a three-half-penny-a-liner. He took me round with him to police courts and coroners' inquests. I soon picked it up. Often I earned as much as ten shillings a week, and life came back to me. I had my own apartment, furnished with a bed, a table and a chair, which also served for washstand, together with a jug and basin. But after the doss-house it was luxury. Sometimes a theatre order came my way. I remember Charles Matthews and Madame Vestris at the Royalty; and Irving's first appearance in “The Bells,” at the old Lyceum under Mrs. Bateman's management. Phelps was playing at Sadler's Wells, and “Madam Angot,” at the Philharmonic, opposite the Angel, was being whistled all over the town. There were hangings in the courtyard at Newgate. You could see them over the wall from the windows of the houses opposite. There was a coffee shop in the Old Bailey, where, for half a crown, they let you climb up on the roof. I found out how to make “flimsy” more saleable by grafting humour on to it: so that sub-editors would give to mine a preference over more sober, and possibly more truthful records. There was a place in Fleet Street called “The Codgers' Hall,” where over pipes and pewter pots we discussed Home Rule, Female Suffrage, Socialism and the coming Revolution. Gladstone had raised the Income Tax to eight-pence and those of us who took things seriously foresaw the ruin of the country. Forster brought in compulsory education, and the danger was that England would become too intellectual. One evening, an Irishman threw a water-bottle at my head: what it was doing there still remains to me unexplainable. I ducked just in time, and it caught a Nihilistic gentleman on the side of the head. For the next ten minutes it was anybody's fight; but eventually we all made friends, and joining hands, sang “Auld Lang Syne.” I took up shorthand at this period. Dickens had started his career as a Parliamentary reporter. It seemed to me I could not do better than follow in his footsteps. I attended public meetings, and on Sundays took down sermons. Spurgeon was a good man. You could hear every word he said. I remember the Sunday morning when he began by mopping his brow, and remarking that it was “damned hot.”