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I envied him. The lecturer through America has to cultivate adaptability. For one night a rich man would hire us to read to his guests in a drawing-room. He was always very kind, and would make us feel part of the party. The next evening we would find ourselves booked to perform in a hall the size of Solomon's Temple, taking Mr. H. G. Wells' figures as correct. There was a “Coliseum,” I think they called it, down South. I forget the name of the town. But I am sure it was down South, because of the cotton that floated on the wind, and turned our hair grey. Even Loomis had found the place difficult. The first few dozen rows must have heard him. Anyhow they laughed. But beyond and above brooded the silence of the grave. By rare chance, we had a few hours to spare the next morning; and coming across the place I stepped in, wondering how it looked in daylight. Men were busy hauling scenery about. It served for all purposes—mass meetings, theatrical performances, religious revivals, prize fights. On one wet fourth of July, a display of fireworks had been given there with great success. A small lady in black was standing just inside the door, likewise inspecting. It was Sarah Bernhardt. She was billed to play there that evening. She was finishing a tour with a few one-night stands, and had been travelling all night. She recognized me, though we had met only once before, at a Lyceum supper in Irving's time.

“My God!” she said, throwing up her arms. “Why, it's as deep as hell. How do they expect me to reach them?”

“They don't,” I told her. “They want to see you, that's all. They are a curious people, these Americans. They paid last night to see me. They must have known they would not hear me.”

“But they will not see her,” she answered. “They will see only a little old woman. I am not Sarah Bernhardt until I act. It would be a swindle.”

“Well, isn't that their affair?” I suggested.

She drew herself up. She was quite tall when she had finished—or looked it.

“No, my friend,” she answered, “it is mine. Sarah Bernhardt is a great artist. And I am her faithful servant. They shall not make a show of her.”

She held out her hand. “Please do not tell anyone that you have seen me,” she said. She drew down her veil and slipped out.

What actually happened I do not know. They were posting notices up when we left, announcing with regret Madame Sarah Bernhardt's sudden indisposition.

I have always found American audiences most kind. Their chief fault is that they see the point before you get there, which is disconcerting. One morning I woke up speechless with a sudden cold. I could not even use the 'phone. I telegraphed to my chairman, explaining, and asking him to call the reading off. In half-an-hour the answer came back: “Sorry you won't be able to read but do come or it will be a real disappointment to us we want to see you and thank you for the pleasure your books have given us as for fee that has been posted to your agent and is too unimportant a matter to be talked about among friends.”

I went and had a delightful evening. They put me in the middle of the room and entertained me. We had music and songs and stories. I whispered a few to my chairman, and he translated them. They turned the whole thing into a joke. At the end, one of them, a doctor, gave me a draught to take in bed. I wish I had asked him what it was. My cold was gone the next morning.

At Salt Lake City, we ought to have arrived with an hour to spare, instead of which our train was three hours late. A deputation met us on the platform with hot coffee and sandwiches. They put us into cabs and took us straight to the platform. An audience of three thousand people had been waiting patiently for two hours. Our chairman, in his opening, apologized to us for the train service; and asked everybody to agree that, as we must be tired, we should be asked to read for only half-an-hour, unless we felt ourselves equal to more. Both Loomis and myself felt bucked up, and gave them the full programme. Not one of them left before the end, which must have been about twelve o'clock; and if they didn't like it they were good actors.

A leading Elder put us up in Salt Lake City. He introduced us to his wife. He noticed I was looking expectant.

“There are no more,” he explained. He put his arm round her. “The modern American woman,” he continued, “has convinced us that one wife is sufficient for any man.”

I was told that domestic establishments on a more generous basis still existed; but they were rare; and later on the law put an end to them.

It is difficult to know what your audience really thinks of you. Even if bored, I feel convinced they would pretend to be enjoying themselves. There are times when hypocrisy can he a virtue. But hidden behind a newspaper in a smoking car, I once overheard praise of myself.

“Were you at the lecture last night?” asked one man of another.

“Yes,” came the answer in a soft, low, drawling voice. “The wife thought she'd like to go. I'd never heard of him myself.”

“What was he like?”

“Well”—there was a pause. I guessed he was fixing a plug of tobacco—“for an Englishman—good.”

Once only—at Chattanooga—did I meet with disagreement: and then I was asking for it. Two negroes had been lynched a few days before my arrival on the usual charge of having assaulted a white woman: proved afterwards (as is generally the case) to have been a trumped-up lie. All through the South, this lynching horror had been following me; and after my reading I asked for permission to speak on a matter about which my conscience was troubling me. I didn't wait to get it, but went straight on. At home, on political platforms, I have often experienced the sensation of stirring up opposition. But this was something different. I do not suggest it was anything more than fancy, but it seemed to me that I could actually visualize the anger of my audience. It looked like a dull, copper-coloured cloud, hovering just above their heads, and growing in size. I sat down amid silence. It was quite a time before anybody moved. And then they all got up at the same moment, and turned towards the door. On my way out, in the lobby, a few people came up to me and thanked me, in a hurried furtive manner. My wife was deadly pale. I had not told her of my intention. But nothing happened, and I cannot help thinking that if the tens of thousands of decent American men and women to whom this thing must be their country's shame, would take their courage in both hands and speak their mind, America might be cleansed from this foul sin.

American hospitality is proverbial. If I had taken the trouble to arrange matters beforehand, I could have travelled all over America without once putting up at an hotel. Had I known what they were like, I would have made the effort. In the larger cities they are generally of palatial appearance. If their cooking and attendance were on a par with their architecture and appointments, there would be no fault to find with them. But often I have thought how gladly I would exchange all the Parian marble in my bathroom, all the silver fittings in my dressing-room, for a steak I could cut with a knife. It appears from the statistics of the Immigration Bureau that there arrive every year in the United States well over four thousand professional cooks. What happens to them is a mystery. They can't all become film stars.