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VII

Autumn came on, rainy, dark, and muddy. The season of unemployment set in, and I used to sit at home out of work for three days at a stretch, or did various little jobs, not in the painting line. For instance, I wheeled earth, earning about fourpence a day by it. Dr. Blagovo had gone away to Petersburg. My sister had given up coming to see me. Radish was laid up at home ill, expecting death from day to day.

And my mood was autumnal too. Perhaps because, having become a workman, I saw our town life only from the seamy side, it was my lot almost every day to make discoveries which reduced me almost to despair. Those of my fellow-citizens, about whom I had no opinion before, or who had externally appeared perfectly decent, turned out now to be base, cruel people, capable of any dirty action. We common people were deceived, cheated, and kept waiting for hours together in the cold entry or the kitchen; we were insulted and treated with the utmost rudeness. In the autumn I papered the reading-room and two other rooms at the club; I was paid a penny three-farthings the piece, but had to sign a receipt at the rate of twopence halfpenny, and when I refused to do so, a gentleman of benevolent appearance in gold-rimmed spectacles, who must have been one of the club committee, said to me:

“If you say much more, you blackguard, I’ll pound your face into a jelly!”

And when the flunkey whispered to him what I was, the son of Poloznev the architect, he became embarrassed, turned crimson, but immediately recovered himself and said: “Devil take him.”

In the shops they palmed off on us workmen putrid meat, musty flour, and tea that had been used and dried again; the police hustled us in church, the assistants and nurses in the hospital plundered us, and if we were too poor to give them a bribe they revenged themselves by bringing us food in dirty vessels. In the post office the pettiest official considered he had a right to treat us like animals, and to shout with coarse insolence: “You wait!” “Where are you shoving to?” Even the housedogs were unfriendly to us, and fell upon us with peculiar viciousness. But the thing that struck me most of all in my new position was the complete lack of justice, what is defined by the peasants in the words: “They have forgotten God.” Rarely did a day pass without swindling. We were swindled by the merchants who sold us oil, by the contractors and the workmen and the people who employed us. I need not say that there could never be a question of our rights, and we always had to ask for the money we earned as though it were a charity, and to stand waiting for it at the back door, cap in hand.

I was papering a room at the club next to the reading room; in the evening, when I was just getting ready to go, the daughter of Dolzhikov, the engineer, walked into the room with a bundle of books under her arm.

I bowed to her.

“Oh, how do you do!” she said, recognizing me at once, and holding out her hand. “I’m very glad to see you.”

She smiled and looked with curiosity and wonder at my smock, my pail of paste, the paper stretched on the floor; I was embarrassed, and she, too, felt awkward.

“You must excuse my looking at you like this,” she said. “I have been told so much about you. Especially by Dr. Blagovo; he is simply in love with you. And I have made the acquaintance of your sister too; a sweet, dear girl, but I can never persuade her that there is nothing awful about your adopting the simple life. On the contrary, you have become the most interesting man in the town.”

She looked again at the pail of paste and the wallpaper, and went on:

“I asked Dr. Blagovo to make me better acquainted with you, but apparently he forgot, or had not time. Anyway, we are acquainted all the same, and if you would come and see me quite simply I should be extremely indebted to you. I so long to have a talk. I am a simple person,” she added, holding out her hand to me, “and I hope that you will feel no constraint with me. My father is not here, he is in Petersburg.”

She went off into the reading-room, rustling her skirts, while I went home, and for a long time could not get to sleep.

That cheerless autumn some kind soul, evidently wishing to alleviate my existence, sent me from time to time tea and lemons, or biscuits, or roast game. Karpovna told me that they were always brought by a soldier, and from whom they came she did not know; and the soldier used to enquire whether I was well, and whether I dined every day, and whether I had warm clothing. When the frosts began I was presented in the same way in my absence with a soft knitted scarf brought by the soldier. There was a faint elusive smell of scent about it, and I guessed who my good fairy was. The scarf smelt of lilies-of-the-valley, the favourite scent of Anyuta Blagovo.

Towards winter there was more work and it was more cheerful. Radish recovered, and we worked together in the cemetery church, where we were putting the ground-work on the ikon-stand before gilding. It was a clean, quiet job, and, as our fellows used to say, profitable. One could get through a lot of work in a day, and the time passed quickly, imperceptibly. There was no swearing, no laughter, no loud talk. The place itself compelled one to quietness and decent behaviour, and disposed one to quiet, serious thoughts. Absorbed in our work we stood or sat motionless like statues; there was a deathly silence in keeping with the cemetery, so that if a tool fell, or a flame spluttered in the lamp, the noise of such sounds rang out abrupt and resonant, and made us look round. After a long silence we would hear a buzzing like the swarming of bees: it was the requiem of a baby being chanted slowly in subdued voices in the porch; or an artist, painting a dove with stars round it on a cupola would begin softly whistling, and recollecting himself with a start would at once relapse into silence; or Radish, answering his thoughts, would say with a sigh: “Anything is possible! Anything is possible!” or a slow disconsolate bell would begin ringing over our heads, and the painters would observe that it must be for the funeral of some wealthy person.…

My days I spent in this stillness in the twilight of the church, and in the long evenings I played billiards or went to the theatre in the gallery wearing the new trousers I had bought out of my own earnings. Concerts and performances had already begun at the Azhogins’; Radish used to paint the scenes alone now. He used to tell me the plot of the plays and describe the tableaux vivants which he witnessed. I listened to him with envy. I felt greatly drawn to the rehearsals, but I could not bring myself to go to the Azhogins’.