A few weeks after the novel was finished life began as a house husband, and the plan was it would last until next spring while Linda did the last year of her training at the Dramatiska Institut. The novel writing had taken its toll on our relationship. I slept in the office for six weeks, barely seeing Linda and our five-month-old daughter, and when at last it was over she was relieved and happy, and I owed it to her to be there, not just in the same room, physically, but also with all my attention and participation. I couldn’t do it. For several months I felt a sorrow at not being where I had been, in the cold clear environment, and my yearning to return was stronger than my pleasure at the life we lived. The fact that the novel was doing well didn’t matter. After every good review I put a cross in the book and waited for the next, after every conversation with the agent at the publisher’s, when a foreign company had shown some interest or made an offer, I put a cross in my book and waited for the next, and I wasn’t very interested when it was eventually nominated for the Nordic Council Literature Prize, for if there was one thing I had learned over the last six months it was that all writing was about writing. Therein lay all its value. Yet I wanted to have more of what came in its wake because public attention is a drug, the need it satisfies is artificial, but once you have had a taste of it you want more. So there I was, pushing the buggy on my endless walks on the island of Djurgården in Stockholm waiting for the telephone to ring and a journalist to ask me about something, an event organiser to invite me somewhere, a magazine to ask for an article, a publisher to make an offer, until at last I took the consequences of the disagreeable taste it left in my mouth and began to say no to everything at the same time as the interest ebbed away and I was back to the everyday grind. But no matter how hard I tried, I couldn’t get into it, there was always something else that was more important. Vanja sat there in the buggy looking around while I trudged through the town, first here, then there, or sat in the sandpit digging with a spade in the play area in Humlegården, where the tall lean Stockholm mothers who surrounded us were constantly on their phones, looking as if they were part of some bloody fashion show, or she was in her high chair in the kitchen at home swallowing the food I fed her. All of this bored me out of my mind. I felt stupid walking round indoors chatting to her, because she didn’t say anything; there was just my inane voice and her silence, happy babbling or displeased tears, then it was on with her clothes and tramping into town again, to the Moderna Museet in Skeppsholmen, for example, where at least I could see some good art while keeping an eye on her, or to one of the big bookshops in the centre, or to Djurgården or Brunnsviken Lake, which was the closest the town came to nature, unless I took the road out to see Geir, who had his office in the university at that time. Little by little, I mastered everything with regard to small children, there wasn’t a single thing I couldn’t do with her, we were everywhere, but no matter how well it went, and irrespective of the great tenderness I felt for her, my boredom and apathy were greater. A lot of effort was spent getting her to sleep so that I could read and to making the days pass so that I could cross them off in the calendar. I got to know the most out-of-the-way cafés in town, and there was hardly a park bench I had not sat on at some time or other, with a book in one hand and the buggy in the other. I took Dostoevsky with me, first Demons, then The Brothers Karamazov. In them I found the light again. But it wasn’t the lofty, clear and pure light, as with Hölderlin; with Dostoevsky there were no heights, no mountains, there was no divine perspective, everything was in the human domain, wreathed in this characteristically Dostoevskian wretched, dirty, sick, almost contaminated mood that was never too far from hysteria. That was where the light was. That was where the divine stirred. But was this the place to go? Was it necessary to go down on bended knee? As usual I didn’t think as I read, just engrossed myself in it, and after a few hundred pages, which took several days to read, something suddenly happened: all the details that had been painstakingly built up slowly began to interact, and the intensity was so great that I was carried along, totally enthralled, until Vanja opened her eyes from the depths of the buggy, almost suspicious, it seemed: where have you taken me now?
There was no option but to close the book, lift her up, get out the spoon, the jar of food and the bib if we were indoors, set a course for the nearest café if we were outside, fetch a high chair, put her in it and go over to the counter and ask the staff to warm the food, which they did grudgingly because Stockholm was inundated with babies at that time, there was a baby boom, and since there were so many women in their thirties among the mothers who had worked and led their own lives until then, glamorous magazines for mothers began to appear, with children as a sort of accessory, and one celebrity after another allowed herself to be photographed with and interviewed about her family. What had previously taken place in private was now pumped into the public arena. Everywhere you could read about labour pains, Caesareans and breastfeeding, baby clothes, buggies and holiday tips for parents of small children, published in books written by house husbands or bitter mothers who felt cheated as they collapsed with exhaustion from working and having children. What had once been normal topics you didn’t talk about much were now placed at the forefront of existence and cultivated with a frenzy that ought to make everyone raise their eyebrows, for what could be the meaning of this? In the midst of this lunacy there was me trundling my child around like one of the many fathers who had evidently put fatherhood before all else. When I was in the café feeding Vanja there was always at least one other father there, usually of my age, that is, in his mid-thirties, almost all of whom had shaved heads to hide hair loss. You hardly ever saw a bald patch or a high forehead any longer, and the sight of these fathers always made me feel a little uncomfortable. I found it hard to take the feminised aspect of their actions, even though I did exactly the same and was as feminised as they were. The slight disdain I felt for men pushing buggies was, to put it mildly, a two-edged sword as for the most part I had one in front of me when I saw them. I doubted I was alone in these feelings, I thought I could occasionally discern an uneasy look on some men’s faces in the play area, and the restlessness in the bodies, which were prone to snatching a couple of pull-ups on the bars while the children played around them. However, spending a few hours every day in a play area with your child was one thing. There were things that were much worse. Linda had just started to take Vanja to Rhythm Time classes for tiny tots at the Stadsbiblioteket library, and when I took over responsibility she wanted Vanja to continue. I had an inkling something dreadful was awaiting me, so I said no, it was out of the question, Vanja was with me now, so there would be no Rhythm Time. But Linda continued to mention it off and on, and after a few months my resistance to what the role of the soft man involved was so radically subverted, in addition to which Vanja had grown so much that her day needed a modicum of variety, that one day I said, yes, today we were thinking of going to the Rhythm Time course at the Stadsbiblioteket. Remember to get there in good time, Linda said, it fills up quickly. And so it was that early one afternoon I was pushing Vanja up Sveavägen to Odenplan, where I crossed the road and went through the library doors. For some reason I had never been there before, even though it was one of Stockholm’s most beautiful buildings, designed by Asplund some time in the 1920s, the period I liked best of all in the previous century. Vanja was fed, rested and wearing clean clothes, carefully chosen for the occasion. I pushed the buggy into the large completely circular interior, asked a woman behind a counter where the children’s section was, followed her instructions into a side room lined with shelves of children’s books, where on a door at the back there was a poster about this Rhythm Time class starting here at 2 p.m. Three buggies were already present. On some chairs a little further away sat the owners, three women in heavy jackets and worn faces, all around thirty-five, while what must have been their snot-nosed children were crawling around on the floor between them.