Brian Antoni, Dave Barry, Edna Buchanan, Tananarive Due, James W. Hall, Vicki Hendricks, Carl Hiaasen, Elmore Leonard, Paul Levine, Les Standiford, Carolina Hospital, Evelyn Mayerson
Naked Came the Manatee
Naked Came the Manatee is a novel like no other: a wickedly funny Florida suspense thriller, written serially by thirteen of the state's most talented writers. In November 1995, a baker's dozen of Florida's finest writers began a serial novel for The Miami Herald's Tropic magazine under the guidance of Tropic's editor Tom Shroder – one writer passing the completed chapters to the next – and with each chapter, the excitement grew.
© 1997
1. BOOGER-Dave Barry
Saturday night, Coconut Grove.
It was the usual scene: thousands of people, not one of whom a normal person would call normal.
There were the European tourists, getting off their big fume-belching buses, wearing their new jeans and their Hard Rock Cafe T-shirts, which they bought when their charter bus stopped in Orlando. They moved in chattering clots, following their flag-waving tour directors, lining up outside Planet Hollywood, checking out the wall where famous movie stars had made impressions of their hands in the cement squares, taking videos of each other putting their palms in the exact same spot where Bruce Willis once put his palm.
Eventually they'd be admitted, past the velvet ropes, get an actual table, order an actual cheeseburger. This, truly, was America: eating cheeseburgers with other European tourists.
Outside, the pulsating mutant throng was gearing up for the all-night street party, fashion bazaar, and freak show that the Grove becomes on weekend nights. Squadrons of young singles-bodies taut, hair perfect, clothes fashionable, minds empty-relentlessly roamed the CocoWalk Multi-Level Shopping and Pickup Complex, checking each other out, admiring themselves. Everywhere for blocks around, there were peddlers peddling, posers posing, gawkers gawking, drunks drinking, bums bumming, and hustlers hustling. Traffic had already congealed into a dense, noisy, confused mass of cruising tourist-bearing rickshaws, blatting Harleys, megawatt-booming cruise cars, and the pathetic, plaintively honking fools who actually thought they could drive through the Grove on a Saturday night. It was just getting started. It would go on until dawn, and beyond.
Sitting on the porch of her snug, hurricane-weathered cottage nestled beneath a pair of massive ficus trees not three hundred yards away, Marion McAlister Williams listened to the distant din wafting toward her on the South Florida night. She could still hear pretty well, and she could think as well as anybody-better than most, in fact. Not bad, when you considered that she was 102 years old, had come to Miami on a sailboat when Coconut Grove was a two-family, no-road hamlet, and Seminoles fished the bay.
Not much fish to catch in there now, she thought bitterly, not much life at all in that poor overused, over-dredged public sewer. Oh, she'd done what she could. She'd written that book, back in the forties, way ahead of her time; she'd told the world what the movers and shakers of South Florida were doing to the bay. The book got a lot of attention, won her a couple of big awards. After a while even the movers and shakers noticed, started inviting her to dinners, giving her plaques, calling her a South Florida Treasure, like she was some kind of endangered turtle. Then they'd pat her on her frail, stooped shoulders, send her off home, and go right back to screwing up the bay.
From her porch, she could smell the water, close by to the southeast. She wondered, as she often did, what was going on out there, away from the lunacy of the Grove, in the dark.
A mile or so down the coast, where rich people live in huge, expensive, fashionable, professionally decorated, truly uncomfortable homes, Booger flippered his massive blob of a body slowly through the murky water just offshore. Of course, he didn't know he was called Booger by the boat-dwellers in the Grove, where he spent most of his time. Being a manatee, he wasn't big on abstract concepts such as names. He also hadn't figured out, despite several collisions and one painful propeller-inflicted wound, that he should try to avoid motorboats.
And thus, although he could sense it coming, he made no effort whatsoever to avoid the beat-up old outboard-powered skiff racing directly toward him in the dark. And since the two men in the skiff were (a) running without lights and (b) arguing, they did not notice Booger's bulk dead ahead, almost all of it just below the surface, just like the iceberg that caused all that trouble for the Titanic.
"This ain't no damn computer, I can tell you that for damn sure," Hector was saying, from the front of the skiff. He was frowning at the wooden crate sitting on a seat cushion and strapped to the seat with a pair of bungee cords. He kicked aside the scummy towrope at his feet and leaned down to poke around in the straw between the slats of the crate for a clearer glimpse at the plastic-wrapped, roundish object, hard and smooth like some kind of metal, pressing up against the wood.
"How the hell do you know?" asked Phil, from the stern, where he had his hand on the outboard tiller.
"Because it ain't even got a power plug," said Hector. "Computers got power plugs."
"What the hell do you care what it is?" said Phil. "We take it to the rich man's dock, we give it to the rich man, he gives us the other five thou, we're gone. Ten thou, total, five each, minus my boat expenses, easy money. You got a better plan? You maybe wanna rob another UPS truck?"
This was a reference to Hector's last major moneymaking idea, which was to snatch a box at random from the back of a UPS van parked on Kendall Drive. Unfortunately, Hector, who was also the getaway-car driver, had tried to get away a little too fast; he'd driven directly into a Lexus making a left turn across traffic, causing it to smash into a Jaguar. As it happened-this was, after all, South Florida-both the Lexus and the Jaguar were being driven by well-known, highly successful, politically connected narcotics traffickers, so Hector and Phil had gotten into big trouble with the law. They'd wound up doing eighteen months in jail.
The box they had stolen from the UPS truck-Phil would never let Hector forget this-turned out to contain dirty undershorts that a University of Miami prelaw student was sending home to his mom for laundering.
"Very funny," said Hector. "Ha ha. But you tell me, why'd the Cuban tell us it's a computer if it ain't? And that wasn't no local Cuban neither. That was a Cuban Cuban, from Cuba. That was a Cuban navy boat following his boat. It was running with no lights, trying to stay outta sight, but I saw it."
"Hector, you told me that fifty-three times, and I still don't care. I don't care if he was from Mars, OK? Ten thou is ten thou."
"I think it's nuclear," said Hector quietly. He pronounced it "nuke-u-lar," like Walter Cronkite.
"It's what?" asked Phil.
"Nuclear. Like a bomb. The way the Cuban handled it, you know? The way he was, so, like, scared of it. And did you see him open that little door in it, just before he put it in the crate? There was some kind of numbers in there, man."
"Computers got numbers," noted Phil.
"These ain't computer numbers," said Hector. "These are little lights, like glowing numbers."
"Only number I care about," said Phil, "is ten thousand dollars. You can buy a lot of underwear for that."
Hector said a very bad thing to Phil.
Back in the heart of the Grove, city of Miami rookie police officer Joe Sereno was trying to explain to an extremely large, extremely drunk male tourist that, no matter what the system was back in his hometown, the system here in Miami was, if you had to urinate, you did it in some kind of enclosed toilet facility. You did not do it out in public. You especially did not do it off the second-floor balcony of the CocoWalk complex.
"Sir," Sereno was saying, "why don't you-"