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Jake Lassiter hadn't heard a word the reverend said. He'd spent the morning at the library, trying to keep his mind off Fay and Britt and where they might be and in how many pieces. He looked up "manatee" in the dictionary and learned that it comes from the Cariban manati, which means breast, and for some reason he found the revelation distressing and depressing. He couldn't stop himself from thinking about that sea cow Booger, and about Fay and Britt. What kind of man beholds a hulking sausage-shaped, beaver-tailed, cleft-lipped creature and decides to name it for the female breast? A man too long at sea, perhaps. But still. Jake reminded himself where he was. He studied the Stations of the Cross on the stained-glass window. Veronica wipes the face of Jesus. He stared at the crucifix suspended above the altar, thought Jesus looked like the daring young man on the flying trapeze. Jake couldn't stop his obsessive thoughts: beaver, sausage, tail, lips, cleavage, breast. What was worse, he'd also read that a manatee's breasts were situated under the flippers, where appendage meets torso. Jake cursed himself for going to the library in the first place. It would never happen again. He turned to Janice Deal, his buddy John's ex, smiled, squeezed her hand. She smiled, returned her attention to the priest. Jake inhaled her vanilla scent. He tried not to think of breasts in her armpits.

Judge Manuel Dominguez wondered why this priest was carrying on about the failure of a people to cast off its oppressors. Quebec, he was yapping about, not Cuba. Not a very apt or decorous sermon, certainly. What did all this have to do with the death of this esteemed grande dame? Had he missed something? All this sadness. First his nephew Victor and now Ms. Williams. Poor Victor, a lousy bailiff, sure, and a worse jai alai player. "Victorless" they called him at the fronton. But why would he try to do that, race the drawbridge like he did in the new Acura? With the young, the judge thought, often the danger is in not taking the risk.

Vernon Sawyer wanted to sing "What Wondrous Love Is This?" "Abide with Me," or "There Is Power in the Blood," anything. Why can't Catholics sing? He was tired with all this talk, talk, talk. He wanted his religion to carry him out of the church, out of himself, to lift his heart, to set his feet in ecstasy. He looked at the hair of this vaguely familiar man seated in front of him, saw how it thinned at the crown. He hated the treachery of baldness. Vernon knew that when there is a mystery, there are always two stories-what happened and what seemed to happen. What seemed to happen here was a drowning. But no, not with the granddaughter gone missing like she'd done. That was no coincidence, no sir. Something to do with that key he'd passed to Fay. The key to the whole mystery, likely.

Dash Brandon didn't like his seat. He belonged up there with Governor What's-his-face and Jimmy Carter. This sort of affront would never happen at Planet Hollywood or at the Raleigh, where just this morning he'd been seated by Johnnie Cochran's table. What was he in town for? Defending some fat tourist? Something about a riot. Or was it the Club Hell fiasco? Dash had given Johnnie a nod and a conspiratorial thumbs-up. He'd eavesdropped as Johnnie rehearsed his forensic couplets: "If the facts don't indicate, you must vindicate," "If the fault's with the police, you must release," and so on throughout the brunch. Dash thought about his own funeral. A full-couch, polished copper casket with taffeta lining, interior lighting, brass fittings. Or an Egyptian sarcophagus. Wouldn't that be a hoot? Show tunes and spontaneous eulogies. He cast his pallbearers: Arnold, Bruce, Sly, Wesley, Woody, the Boz. No, not the Boz. Denzel. Ziff Bodine nudged Dash, showed him the sketch he'd been doodling. Castro, it looked like, without the beard and toupee.

John Deal wondered if this was such a good idea, coming back to Miami. It had seemed like the right thing, sitting there in the bar with Mike, into his tenth Cuba libre, thinking he could straighten his whole life out in a minute if he could just get back home. He felt an intense heat at the base of his neck, an itch on his scalp that stung like shame. He touched the back of his head. He made a mental note: call 1-800-ROGAINE. Why the burn? Why at the back of his head. Too much Advil? Where was it coming from? Deal turned, and the man's doleful gaze locked with his for a moment. Deal returned his eyes to the altar. Where had he seen that face before? Havana? Not Havana. Deal felt-he didn't know-he was marked or something. That's it. The Grove. The man outside the market. Just a coincidence, he hoped. What was it his dad used/to say? You'll meet everyone twice before you die. This was like a reunion for Deal. The man behind him, his ex across the aisle with Jake Lassiter of all people, the movie actor who'd sued him over the hot tub. Deal wondered if he might be dreaming all this. No, this was Mike Weston right beside him, Mike Weston was real, wasn't he? And there's that quack, Irwin Schein… berg? man? Schein?…

Irwin Scheinblum wondered why the cover-up. Marion's death was no drowning, of course. You don't have to be a coroner to know that it takes days for a drowned body to bloat with gas and rise to the surface. No weeds or sand in the lungs. He'd read the autopsy report. Evidence of pete-chiae, tiny hemorrhages, dark spots on the mucous membrane, caused most likely by increased pressure in the head from strangling, or choking perhaps. Face and neck congested and dark red, bruises on the arms and legs, contusions on the face, a fractured hyoid bone and torn thyroid cartilage. So why did the medical examiner rule the death an accident? And why wasn't anyone upset? Why wasn't anyone talking, writing about this? Irwin was puzzled. Irwin needed several drinks.

Marion McAlister Williams felt deflated, degenerate, annoyed. So there you have it: there are no answers beyond the grave. Well, not the grave just yet. No answers beyond death. She was no longer one of the chosen people-those still alive. She found herself humming the tune to "The Yellow Rose of Texas" and singing the words to Emily Dickinson poems: Because I could not stop for death, da-da-da-dum-dee-tum. No answers and no tunnels and no lights. We spend our lives lumbering from hope to hope. So what is death then? No lights and no hope. Marion felt like her mind was going blind. Death belongs to life, not to whatever-this-is. No hope and no Buddha. No Jesus. No Allah. No angels, no time, no enlightenment, no nine circles of hell, no rest, no numbers, no regrets, no color, no stories, no space, no peace, no honor, no pain, no blood, no air, no matter. Just alone. All alone. That's all.

Jimmy Carter was basking in a marvelous run of good luck and nothing was going to get him down-not Rosalynn's volatile mood swings, not Robertico Robles's threats, not this dismal ceremony, and certainly not these elitist book reviewers. Jimmy Carter stood with the congregation. He bent his head, moved his lips, as if in prayer. Yesterday he'd autographed eight hundred hardcover copies of Always a Reckoning in two hours at Books and Books, beating the Anne Rice record by seventy-five books. Mitchell Kaplan told him so, and booksellers don't lie. And then last night he'd beaten Vanilla Ice by a pentameter in the poetry slam at Warehaus 57. Then this morning's News carried his photo on page one. There he was driving a nail into a crossbeam in the new Habitat house in Liberty City. He was in a zone right now, and he dared to dream of, to lust in his heart for, the unprecedented Double Nobel-Peace and Literature. He was possessed by the Muse, on fire with a Promethean mission to steal poetry from the academic gods and deliver it to the people. Soon poetry would be accessible to working men and women in paper-hat jobs, would be understood and loved by schoolchil-dren, illiterates, babies, cats. And in the limo on the way to the cemetery he'd begin his Sonnet Sequence for Democracy, that is, if he could get Governor Whatchamacallit to shut his trap for a minute.