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"My brother, my brother."

All his suffering humanity found comfort in that cry. He drenched M. Venot's face with tears; he kissed him, uttering fragmentary ejaculations.

"Oh, my brother, how I am suffering! You only are left me, my brother. Take me away forever--oh, for mercy's sake, take me away!"

Then M. Venot pressed him to his bosom and called him "brother" also. But he had a fresh blow in store for him. Since yesterday he had been searching for him in order to inform him that the Countess Sabine, in a supreme fit of moral aberration, had but now taken flight with the manager of one of the departments in a large, fancy emporium. It was a fearful scandal, and all Paris was already talking about it. Seeing him under the influence of such religious exaltation, Venot felt the opportunity to be favorable and at once told him of the meanly tragic shipwreck of his house. The count was not touched thereby. His wife had gone? That meant nothing to him; they would see what would happen later on. And again he was seized with anguish, and gazing with a look of terror at the door, the walls, the ceiling, he continued pouring forth his single supplication:

"Take me away! I cannot bear it any longer! Take me away!"

M. Venot took him away as though he had been a child. From that day forth Muffat belonged to him entirely; he again became strictly attentive to the duties of religion; his life was utterly blasted. He had resigned his position as chamberlain out of respect for the outraged modesty of the Tuileries, and soon Estelle, his daughter, brought an action against him for the recovery of a sum of sixty thousand francs, a legacy left her by an aunt to which she ought to have succeeded at the time of her marriage. Ruined and living narrowly on the remains of his great fortune, he let himself be gradually devoured by the countess, who ate up the husks Nana had rejected. Sabine was indeed ruined by the example of promiscuity set her by her husband's intercourse with the wanton. She was prone to every excess and proved the ultimate ruin and destruction of his very hearth. After sundry adventures she had returned home, and he had taken her back in a spirit of Christian resignation and forgiveness. She haunted him as his living disgrace, but he grew more and more indifferent and at last ceased suffering from these distresses. Heaven took him out of his wife's hands in order to restore him to the arms of God, and so the voluptuous pleasures he had enjoyed with Nana were prolonged in religious ecstasies, accompanied by the old stammering utterances, the old prayers and despairs, the old fits of humility which befit an accursed creature who is crushed beneath the mire whence he sprang. In the recesses of churches, his knees chilled by the pavement, he would once more experience the delights of the past, and his muscles would twitch, and his brain would whirl deliciously, and the satisfaction of the obscure necessities of his existence would be the same as of old.

On the evening of the final rupture Mignon presented himself at the house in the Avenue de Villiers. He was growing accustomed to Fauchery and was beginning at last to find the presence of his wife's husband infinitely advantageous to him. He would leave all the little household cares to the journalist and would trust him in the active superintendence of all their affairs. Nay, he devoted the money gained by his dramatic successes to the daily expenditure of the family, and as, on his part, Fauchery behaved sensibly, avoiding ridiculous jealousy and proving not less pliant than Mignon himself whenever Rose found her opportunity, the mutual understanding between the two men constantly improved. In fact, they were happy in a partnership which was so fertile in all kinds of amenities, and they settled down side by side and adopted a family arrangement which no longer proved a stumbling block. The whole thing was conducted according to rule; it suited admirably, and each man vied with the other in his efforts for the common happiness. That very evening Mignon had come by Fauchery's advice to see if he could not steal Nana's lady's maid from her, the journalist having formed a high opinion of the woman's extraordinary intelligence. Rose was in despair; for a month past she had been falling into the hands of inexperienced girls who were causing her continual embarrassment. When Zoe received him at the door he forthwith pushed her into the dining room. But at his opening sentence she smiled. The thing was impossible, she said, for she was leaving Madame and establishing herself on her own account. And she added with an expression of discreet vanity that she was daily receiving offers, that the ladies were fighting for her and that Mme Blanche would give a pile of gold to have her back.

Zoe was taking the Tricon's establishment. It was an old project and had been long brooded over. It was her ambition to make her fortune thereby, and she was investing all her savings in it. She was full of great ideas and meditated increasing the business and hiring a house and combining all the delights within its walls. It was with this in view that she had tried to entice Satin, a little pig at that moment dying in hospital, so terribly had she done for herself.

Mignon still insisted with his offer and spoke of the risks run in the commercial life, but Zoe, without entering into explanations about the exact nature of her establishment, smiled a pinched smile, as though she had just put a sweetmeat in her mouth, and was content to remark:

"Oh, luxuries always pay. You see, I've been with others quite long enough, and now I want others to be with me."

And a fierce look set her lip curling. At last she would be "Madame," and for the sake of earning a few louis all those women whose slops she had emptied during the last fifteen years would prostrate themselves before her.

Mignon wished to be announced, and Zoe left him for a moment after remarking that Madame had passed a miserable day. He had only been at the house once before, and he did not know it at all. The dining room with its Gobelin tapestry, its sideboard and its plate filled him with astonishment. He opened the doors familiarly and visited the drawing room and the winter garden, returning thence into the hall. This overwhelming luxury, this gilded furniture, these silks and velvets, gradually filled him with such a feeling of admiration that it set his heart beating. When Zoe came down to fetch him she offered to show him the other rooms, the dressing room, that is to say, and the bedroom. In the latter Mignon's feelings overcame him; he was carried away by them; they filled him with tender enthusiasm.

That damned Nana was simply stupefying him, and yet he thought he knew a thing or two. Amid the downfall of the house and the servants' wild, wasteful race to destruction, massed-up riches still filled every gaping hole and overtopped every ruined wall. And Mignon, as he viewed this lordly monument of wealth, began recalling to mind the various great works he had seen. Near Marseilles they had shown him an aqueduct, the stone arches of which bestrode an abyss, a Cyclopean work which cost millions of money and ten years of intense labor. At Cherbourg he had seen the new harbor with its enormous works, where hundreds of men sweated in the sun while cranes filled the sea with huge squares of rock and built up a wall where a workman now and again remained crushed into bloody pulp. But all that now struck him as insignificant. Nana excited him far more. Viewing the fruit of her labors, he once more experienced the feelings of respect that had overcome him one festal evening in a sugar refiner's chateau. This chateau had been erected for the refiner, and its palatial proportions and royal splendor had been paid for by a single material--sugar. It was with something quite different, with a little laughable folly, a little delicate nudity-- it was with this shameful trifle, which is so powerful as to move the universe, that she alone, without workmen, without the inventions of engineers, had shaken Paris to its foundations and had built up a fortune on the bodies of dead men.

"Oh, by God, what an implement!"